World as Medium: On the Work of Stano Filko

I here remain very much indebted to Patricia Grzonka’s insightful and comprehensive introduction to Filko’s work and color-coding system. See Patricia Grzonka, Stano Filko (Prague: Arbor Vitae, 2005), 2–27.

See Boris Groys, The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond, trans. Charles Rougle (Princeton, NJ: Princeton University Press, 1992).