e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

Click to view the announcements archive

Centre Pompidou-Metz
Museo Nacional Thyssen-Bornemisza
December 6, 2019
Bar Laika by e-flux
Contemporary Arts Museum Houston
Ujazdowski Castle Centre for Contemporary Art
Künstlerhaus, Halle für Kunst & Medien (KM– Graz)
December 5, 2019
Institute of the Present
TAXISPALAIS Kunsthalle Tirol
Museum Folkwang
Australian Centre for Contemporary Art (ACCA)
December 4, 2019
Kestner Gesellschaft
National Gallery of Canada
Servico Social do Comercio - Sesc
Arts Writers Grant Program
December 3, 2019
UGM | Maribor Art Gallery
PHOTO 2020 International Festival of Photography
Haus der Kunst
mumok – Museum moderner Kunst Stiftung Ludwig Wien
December 2, 2019

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

Click to view the Journal archive

e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

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The Cooper Union for the Advancement of Science and Art
December 6, 2019
December 5, 2019
Ana Džokić, Marc Neelen, Jere Kuzmanić, and Predrag Milić
Enterprises of Survival
Museum of Architecture and Design (MAO), Ljubljana
Princeton University School of Architecture
December 4, 2019
Nick Axel, Nikolaus Hirsch, and Beth Hughes
Architektur im Ringturm (AIRT)
Triennale Milano
November 30, 2019
Andreas Angelidakis
Letting Go
Liquid Utility
November 27, 2019
BOZAR Centre for Fine Arts
November 24, 2019
Shahar Livne
Plastic History
Museum of Architecture and Design (MAO), Ljubljana
November 21, 2019
European Architecture Students Assembly
S AM Swiss Architecture Museum
November 18, 2019
Tristan Boniver
Not Entropy
November 17, 2019
Emanuel Christ
A Box of Chocolate
Architecture Exchange
November 15, 2019
Mill & Jones
Exile's Letter
November 13, 2019
Kjetil Trædal Thorsen
Good Against Good
November 11, 2019
November 10, 2019
November 9, 2019
November 7, 2019
Mohamed Elshahed and Farida Makar
New Schools, New Egyptians

e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.

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Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

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Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
João Enxuto and Erica Love
Clare Butcher
Lucy Cotter
Sara Mameni
James Owen Weatherall
Becket Mingwen
Announcing the e-flux app

e-flux video & film is a platform dedicated to the moving image, gathering conversations, lectures, and symposia recorded at e-flux since 2010 and featuring some of the most interesting artists and thinkers of our times. Beyond providing an archival resource, the platform will present new works as well as stream events in real time.

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

Click to view all books

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter,...

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...

“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...

Jalal Toufic

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...

“Rejuvenation and immortality are going to comprise the defining technological imaginary of our time.This will also constitute the ultimate political question: Will biotechnology lead to perpetual youth and longevity for the rich elite, or to an immortality for all? Everything is pointing to...

Benjamin H. Bratton

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

Boris Groys

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.

Let’s see how need and care and...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom...

Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

Click to view the program archive

Thursday, December 26, 2019, 9pm
Farocki's ten-minute short film is composed of shots of an AFN DJ at work, and of a car ride. The unemotional narrator and scraps of songs illustrate the connection between music and memory, while the accelerating tracking shots demonstrate how closely driving and filmic perception are related.
Thursday, December 19, 2019, 9pm
Lake Valley is a cel animated video set in an imagined suburb. Each frame is a composite of elements from 19th-20th century children’s book illustrations cut, layered, and re-mapped for the present-day.
Thursday, December 12, 2019, 9pm
Over the past thirty years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image.
December 6–February 8, 2019, 6:30pm
On view: December 6—February 8, 2020 Hours: Tuesday—Saturday, 12–6pm Opening and artist talk Friday, December 6, 2019; opening 6:30pm; artist talk 7:00pm
Thursday, December 5, 2019, 9pm
Join us at Bar Laika for the twelfth edition of Satellite, featuring a live performance by Further Reductions and a DJ set by Acamol.
Wednesday, November 27, 2019, 9pm
Join us at Bar Laika on Wednesday, November 27 at 9pm for a screening of Hito Steyerl’s In Free Fall.
Tuesday, November 26, 2019, 8pm
K. Mulhern and Sunatirene will perform work from their recent releases “Silt” and “Queen Sound,” alongside a live performance by Jack Patterson.
Monday, November 25, 2019, 7pm
The director of the award-winning film So Pretty and the writer McKenzie Wark discuss the concept of the ‘pretty’ as a minor aesthetic category, with possibilities that major aesthetic categories such as the sublime and the beautiful don't allow. They will also investigate the kinetic possibilities of rave culture and how (not) to create art by, for, or about trans people using these aesthetic materials. The discussion will be framed by three brief scenes from the film.
Thursday, November 21, 2019, 9pm
Join us at Bar Laika on Thursday, November 21, at 9pm for a screening of Ayman Nahle’s Now: End of Season.
Sunday, November 17, 2019, 9pm
Join us at Bar Laika on Sunday, November 17, 9pm for a joint launch of books by Barry Schwabsky and Carol Szymanski.
Saturday, November 16, 2019, 5pm
The Financial Times in March 2019 boldly claimed that 2020 will mark the beginning of the Asian Century— a new Asian Age defined in part by Asia being home to half of the world’s middle class and its economies being larger than the rest of the world. Such a claim is symptomatic of a mainstream perception of change in the world order that has followed on the heels of the ascendancy of China as a global power.
Thursday, November 14, 2019, 9pm
Join us at Bar Laika for the eleventh edition of Satellite, featuring a live performance by Muqata’a and a DJ set by Bergsonist.
Saturday, November 9, 2019
Metahaven returns to New York with a project comprised of their film installation Hometown (2018), a new series of textile pieces, and an essay in e-flux journal. - Opening: Friday, September 20, 6:30pm Presentation by Metahaven: Monday, September 23, 7pm On view September 20—November 9, 2019 Hours: Tuesday–Saturday, 12–6pm
Thursday, November 7, 2019, 9pm
Join us at Bar Laika on Thursday, November 7, 9pm as we revist e-flux video rental (EVR), a seminal e-flux project organized in 2004 by Julieta Aranda and Anton Vidokle. This week, we present Dominique Gonzales-Foerster and Yang Fudong.
Wednesday, November 6, 2019, 7pm
Sophie Lewis will expand on her “critical Firestonianism,” clarifying - with reference to the history of family—abolitionism in queer and women's liberation struggles—what abolishing the family means and doesn't mean; and what is at stake in de-romanticizing the labor of care.

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.