Christian Friedrich, Untitled, 2010–11. DV and found footage transcoded to digital file, colour, mute 15:22 minutes (continuous play). Courtesy the artist and Wilfried Lentz Gallery Rotterdam.

Christian Friedrich, Untitled, 2010–11. DV and found footage transcoded to digital file, colour, mute 15:22 minutes (continuous play). Courtesy the artist and Wilfried Lentz Gallery Rotterdam.

Grazer Kunstverein

Christian Friedrich and Will Holder

Following the exhibition at Museum de Hallen in Haarlem (NL), the Grazer Kunstverein presents the first solo show in Austria by artist Christian Friedrich (b. 1977, DE). The exhibition titled On Something New / Dirt in a Hole presents an array of... continue reading

This week: November 21 - November 27 / 2014

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“Social Factory”By Kevin McGarry

The 10th Shanghai Biennale is sited inside one of Earth’s most colossal art containers, The Power Station of Art, a 42,000-square-meter decommissioned coal power plant used as the Urban Future Pavillion of the 2010 Shanghai Expo, and converted into China’s first and only state-run contemporary art institution in 2012. Entitled “Social... continue reading

Eija-Liisa Ahtila’s “Studies on the Ecology of Drama 1”By Kim West

Human beings are destroying the planet. If we want to save it we must therefore make inhuman art. Arguments to this effect seem to have enjoyed some currency in recent curatorial practice. Alas, Eija-Liisa Ahtila’s accomplished video installation at Galleri Charlotte Lund in Stockholm does not save the world, nor... continue reading

Harun Farocki’s “4 films from 1967–1997. An homage curated by Antje Ehmann”By Carles Guerra

This exhibition is one of the first since Harun Farocki’s unexpected death in July. In the absence of the artist himself, “4 films from 1967 to 1997” pays tribute to the man—chosen by his partner and collaborator, Antje Ehmann—who has been perhaps among the most influential artists and filmmakers of the second half... continue reading

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Tom DaleJohn Hansard Gallery at University of Southampton

Encompassing ideas of the infinite, the absurd, and "the virtual," Tom Dale's exhibition is ultimately interested in what lies beyond the surface, the speculation of this and all the dichotomies and contradictions this brings. For Dale, this means engaging sculpture specifically with the question of how we activate objects and ideas, and... continue reading

Open call: Summer SchoolSchool for Curatorial Studies Venice

Artist residency: call for applicationsDe Ateliers

Despite Efficiency: LabourHerbert Read Gallery at University for the Creative Arts, Canterbury

Mobile Library: MyanmarAsia Art Archive (AAA)

Parsons Paris launches undergraduate program in Art and Design History and TheoryParsons The New School for Design

Call for applications: Goethe-Institut post-doctoral fellowshipHaus der Kunst

An exhibition on Aspen MagazineCharles H. Scott Gallery at Emily Carr University of Art + Design

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