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War at a Distance

Harun Farocki

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Memories for Forgetfulness Elsewhere | III. Images of Resistance from Elsewhere War at a Distance
Harun Farocki
2003

58 Minutes
Copyright: Harun Farocki GbR

Date
Repeat: Wednesday, February 16

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on a computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of War at a Distance, which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production, and sheds light on how the technology of war finds applications in everyday life (Antje Ehmann)

Harun Farocki's War at a Distnace is presented within Images of Resistance from Elsewhere​, the third of five chapters in Memories for Forgetfulness Elsewhere, an online film program curated by Irmgard Emmelhainz for e-flux Video & Film. The program streams in five thematic group screenings each two weeks long, and will be accompanied by two live discussions.

For more information, contact program@e-flux.com.

Category
Film, Image, War & Conflict, Technology
Subject
Gulf War, Militarization, Industrialization
Return to III. Images of Resistance from Elsewhere

Harun Farocki (1944–2014) was born in German-annexed Czechoslovakia. From 1966 to 1968, he attended the Deutsche Film-und Fernsehakademie Berlin (DFFB). In addition to teaching posts in Berlin, Düsseldorf, Hamburg, Manila, Munich, and Stuttgart, he was a visiting professor at the University of California, Berkeley. Farocki made close to 120 short and feature-length films for television and cinema, mostly documentaries and essay films that analyzed social realities, with a precise use of moving images and focus on the political and sociological context involved in the creation of imagery. He also worked in collaboration with other filmmakers as a scriptwriter, actor, and producer. In 1976, he staged Heiner Müller's plays The Battle and Tractor together with Hanns Zischler in Basel, Switzerland. Between 1974 to 1984, he was editor and contributing author of the magazine Filmkritik (München). His work has been shown in many exhibitions in galleries and museums worldwide. From 2000 to 2004 Farocki taught in Berlin at his former school DFFB and at the University of the Arts. In 2004 Farocki first became a visiting professor and then in 2006 a full professor at the Academy of Fine Arts in Vienna. As a teacher Harun Farocki had a significant cinematic and intellectual influence on the development of the acclaimed Berlin School film movement.

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