Wendy Snyder MacNeil, Spring Hurlbut, and Izabella Pruska-Oldenhof

Wendy Snyder MacNeil, Spring Hurlbut, and Izabella Pruska-Oldenhof

Ryerson Image Centre at Ryerson University

Wendy Snyder MacNeil, Stephanie and her Sisters, 1973. From the series “Biographies.” Gelatin silver print. Wendy Snyder MacNeil Archive, Ryerson Image Centre.
January 13, 2016
Wendy Snyder MacNeil, Spring Hurlbut, and Izabella Pruska-Oldenhof

January 20–April 10, 2016

Ryerson Image Centre
33 Gould Street
Toronto, Ontario

T +416 979 5164
[email protected]

Twitter  / Instagram

Opening: January 20, 6–8pm
Press preview:
January 19, 10am–noon, RSVP

The Ryerson Image Centre (RIC) celebrates contemporary female artists with three exhibitions featuring work by Wendy Snyder MacNeil, Spring Hurlbut, and Izabella Pruska-Oldenhof. Using a variety of media, including photography, video installation, and experimental film, these artists explore universal themes, such as portraiture, mortality, and the displacement of people. The exhibitions are on view from January 20 to April 10, with the opening party on January 20 from 6 to 8pm.

The Light Inside: Wendy Snyder MacNeil, Photographs and Films brings renewed attention to the art and influence of pioneering American photographer and educator Wendy Snyder MacNeil (b. 1943), whose archive is preserved at the RIC. MacNeil’s austere, compelling images contributed significantly to the North American photography scene during the 1970s and 1980s. Restlessly experimental, she strives to portray complex identity and forge a more direct engagement between subject and viewer by pushing the formal boundaries of portraiture. The exhibition is accompanied by a catalogue, as well as the world premiere of Jeremy Leach and Wendy Snyder MacNeil’s film When the Ice Goes Out (2015), among other events.

Acclaimed Canadian artist Spring Hurlbut’s video Airborne (2008) is a silent reflection on mortality and the physical presence of death, and offers a mesmerizing immersion in a poignant ritual. The piece documents the release of cremated remains entrusted to the artist by relatives of the deceased. Captured in slow motion, the artist opens the urns of six individuals, including that of her own father, and the ashes gracefully ascend, creating a delicate smoke that swirls against a black background.

Displayed on the Salah J. Bachir New Media Wall, the newly commissioned video by Canadian experimental filmmaker Izabella Pruska-Oldenhof stitches together representations of night skies with images of people in transit captured over the last century, linking the displacement of people to celestial passages through space. Weaving source material from the RIC’s Black Star Collection of photo-reportage and astronomical photographs from the US government agency NASA, Izabella Pruska-Oldenhof: The Relics of Lumen creates an immersive environment of mosaics and composite collages.
The exhibitions are accompanied by free public programming, including artist and curator walk-throughs, film screenings, talks, lectures and more. A full schedule of events is available via ryerson.ca.

Admission to the gallery is free.
Free exhibition tours daily at 2:30pm.

Media contact
Erin Warner, Ryerson Image Centre: [email protected] / T +416 979 5000 x7032



The Ryerson Image Centre celebrates contemporary female artists

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Ryerson Image Centre at Ryerson University
January 13, 2016

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