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e-fluxAnnouncement2026-09-17
e-flux
Fondazione Teatro della Città di Livorno
Open call: Il Teatro della Luce
e-fluxAnnouncement2026-09-17
e-flux
Samdani Art Foundation
Far Reach
e-fluxAnnouncement2026-09-17
e-flux
SeMA, Seoul Museum of Art
Oh Yoon
e-fluxAnnouncement2026-09-17
e-flux
KW Institute for Contemporary Art
Fall program 2026
e-fluxAnnouncement2026-09-17
e-flux
Lentos Kunstmuseum Linz
Katrin Plavčak
Painting Reality in Surreal Times
e-fluxAnnouncement2026-09-17
e-flux
Städel Museum
Mary Magdalene. Sin. Pray. Love.
e-fluxAnnouncement2026-09-17
e-flux
Museum Tinguely
Zilla Leutenegger
SPACES BETWEEN
e-fluxAnnouncement2026-09-17
Agenda
Livingstone Office for Contemporary Arts (LoCA)
Mosi-Oa-Tunya Perennial

e-fluxAnnouncement2026-09-17
Agenda
HOUSE
Ala Roushan and Charles Stankievech
A Shroud Woven of Solar Threads
e-fluxAnnouncement2026-09-17
Agenda
Art Brussels
Applications open for 43rd edition
e-fluxAnnouncement2026-09-17
Architecture
MAS Context / Villa Albertine
Shaping Contemporary Realities: Architecture and Beyond symposium
e-fluxAnnouncement2026-09-17
Architecture
Uzbekistan Art and Culture Development Foundation
Open call: second cohort of the Aral School
e-fluxAnnouncement2026-09-17
Architecture
Canadian Centre for Architecture
Open call for 2027 research programs
e-fluxAnnouncement2026-09-17
Education
Royal College of Art
Autumn open days
e-fluxAnnouncement2026-09-17
Education
Owens Art Gallery at Mount Allison University
Jerry Ropson
a place of safety
More
Criticism
16th Gwangju Biennale, “You must change your life”
Stephanie Bailey
What can a work of art “still do inside the very machine that would absorb it”? The question’s relevance to art workers felt palpable at the press conference, when Ho closed the gap between art and politics by differentiating “artistic time” from the present’s “limited attention span”—a neat conceptual return to the central show that he curated with Gahee Park, Brian Kuan Wood, and Che Kyongfa. [...] “You must change your life” considers transformation as multi-scalar, intergenerational, and ever-evolving: a perspective that transcends the temporal limits of nationalism and institutional inertia.
6th Kyiv Biennial, “A Bird That Cannot Land”
Gökcan Demirkazik
KW Institute for Contemporary Art
Organized by Sofie Krogh Christensen, this staging of the biennial absolves itself of responsibility to “break the news” of the horrors in Ukraine, Palestine, and beyond. Instead, it shifts its emphasis to experiences of living with and through cataclysmic ruptures in these geographies, onto the mundane aspects of daily experience that might become sources of inspiration, sustenance, and even survival. By filtering its politics through personal experience, the show can claim to engage with the state of the world without passing express comment upon its causes.
Jun Aoki and Richard Tuttle’s “Almost Sky”
Chris Fite-Wassilak
While the galleries are mostly empty, Aoki and Tuttle’s other incursions are not so slight or subtle. A set of meter-wide metal baskets are suspended high up near the ceilings, each with a tangle of dead tree branches stuck inside, the occasional twig sticking out like a jaunty, burnt-out feather. Circles of dry pine needles dust the floor beneath them, crossing the sterile, cleaning-product smell of the galleries with an occasional whiff of forest floor. White columns dominate each massive room, huddled in groups of two or three, reaching up several meters before topping out with spiraled stacks of ...
“Tomás Saraceno in Collaboration: Ancestral Futures”
Mitch Speed
Haus der Kunst
Amusement park extravaganza and environmental activism don’t make natural bedfellows. Yet this summer, they were brought together in a sprawling exhibition by the art world’s favorite arachnophile, Tomás Saraceno. The museum made a big, TED-talk press pitch, promising “a platform for rethinking forms of coexistence across human and non-human worlds.” With lethal heatwaves visiting Europe, it’s not a bad time to question how art can contribute to our relationship with nature. In this case, the conclusion was double: both too much and not nearly enough.
“FIRE: From the Cosmos to the Commons”
Jesi Khadivi
City Curator Hamburg
“FIRE: From the Cosmos to the Commons” takes up the notion of apocalypse—from the Greek apokalypsis, “an uncovering” rather than an ending—and applies it to the ongoing sense of permacrisis. The exhibition begins with the hyper-specific: the historic St. Nikolai Memorial, a church that burned in the Great Fire of 1842 and, after being rebuilt, was subsequently destroyed in Operation Gomorrah in 1943, save for its historic spire [...] The exhibition begins with the historic St. Nikolai Memorial, a church that burned in the Great Fire of 1842 and was subsequently destroyed in Operation Gomorrah. 
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Notes
September 16, 2026
Next Year at Marienbad: On The Pervert’s Guide to Utopias
By Pietro Bianchi
September 14, 2026
When Is an Occasion for Dance Film?
Film
By Dylan Sherman
September 11, 2026
Eight Theses on Gloria Steinem, Because Goddamn
By Sophie Lewis
September 9, 2026
Conversation with Vladlena Sandu on Memory
By Isa Jacobs
September 7, 2026
What Images Withhold: Film Form and Public Sphere
Film
By Lukas Brasiskis
September 4, 2026
The Politics of Looking
By Nicholas Mirzoeff and Claire Fontaine
September 3, 2026
Locarno International Film Festival 79
By George MacBeth
More
Journal
#165 September 2026
Issue #165
September 2026
EditorialEditors
They Lived a Cosmic LifeBoris Groys and Svetlana Baskova
When the War Comes: Erosion, Transition, and Manic MelancholiaHenrike Kohpeiß
How Much Fascism in the Maximum Power Principle?Antonia Majaca
Neptune Frost and the Final Future of AfrofuturismCharles Tonderai Mudede
Populism, or, The Cultural Logic of Late FascismT. J. Demos
Lifted AFMcKenzie Wark
Spatial CompositionNeil Gray and Andreas Petrossiants
#164 June 2026
Issue #164
June 2026
EditorialEditors
Alcatraz as Image: The Trumpian Politics of Carceral SpectacleMartabel Wasserman
Architectures of Amnesia: Donald Judd and America’s “Forgotten War” in KoreaAndrew Sungtaek
The Algorithm and the Antichrist: Political Theology at the Sunset of Silicon ValleyGiorgio Cesarale and Matteo Pasquinelli
Do Androids Dream of AGI?Vinícius Portella
Against the Clock: Remote Work, Stolen Sleep, and the Limits of ExtractionElvia Wilk
Thank God Science Is Queer NowAldo Kempen
Fire Tribes and Stateless Worlds: A ConversationBima Satria Putra and David Wengrow and Stevphen Shukaitis
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 1Nato Thompson and Claire Pentecost and Brooke Singer and David Garcia and Rich Pell and Lucas Fortunato
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 2Nicola Triscott and Lynn Hershman Leeson and Samuel Ashford and Doug Ashford and Julie Ault and Trevor Paglen
#163 May 2026
Issue #163
May 2026
Editorial: “Intellectuals”McKenzie Wark
Speculating on an Unasked QuestionDenise Ferreira da Silva
The Public Intellectual in HistoryTithi Bhattacharya
In Darkness and Secrecy: On Conspiratorial IntellectualismBogna Konior
A Toast to FemmunismMcKenzie Wark
The Algorithm and the IntellectualAmber Musser
A Fragment, a Message in a Bottle, a ToolboxVerónica Gago
Civilization and Its Incontinence: On the Closed Effluvial Loop of Intellectual LaborDominic Pettman
The Useful NarcissistMatt Seybold
The Angel of History Goes to the FrontDaria Serenko
Critique Is Over, Morality Is Dead, and Surreal Utopias Are Where It’s AtLuce deLire
More
Architecture
e-fluxAnnouncement2026-09-17
MAS Context /Villa Albertine
Shaping Contemporary Realities: Architecture and Beyond symposium
e-fluxAnnouncement2026-09-17
Uzbekistan Art and Culture Development Foundation
Open call: second cohort of the Aral School
e-fluxAnnouncement2026-09-17
Canadian Centre for Architecture
Open call for 2027 research programs
e-fluxAnnouncement2026-09-16
Chair of Fundamentals of Architecture (F-ARCH) at the Technical University Dortmund
DROTEX—Drawing on the Existing
e-fluxAnnouncement2026-09-16
University of Colorado Denver
Common Ground: inaugural Denver Community Design Festival
e-fluxAnnouncement2026-09-16
The World Around
Young Climate Prize 2026 finalists
More
Education
September 17, 2026
Royal College of Art
Autumn open days
September 17, 2026
Owens Art Gallery at Mount Allison University
Jerry Ropson
a place of safety
September 17, 2026
School of the Art Institute of Chicago
Hamza Walker: 2026–27 Bill and Stephanie Sick Distinguished Visiting Professor
September 16, 2026
Penny W. Stamps School of Art & Design at the University of Michigan
Studio art meets research—fully funded MFA program
More
Books
e-fluxSeptember 4, 2026
The Cis Gaze and its others
McKenzie Wark
e-fluxSeptember 1, 2026
Towards a New Universalism
Boris Groys
e-fluxSeptember 1, 2026
After the Kino-Eye: An e-flux Film Reader
e-fluxAugust 12, 2026
Forms of Non-Belonging
Pelin Tan
e-fluxDecember 6, 2025
Cream Psychosis
Mary Walling Blackburn
e-fluxNovember 24, 2025
Séance: Technology of the Spirit
e-fluxSeptember 12, 2025
Theory of Seeing
Władysław Strzemiński
More
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