Issue #82 Art, Technology, and Humanism

Art, Technology, and Humanism

Boris Groys

82_Groys_1

A 3-D model of a hammer rendered from below. 

Issue #82
May 2017










Notes
1

Martin Heidegger, The Question Concerning Technology, and Other Essays (New York: Harper Perennial, 2013).

2

Martin Heidegger, “The Origin of the Work of Art,” in Basic Writings (New York: Harper Perennial, 2008).

3

Immanuel Kant, Critique of the Power of Judgment, ed. Paul Guyer, trans. Paul Guyer and Eric Matthews (Cambridge: Cambridge University Press, 2000), 90.

4

Alexandre Kojève, Introduction to the Reading of Hegel (Ithaca, NY: Cornell University Press, 1980), 5.

5

Ibid, 6–7.

6

Ibid., 6.

7

Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (Cambridge, MA: Belknap Press, 2008).

8

Kazimir Malevich, “Sobranie sochinenii,” vol. 1 (Moscow: Gilea, 1995), 34.

9

Jean-François Lyotard, The Inhuman: Reflections on Time (Stanford: Stanford University Press, 1992), 9.

10

Ibid., 12.

A version of this essay was originally presented at the Walker Art Center as part of Avant Museology, a two-day symposium copresented by the Walker Art Center, e-flux, and the University of Minnesota Press. Video documentation of the original lecture at the Walker can be found here.