William Wegman, "He Tried On a Wig, It Made Him Look Younger," 1971–72. Two gelatin silver prints, 35.6 x 27.9 cm each. Courtesy the artist and Sperone Westwater, New York.

William Wegman, He Tried On a Wig, It Made Him Look Younger, 1971–72. Two gelatin silver prints, 35.6 x 27.9 cm each. Courtesy the artist and Sperone Westwater, New York.

Solomon R. Guggenheim Museum

Fourth Annual Robert Rosenblum Lecture: William Wegman in conversation with Richard Armstrong

In honor of Robert Rosenblum (1927–2006), former Stephen and Nan Swid Curator of Twentieth-Century Art at the Solomon R. Guggenheim Museum and Henry Ittleson, Jr., Professor of Modern European Art at New York University, the Guggenheim will host... continue reading

This week: April 17 - April 23 / 2014

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Teresa Margolles’s “El Testigo”By Octavio Zaya

The testimony of the witness still has an important place among many artists and writers who identify their works with activist politics, dissidence, the subaltern, and the liberation strategies particularly favored in the last decade of the twentieth century. However, in these times, in which human testimony has been displaced... continue reading

Terence Gower’s “Baghdad Case Study”By ADAM KLEINMAN

On May 13, 1846, United States President James K. Polk went before Congress and asked for a declaration of war against Mexico. His rallying cry: “American blood has been shed on American soil.” While eleven Americans were killed and six more were wounded in what is now known as the... continue reading

Heman Chong’s “Of Indeterminate Time Or Occurrence”By Michael Lee

With his latest deliberation on narrative, text, and the future, Heman Chong offers a handsome presentation of paintings, text pieces, and a found book in his new solo exhibition “Of Indeterminate Time Or Occurrence” at Singapore’s FOST Gallery. Greeting you on one wall is a series of small paintings—organized in... continue reading

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