Released on October 8, the second issue of the Occupied Wall Street Journal included an editorial note entitled “No list of demands,” responding to the perceived absence of strong messaging offered by the movement. The note specified that: The exhausted political machines and their PR slicks are already seeking leaders to elevate, messages to claim, talking points to move on. They, more than anyone, will attempt to seize and shape this moment. They are racing to reach the front of the...

Art is the distinctive countermovement to nihilism. —Martin Heidegger 1 In the late 1970s Aldo Rossi wrote: “Now it seems to me that everything has already been seen; when I design I repeat, and in the observation of things there is also the observation of memory . ” 2 If, for Rossi, architecture that comes from the typological reorganization of forms can only produce memories, then these memories are associated with the condition of a continuous awareness of the unavailability of...

Contemporary art? As far as I am largely un concerned, none of what is termed contemporary art, including what is exhibited and screened in various “museums of contemporary art,” for example the Museum of Contemporary Art in Sydney (MCA) or the Museum of Contemporary Art in Los Angeles (MOCA), is contemporary even to the art that constructs and/or presents universes in which the signals from anything are not necessarily forthcoming, where people perceive the present, not the past.] and...

1. Totality as Point of View, Medium, and Mode of Address Stano Filko’s work is never just about the world. It is world. Because Filko speaks world. World is his medium, his language, his means of artistic production: using the medium of world Filko produces (anti)happenings, environments, installations, objects and diagrammatic drawings of all kinds. Some look very different from others. But that is the freedom of a mind that speaks world. It can choose the means and materials...

Life but how to live it —for years the name embellished the wall behind my bed: the place of love and desire, of fears and tears, of fatigue and regeneration. No question mark, thus no searching for sense, or meaning, or technologies. No comma, thus no singling out of some ontological given from the practices of sustaining, endangering, or losing it. Simply the pleasure and pain of engaging in social relations: of bitterly failing while jubilating, and cheering while messing it all up. It...

Continued from “Neo-Materialism, Part Two: The Unreadymade” in issue 23. Yet what is here already very plainly expressed is the idea of the future conversion of political rule over men into an administration of things … —Friedrich Engels, Socialism: Utopian and Scientific (1880) In his 1898 “The Beginnings of Ownership,” Thorstein Veblen explains how we have arrived at the notion of property through our understanding of its subjectivity. Veblen presents a concept that the...

Globalism in its Mobilized Form Mobility in architecture means to mobilize—money, above all—on behalf of the immobile: to build more space in less time. This further confirms what theorists of the early twentieth century first recognized as modernity’s triumph of space over time, what Michel Foucault would later call the modern obsession with space. While the nineteenth century was preoccupied with time, evolution, cycles, and halt, the twentieth century was concerned with space—so much...