e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

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FACT (Foundation for Art and Creative Technology)
Weltkulturen Museum
Yesterday
November 12, 2018
Migros Museum für Gegenwartskunst
MacKenzie Art Gallery
Fondation Vincent van Gogh Arles
November 11, 2018
Museum of Arts and Design (MAD)
Aichi Triennale
District Berlin
November 10, 2018
Bergen Kunsthall
Museum Boijmans Van Beuningen
Serralves Museum of Contemporary Art
Bombas Gens Centre d'Art (València)
Kunstsammlung NRW
November 9, 2018
Rochechouart Museum
Fondation d’entreprise Ricard
Logan Center Exhibitions

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

Click to view the Journal archive

e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

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Casa da Arquitectura
Columbia University Graduate School of Architecture, Planning and Preservation
Fikra Graphic Design Biennial
History/Theory
November 9, 2018
Spyros Papapetros
Pre/post/erous Histories
Harvard University Graduate School of Design
History/Theory
November 7, 2018
History/Theory
November 5, 2018
Meredith TenHoor
Import/Export
Norman Foster Foundation
Instituto Bardi/Casa de Vidro
History/Theory
November 2, 2018
Betts Project
History/Theory
October 31, 2018
Global Grad Show
History/Theory
October 29, 2018
Princeton University School of Architecture
Overgrowth
October 27, 2018
Overgrowth
October 25, 2018
Helena Mattsson and Catharina Gabrielsson
Pockets and Folds
Overgrowth
October 23, 2018
Angelos Varvarousis and Penny Koutrolikou
Degrowth and the City
Overgrowth
October 22, 2018
Nick Axel, Matthew Dalziel, Phineas Harper, Nikolaus Hirsch, Cecilie Sachs Olsen, and Maria Smith
Editorial
Positions
October 19, 2018
Iñaqui Carnicero and Lorena del Río
Before and After
Positions
October 18, 2018
Marina Otero Verzier
Memory and Oblivion
Positions
October 12, 2018
Citizenship
October 9, 2018
Enrique Ramirez
The Furtive Seasons
Accumulation
October 5, 2018
Nerea Calvillo
Particular Sensibilities

e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.

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art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.

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CARNEGIE MUSEUM OF ART, Pittsburgh
WITTE DE WITH CENTER FOR CONTEMPORARY ART, Rotterdam
601ARTSPACE, New York
ASIAN ART MUSEUM, San Francisco
VARIOUS LOCATIONS, Paris
12TH GWANGJU BIENNALE, Gwangju
MUSEUM OF CONTEMPORARY ART METELKOVA, Ljubljana
VARIOUS LOCATIONS, London
KUNSTVEREIN BRAUNSCHWEIG, Braunschweig
VARIOUS LOCATIONS, Graz
VARIOUS LOCATIONS, Chicago
VARIOUS LOCATIONS, Mexico City
THE NATIONAL MUSEUM OF MODERN ART, Kyoto
GOLDSMITH'S CENTRE FOR CONTEMPORARY ART, London
MANIFESTA 12, Palermo
INGLEBY AND THE UNIVERSITY OF EDINBURGH, Edinburgh
MATTHEW MARKS GALLERY, Los Angeles
GAGA, Los Angeles
VARIOUS LOCATIONS, Tunis

Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

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Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
James Owen Weatherall
Becket Mingwen
Jacob Korczynski
Litia Perta
Ashkan Sepahvand
Bar Laika

e-flux video & film is a platform dedicated to the moving image, gathering conversations, lectures, and symposia recorded at e-flux since 2010 and featuring some of the most interesting artists and thinkers of our times. Beyond providing an archival resource, the platform will present new works as well as stream events in real time.

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

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Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

Jalal Toufic

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

Boris Groys

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his...

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter,...

Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

“Rejuvenation and immortality are going to comprise the defining technological imaginary of our time.This will also constitute the ultimate political question: Will biotechnology lead to perpetual youth and longevity for the rich elite, or to an immortality for all? Everything is pointing to...

“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.

Let’s see how need and care and...

Benjamin H. Bratton

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

Click to view the program archive

Sunday, December 2, 2018
Taking Hubert Fichte’s novel *Die Schwarze Stadt. Glossen* (*The Black City: Glosses*, 1990) as a starting point, the exhibition *Journeys with the initiated* unfolds along two registers across both e-flux and Participant Inc. Featuring artists Malik Gaines, Evan Ifekoya, Grada Kilomba, Tiona Nekkia McClodden, and Virginia de Medeiros. Curated by Yesomi Umolu with Katja Rivera.
Wednesday, November 14, 2018, 7pm
There are some people who own so much that they don’t need to work. But there are many more people who do need to work. They work hard just to survive. Sometimes they think that if they work even harder, they can also own enough to not work. They can just own.
Monday, November 12, 2018, 7pm
Dedicated to the renewed encounter between dance and performance and the institutions of global contemporary art, Is the Living Body the Last Thing Left Alive? proposes that a “new performance turn” has emerged in the second decade of the century, and looks at its correlations with other shifts in practices, discourses, and broader society.
Thursday, November 8, 2018, 9pm
Inspired by Robert Heinlein’s 1941 story “Universe,” Double Lunar Dogs presents a vision of post-apocalyptic survival aboard a drifting spaceship whose timeless travellers have forgotten the purpose of their mission.
Wednesday, November 7, 2018, 7pm
The members of Communists Anonymous (COMA) suffer from an incurable belief in communism. They don’t share any particular school, but they do share an extreme sense of empathy and justice, and therefore detest more or less any form of private property.
Thursday, November 1, 2018, 8:30pm
e-flux is pleased to present Satellite, a new series for experimental music at Bar Laika. Curated by Sanna Almajedi, the series will feature emerging musicians and works by sound artists living in or visiting New York. The first performance in the series features composer C. Spencer Yeh, introduced by music curator DeForrest Brown, Jr.
Tuesday, October 23, 2018, 9pm
In the near future, the Earth is dead and Europeans can no longer survive outdoors for long periods of time. A young Indigenous man, Aiden, taken away when he was just a baby to be part of a medical experiment to save the white race, is released into the world of his family.
Saturday, October 20, 2018, 5pm
Join us with the Otolith Group and the screening of their 2012 film on Etel Adnan, I See Infinite Distance Between Any Point and Another. With a special menu prepared by Anjalika Sagar.
Thursday, October 18, 2018
Come have a drink with us!
Monday, October 1, 2018, 7pm
In his recent article “How the Enlightenment Ends” (The Atlantic, June 2018), Henry Kissinger joins the Gegenaufklärer (as well as the Dark Aufklärer) and announces the end of the Enlightenment in view of the rise of Artificial Intelligence.
Saturday, September 29, 2018, 6pm
Join us for a special evening with filmmaker Peggy Ahwesh, organized in parallel to e-flux journal's current double issue on feminism(s). The evening features a screening of Ahwesh's films The Star Eaters (2003), Alluvium (2015), The Blackest Sea (2017), and The Falling Sky (2017), followed by a discussion between Ahwesh and film scholar Michele Pierson.
Wednesday, September 26, 2018, 7pm
Join us in celebration of the work and words of thinkers, artists, workers, mothers, poets, historians, collaborators, fighters, conveners, killjoys, teachers, men of trans experience, women of trans experience, womyn, women, woman, men, man too* who contiruted to e-flux journal's issues #92 and #93 on feminism(s).
Friday, September 21, 2018, 7pm
From 1989 to 1995, Allan Sekula spent seven years photographing harbors and major port cities around the world. Along his multiple journeys, he charted the migration of people and circuits of capital, chronicling – with pen and camera – the experiences of diverse workforces.
Friday, September 14, 2018, 7pm
In this duo presentation, Arsanios and White draw parallels to their respective texts “E autobiography di un idioma” and “or, on being the other woman”—both of which appeared in the recent e-flux journal #92, part one of a double issue on feminism(s).
Wednesday, June 27, 2018, 7pm
Featuring a selection of short films by Larissa Sansour and Søren Lind, Ghassan Salhab and Mohamed Soueid, Monira al-Qadiri, and Ayman Nahle, and a music video coda by Meriem Bennani

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

unitednationsplaza is exhibition as school located in the city of Berlin, organized by Anton Vidokle in collaboration with Liam Gillick, Boris Groys, Martha Rosler, Walid Raad, Jalal Toufic, Nikolaus Hirsch, Natascha Sadr Haghighian and Tirdad Zolghadr.

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

Time/Bank is a platform where groups and individuals can pool and trade time and skills, bypassing money as a measure of value. Time/Bank is based on the premise that everyone in the field of culture has something to contribute and that it is possible to develop and sustain an alternative...

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

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