Program: Thursday, October 4, 2012 -

Hito Steyerl

Thursday, October 4, 2012

Hito Steyerl

Hito Steyerl, Abstract, 2012. Still from HD video with sound. 5 minutes. Photo by Leon Kahane.

The moment an image appears on a screen, a web of political relationships is not only reflected, but actively produced. This places the forces responsible for images at the very center of an ethics of production and reception. Hito Steyerl is an artist whose essays and artworks insist that this ethics is much more than a critical tool for explaining and decoding images, but actually serves to release the image, suspending it momentarily from political or economic imperatives to become the structure, content, and departure point for artistic subjectivity.

From October 4 to December 21, 2012, e-flux is proud to present Steyerl’s first solo exhibition in the US. The exhibition will premiere two new video works, Abstract and Adorno’s Grey, and include her video essay from 2004, November.

Legend has it that Theodor W. Adorno had the auditorium where he taught at the Goethe-Universität in Frankfurt painted grey to aid concentration. In Adorno’s Grey, a team of conservators burrows into the wall of this auditorium hoping to reveal the layer of grey paint beneath it. A voiceover recounts an incident in 1969 when, after three female students approached and bore their breasts to him during a lecture, Adorno collected his papers and ran away in a panic. This would be his last lecture.

Abstract presents a scenario in which the violence of warfare and the violence of aesthetics twist around each other. The two-channel video visits the site where Steyerl’s friend Andrea Wolf was killed in 1998, but through a prism that refracts cinematic language against the weapons that killed her friend. As the site and circumstances of her death fold into the act of witnessing it from a distance, the ethical burden of identifying those responsible also appears to live and die with the debris that still remains at the site of the helicopter attack.

Andrea Wolf was killed in Kurdistan as a foreign revolutionary in the PKK, and Steyerl’s acclaimed 2004 video essay November opens with Andrea’s role as a charismatic protagonist in an amateur film made by the two friends when they were in their teens. From a fictional badass feminist vigilante to a martyr for the Kurdish cause, the memory of a dear friend forms the axis of a meta-narrative on the persistent proximity, and even expansion, of political violence in spite of the distancing effects of images.

Hito Steyerl is a filmmaker and writer. She teaches New Media Art at University of the Arts in Berlin. Steyerl studied film at the Academy of Visual Arts in Tokyo, the University of Television and Film in Munich, and holds a Ph.D in philosophy from the Academy of Fine Arts, Vienna. The most formative parts of her education, however, include working as a stunt-girl and bouncer. Steyerl’s work focuses on the intersection of media technology, political violence, and desire by using humor, charm, and reduced gravity as political means of expression. Her sources range from appropriated low-fi clips and sounds to mostly misquoted philosophical fittings. These elements are condensed in rambling essayistic speculation in both text and imagery. Through her oversensitivity to analogies, Steyerl both collects and creates stories describing realities that are stranger than fiction and reflected upon in galloping thought experiments. Her work has been exhibited in numerous solo and group exhibitions including documenta 12Taipei Biennial 2010, and 7th Shanghai Biennial. Her written essays have proliferated more on- than offline in journals such as e-flux and eipcp.

Hito Steyerl would like to thank all those involved in the production of the works and Esme Buden, Alwin Franke, e-flux, Art Institute of Chicago, Aneta Szylak, Henk Slager, Anton Vidokle, Julieta Aranda, Brian Kuan Wood, Lisa Dorin, Massimiliano Gioni, Tracey Parker, Kevan Jenson, Ben Thorp Brown, Laura Hamann, Laura Barlow, and Josh Altman.

Credits

Hito Steyerl, November, 2004

DVD; A/G, 25 minutes

Director: Hito Steyerl

Editor: Stefan Landorf

Assistant: Yasmina Dekkar

Protagonist: Uli Maichle

Supported by: Klaus, Mehmet Aktas, Peter Grabher, Marta Kuzma, Lisa Rosenblatt

Hito Steyerl, Abstract, 2012

Double channel HD video, 7 minutes

Camera: Tina Leisch, Selim Yildiz, Christoph Manz, Vincent Grunwald, Leon Kahane, Esme Buden, Diana McCarty

Sound: Apo

AD: Alwin Franke, Esme Buden

Postproduction: Christoph Manz

Translators: Neman Kara, Sahin Okay, Nejat Sunar

Thank you to Necati Sönmez /Human Rights film festival Istanbul), Şiyar, Ali Can, Oliver Rein, Eren Keskin, Bilgin Ayata, Hüsnü Yildiz, Diana McCarty

Produced by Instytut Sztuki Wyspa/Wyspa Institute of Art, Aneta Szylak

Hito Steyerl, Adornos´s Grey, 2012

Single channel HD video projection, 14 minutes 20 seconds, four angled screens, wall plot, photographs

Large format photography: Leon Kahane

Wall plot research and AD: Alwin Franke

Conservators: Benjamin Rudolph, Sina Klausnitz

Production managers: Maike Banaski, Anna-Victoria Eschbach

Postproduction: Christoph Manz, Maria Frycz

Screen design: Studio Miessen, Diogo Passarinho, Yulia Startsev

Produced by Tblisi Triennial and Wilfried Lentz, Rotterdam.

Supported by Nikolaus Hirsch, Sophie von Olfers, Claudia Stockhausen

Camera, sound, edit, color: Hito Steyerl

For further information please contact laura [​at​] e-flux.com.

Reviews
“Memorials, Along With Some Mischief—Hito Steyerl Has New York Solo Debut at e-flux”, The New York Times
by Holland Cotter

The New York solo debut of the Berlin-based artist and  writer Hito Steyerl at e-flux is one of the best gallery shows of the season. Ms. Steyerl works primarily in video, but defines the medium broadly to include documentary, staged history, what look like found film images and the near-equivalent of home movies. The earliest of the three... Read more.

“Hito Steyerl”, Artforum
by Michael Connor

Visitors to  Hito Steyerl ’s latest exhibition are greeted by the heady smell of a brand new carpet, which has been laid across e-Flux as part of her installation Adorno’s Grey, 2012, one of three works on view. The other two works on view—the video November, 2004, and two-channel video Abstract, 2012—posit a dynamic, intertwining... Read more.

“Hito Steyerl at e-flux”, Rhizome
by Yin Ho

Abstract , one of three pieces in Hito Steyerl’s solo exhibition at  e-flux , shows the artist’s visit to the deathplace of a friend. As an eyewitness plainly recounts the evening slaughter, he points out the remains of  Andrea Wolf and some 40 other insurgents shot dead by the Turkish Army in Kurdistan. On the adjacent screen,... Read more.

Images
Hito Steyerl, Adornos´s Grey, 2012. Single channel HD video projection, 14 minutes 20 seconds, four angled screens, wall plot, photographs. Installation view, e-flux, New York, 2012.© e-flux.
Hito Steyerl, Adornos´s Grey (detail), 2012. Single channel HD video projection, 14 minutes 20 seconds, four angled screens, wall plot, photographs. Installation view, e-flux, New York, 2012.© e-flux.
Hito Steyerl, Adornos´s Grey, 2012. Single channel HD video projection, 14 minutes 20 seconds, four angled screens, wall plot, photographs. Installation view, e-flux, New York, 2012. © e-flux.
View of Hito Steyerl, e-flux, New York, 2012. © e-flux.
Hito Steyerl, Adornos´s Grey, 2012. Single channel HD video projection, 14 minutes 20 seconds, four angled screens, wall plot, photographs. Installation view, e-flux, New York, 2012. © e-flux.
Hito Steyerl, Abstract, 2012. HD video with sound, 5 minutes. Installation view, e-flux, New York, 2012. © e-flux.
Hito Steyerl, Abstract, 2012. HD video with sound, 5 minutes. Installation view, e-flux, New York, 2012. © e-flux.
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