Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part I

For details, see →.

Hito Steyerl, "Duty-Free Art," e-flux journal 63 (March 2015) →.

Yield is defined as the combination of interest and dividends an investment is likely to return in the future, not including capital gains, which is itself partially determined by yield. So, for example, a risky investment with a high yield may be worth less than a safe investment with a low yield. With fewer and fewer high-yield investments available, of any kind, the safety of a fixed income comes to be valued higher and higher.

Hito Steyerl, "Duty-Free Art."

Eileen Kinsella, “Gagosian Says Freeport King Yves Bouvier’s Activities Pose ‘Terrible Conflict of Interest,’” artnet news, September 24, 2015 →.

Cf. Tatiana Bazzichelli, Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking (Aarhus, Denmark: Digital Aesthetics Research Center Press, 2013).

“How do you define ‘post-internet’? How does this terminology relate to artistic practice?” in Art Post-Internet: INFORMATION/DATA, eds. Karen Archey and Robin Peckham (Beijing: Ullens Center for Contemporary Art, 2014), 98. Published in conjunction with the exhibition of the same name shown at Ullens Center for Contemporary Art, Beijing, March 1–May 11, 2014.

See →.

Michael Sanchez, “2011,” Artforum, Summer 2013 →.

Cf. Timo Feldhaus, “The Soul of Simon Denny,” Spike, July 29, 2015, →.