September 30, 2015 - Kunstraum Kreuzberg/Bethanien - Regarding Spectatorship: Revolt and the Distant Observer
September 30, 2015

Regarding Spectatorship: Revolt and the Distant Observer

(1) Sharon Hayes,10 Minutes of Collective Activity, 2003. Single-channel video installation, video, colour, sound, 10 minutes, dimensions variable. Courtesy of the artist and Tanya Leighton, Berlin. Copyright the artist. (2) Massimo Grimaldi, EMERGENCY’s Surgical Centre in Goderich, Photos Shown On Two Apple Thunderbolt Displays, 2013. Double slideshow, two Apple Thunderbolt Displays, two Apple Mac minis, dimensions variable. Courtesy of the artist and Team, New York.

Regarding Spectatorship: Revolt and the Distant Observer
21 November 2015–17 January 2016

Opening: 20 November, 7pm

Kunstraum Kreuzberg/Bethanien
Mariannenplatz 2
10997 Berlin
Germany
Hours: Daily noon–7pm

T +49(0)30/90298 1455

www.regardingspectatorship.net
www.kunstraumkreuzberg.de

Artists: Abbas Akhavan, Özlem Altin, Gilad Baram, Bernadette Corporation, Harun Farocki, Massimo Grimaldi, Sharon Hayes, Daniel Herleth, Darius Kazemi, Ken Lum, Martha Rosler, Falke Pisano in collaboration with Archive Books,​ David Reeb, Sandra Schäfer, Allan Sekula, Peter Snowdon and Ian Wallace

A project in collaboration with Kunstraum Kreuzberg/Bethanien, curated by Marianna Liosi and Boaz Levin.

Regarding Spectatorship focuses upon the prevalent mode of vision and the engagement of the distant onlooker in relation to mediated political events, critically exploring the role played by mass and informal media as well as by technological devices in the politics of representation.

In the aftermath of highly mediated protests across the globe, an ever-growing number of people seem to be experiencing political unrest from afar. Images of dissent and revolt are disseminated at an exponential speed and breadth. New “social” media, as well as more traditional broadcast communication channels, increasingly play a growing role in uprisings and conflicts, becoming as much a part of their spectacle as its medium. 

The exhibition at Kunstraum Kreuzberg/Bethanien is the culmination of a year-long series of events and online publications. Through a variety of artworks by artists of different generations, as well as through a plethora of musical, literary, journalistic and cinematic documents, the exhibition presents diverse and at times contradictory forms of spectatorship in relation to political events. It explores the role played by spectators, questioning their agency and interest concerning circumstances that they do not experience directly, and asking how might they be implicated within this peculiar long-distance relationship. If mediation is inherent to the contemporary political sphere, how does this forge perceptions and reactions? Is spectatorship intrinsically voyeuristic, or conversely, does it carry emancipatory potential? How might the observer contribute to the construction of historical narratives? Is the act of viewing individual and solipsistic, or might it also effect or help constitute a collectivity? 

Gathering questions concerning the ambivalent way in which the role of technological mediation is perceived within the political sphere, it problematizes the notions of distance in relation to involvement, spectatorship in relation to engagement, and vision in relation to action.
 
As its title suggests, the exhibition proposes a stage for a self-reflexive gesture: “we”—who observe other onlookers by way of a lens, screen or canvas—become spectators ourselves.

A programme of screenings and talks is to be announced. Please visit our Facebook page and website for details.

www.regardingspectatorship.net is an online platform launched in June 2015.

The website gathers solicited essays and archival material by a wide range of intellectuals, alongside a growing collection of cultural references, videos and archival material. Among the contributors are: Brian Holmes, Vera Tollman, Quinn Slobodian, Sohrab Mohebbi, Oleksiy Radinsky, Paolo Caffoni, Azin Feizabadi, Kaya Behkalam, Jens Maier-Rothe, and Martha Rosler. 

Regarding Spectatorship is a Kunstraum Kreuzberg/Bethanien project, funded by Hauptstadtkulturfonds Berlin, with the kind support of The Artis Grant Program.

Kunstraum Kreuzberg/Bethanien presents Regarding Spectatorship: Revolt and the Distant Observer
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