Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialElizabeth A. Povinelli
After the Last Man: Images and Ethics of Becoming OtherwiseBilal Khbeiz
Dubai: A City Manufactured by CuriosityBoris Groys
Under the Gaze of TheorySotirios Bahtsetzis
Eikonomia: Notes on Economy and the Labor of ArtIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part IIJohn Miller
Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBilal Khbeiz
Escaping From Exile by Belonging to an Exiled LandInke Arns
The Nigerian Connection: On NSK Passports as Escape and Entry VehiclesMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IIJohn Miller
Politics of Hate in the USA, Part II: Right-wing Mysticism and BeliefsMladen Dolar
Hegel and FreudSlavoj Žižek
Hegel on MarriageIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IJohn Miller
Politics of Hate in the USA, Part I: Repressive ToleranceAlenka Zupančič
Not-Mother: On Freud’s VerneinungMladen Dolar
One Divides into TwoHans Ulrich Obrist
In Conversation with Adam Curtis, Part IIMartha Rosler
The Artistic Mode of Revolution: From Gentrification to Occupation
Julieta Aranda, Aaron Schuster, Anton Vidokle, Brian Kuan Wood
EditorialHans Ulrich Obrist
In Conversation with Adam Curtis, Part IAlenka Zupančič
Sexual Difference and OntologySlavoj Žižek
Hegel versus HeideggerHito Steyerl
The Spam of the Earth: Withdrawal from RepresentationGean Moreno
Notes on the Inorganic, Part II: Terminal Velocity
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialKeller Easterling
An Internet of ThingsGean Moreno
Notes on the Inorganic, Part I: AccelerationsGregory Sholette
After OWS: Social Practice Art, Abstraction, and the Limits of the SocialSven Lütticken
General PerformanceGrant Kester
The Sound of Breaking Glass, Part II: Agonism and the Taming of Dissent
