Revisiting Solaris

Deimantas Narkevičius

This video is no longer available

Deimantas Narkevičius, Revisiting Solaris (still), 2007.

An Other Cinema: Apparatus and Histories Revisiting Solaris
Deimantas Narkevičius

18 Minutes
Courtesy of GB Agency, Paris

September 6–20, 2021

The astronaut Chris Kelvin receives a visit from a woman who is a double of his dead wife. This story, told in Stanislaw Lem’s eponymous novel, was once adapted into the film Solaris by the legendary Russian film director Andrei Tarkovsky. According to Deimantas Narkevičius, Tarkovsky was not as critical of the increasing impact of electronic media on relationships and on the complex nature of human memory as Lem, the original author of the story. In this video, the actor Donatas Banionis reappears in his role as Kelvin, forty years after Tarkovsky’s film was shot. Revisiting Solaris is based on the last chapter of Lem's book, which had been left out of Tarkovsky’s adaptation. In order to visualize the landscape of Solaris and expose complex specters of the past, Narkevičius combines the new footage and a series of photos from 1905 taken by the Lithuanian painter and composer Mykolojus Konstantinas Čiurlionis.

Revisiting Solaris is presented as part of the program An Other Cinema: Apparatus and Histories, curated by Lukas Brasiskis and designed to precede the online symposium The State of the Moving Image (September 17–19).

For more information, contact program@e-flux.com.

Film, Contemporary Art, Literature
Documentary, Video Art, Appropriation Art, Memory, Science Fiction
Return to An Other Cinema: Apparatus and Histories

Deimantas Narkevičius (b. 1964, Lithuania) lives and works in Vilnius. Originally trained as a sculptor, Narkevičius tarted using film during the early nineties. Employing documentary footage, voice-overs, interviews, re-enactments, and found photographs, his films submit historical events to the narrative structures of storytelling and cinema. In his artistic practice Narkevičius examines the relationship of personal memories to political histories, particularly those of his native Lithuania. Eschewing the common features of contemporary documentaries, the central characters of Narkevičius’s narratives are often absent from the screen, replaced by objects, drawings, and other surrogates.He has exhibited extensively around the world at including at Centre Pompidou (Paris), Museo Nacional Centro De Arte Reina Sofia (Madrid), Tate Modern (London), Museum of Modern Art (New York), Stedelijk Museum (Amsterdam), the 49th and 50th Venice biennials, and Manifesta II and X. In 2008, Narkevičius was awarded the Vincent Award and the Lithuanian National Prize for Culture and Arts, and in 2017, the National Gallery of Art in Vilnius held a major retrospective of his work.

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