ğ soft g - queer forms migrate - Announcements
Closing editorial e-flux Architecture
In Defense of the Poor Image Journal #10 November 2009
The Architecture of Exile IV. B e-flux Architecture
Post-apocalyptic Realism Announcements

e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

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49 Nord 6 Est – Frac Lorraine
Academy of the Arts of the World, Cologne
February 26, 2017
Kölnischer Kunstverein
Anthology Film Archives
February 25, 2017
The Center for Experimental Museology
Centre For Contemporary Art Laznia
Lafayette Anticipations – Fondation d'entreprise Galeries Lafayette
MUSAC, Museo de Arte Contemporaneo de Castilla y Leon
February 24, 2017
Kunsthalle Zürich
Moderna Museet
February 23, 2017
Bergen Kunsthall
KfW Stiftung / Künstlerhaus Bethanien
Schirn Kunsthalle Frankfurt
February 22, 2017
Schwules Museum* Berlin

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

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e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.

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art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.

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Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

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Graduate School of Art 2016 MFA Thesis Exhibition
PennMFA 2015 Thesis Exhibition
Bard MFA Class of 2017 Thesis Exhibition
ASSEMBLE RELATIVES: Piet Zwart Institute Master Fine Art Exhibition
2016 MFA Thesis Exhibition
Academy of Fine Arts Vienna Thesis Exhibition 15|16
PennMFA 2016 Thesis Exhibition
Ernest G. Welch School of Art & Design 2016 MFA Thesis Exhibitions
Mason Gross MFA Thesis Season 2016
Academy of Fine Arts Nuremberg Graduation Exhibition 2015

e-flux Architecture is a dissemination platform for architecture and design. The content is comprised of commissioned and syndicated essays, as well as press releases for key events and projects in the field.

e-flux Architecture projects include Superhumanity and Refugee Heritage.

Nikolaus Hirsch
Anton Vidokle

Deputy Editor
Nick Axel

Image Editor
Mariana Silva

Web design
Alan Woo

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Refugee Heritage
February 22, 2017
National Gallery of Victoria, Melbourne
Museo d'Arte Contemporanea Villa Croce, Genova
February 17, 2017
Archiprix International
February 14, 2017
Thomas Keenan
Or are we human beings?
Columbia University Graduate School of Architecture, Planning and Preservation
February 6, 2017
February 1, 2017
January 30, 2017
Sophia Roosth
Analysis: Synthesis
January 25, 2017
Kali Stull and Etienne Turpin
Our Vectors, Ourselves
January 23, 2017
Stephan Trüby
Right-wing Spaces
January 18, 2017
January 16, 2017
Benjamin H. Bratton
On Anthropolysis
January 13, 2017
January 11, 2017
January 6, 2017
Anton Vidokle and Arseny Zhilyaev
Art without Death
January 4, 2017
December 21, 2016
Franco "Bifo" Berardi
Engineering Self

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

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Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter,...

Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

Boris Groys

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his...

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

This book began as a two-part issue of e-flux journal devoted to the question: What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand...

Since Conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have seen institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to...

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

Click to view the program archive

Friday, March 31, 2017, 7pm
A near-future love story set against the fears and wonders of an impending drone age.
Wednesday, March 29, 2017, 7pm
Jean-Marie Straub and Daniàle Huillet's adaptation of Arnold Schoenberg's opera Moses und Aron (Moses and Aaron), shot in 1974 and dedicated to Holger Meins, is a study on migration, exile, and on being a stranger or alien.
Saturday, March 25, 2017, 6pm
Written as the neoliberal era was morphing into the Trumpocene, the book Cultural Revolution: Aesthetic Practice after Autonomy examines forms of aesthetic practice beyond residually modern(ist) notions of artistic autonomy; practices whose relevance may be more acute than ever in the current crisis, in which strategies and tactics are in urgent need of reexamination.
Monday, March 20, 2017, 7pm
Franco Berardi discusses current affairs and proposes answers to the question: Is there a way out?
Saturday, March 18, 2017, 6pm
Lind will explore notions such as "weak resistance," "contact and conflict zones," and "redistributive politics" while keeping art center stage in the lecture.
Wednesday, March 15, 2017, 7pm
With a detour through Allan McCollum's The Shapes Project (2005-ongoing), this lecture goes looking for the things that may be hiding in the folds of our renewed fascination with human extinction.
Wednesday, March 8, 2017, 7pm
Delving into meme engineering, operant conditioning, and other claimed 'brainwashing' techniques, this lyrical lecture will tussle with the question of how deviance is normalized.
Wednesday, March 1, 2017, 7pm
Twenty-five years ago, the promise of the first "smart war" was launched: Technologically advanced, machine-driven, and presented to the public via blockbuster press conferences and satellite imagery.
Friday, February 24, 2017, 7pm
Refugee camps are considered to be—by definition—temporary spaces. They are designed to be dismantled, abandoned. Their conflict for being meant to be quickly resolved. Yet there are some Palestinian refugee camps that are now almost 70 years old; the conflict, seemingly permanent.
Wednesday, February 22, 2017, 7pm
The lecture starts from mapping a variety of philosophical materialisms to raise the question of possibilities for a philosophy of nature today.
Friday, December 9, 2016, 7pm
With Lou Cantor, Paul Chan, Andrew Durbin, Alexandre R. Galloway, Sam Sackeroff, Mohammad Salemy, Maria Tsylke, and Mary Wang.
Tuesday, December 6, 2016, 7pm
At a moment when activism feels more necessary than ever, we will discuss the strategies and insights offered by these artists’ critical writings and address the question: What do we do now?
Wednesday, November 30, 2016, 6:30pm
Sunday, November 13, 2016, 6pm
Sylvère Lotringer's earlier films are first-hand explorations of sex, crime, and death in New York City. They are also an investigation of poet, writer, and dramatist Antonin Artaud’s life and legacy.

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.

Time/Bank is a platform where groups and individuals can pool and trade time and skills, bypassing money as a measure of value. Time/Bank is based on the premise that everyone in the field of culture has something to contribute and that it is possible to develop and sustain an alternative...

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.

unitednationsplaza is exhibition as school located in the city of Berlin, organized by Anton Vidokle in collaboration with Liam Gillick, Boris Groys, Martha Rosler, Walid Raad, Jalal Toufic, Nikolaus Hirsch, Natascha Sadr Haghighian and Tirdad Zolghadr.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.