e-flux

Announcements

The Pew Center for Arts & Heritage

Seeking specialist in community connection and audience participation

Nasher Sculpture Center

Last call for papers: 2022 Nasher Prize Graduate Symposium

Fotogalleriet

Maryam Jafri
The Winter of Our Discontent

FRONT International: Cleveland Triennial for Contemporary Art

Grand Prototypes, Humble Tools

Walker Art Center

Mack Lecture: Frank Wilderson, Arthur Jafa, and Saidiya Hartman in conversation

Staatliche Kunsthalle Baden-Baden

Performance program: State and Nature

Arts Council Malta

UN/MUTE

Asia Society Museum

2021 Arts & Museum Summit: Reimagining Museum Narratives in the 21st Century

Parco Arte Vivente (PAV)

Eugenio Tibaldi
Temporary Landscape

New Museum

2021 Triennial
Soft Water Hard Stone

Journal

Issue #121

October 2021

Editorial

Twenty-One Art Worlds: A Game Map Hito Steyerl, Department of Decentralization, and GPT-3

Divergent Survivances Elizabeth A. Povinelli

Resonances: A Conversation on Formless Formation Stefano Harney, Fred Moten, Sandra Ruiz, and Hypatia Vourloumis

Hood + Chow: Uncle Sam Eagle Clit and the Status Blossom Tam Donner

Participation Deborah Bird Rose

Under Etna’s Shadow: Pier Paolo Pasolini and the Volcano Andreas Petrossiants

Shaky Distinctions: A Dialogue on the Digital and the Analog Alexander R. Galloway and Bernard Dionysius Geoghegan

Issue #120

September 2021

Editorial

Four Theses on Aesthetics Rizvana Bradley and Denise Ferreira da Silva

Lenin’s Image Boris Groys

The Postdramatic Theater’s Misadventures in the Age of Contemporary Art Keti Chukhrov

Spectacular Opacities Stanley Wolukau-Wanambwa

Taking the Fiction Out of Science Fiction: A Conversation about Indigenous Futurisms Grace Dillon and Pedro Neves Marques

Vive la Révolution des J’menfichistes!! Roy Samaha

Postcommunist Aesthetics: A Conversation with Anamika Haksar Arvind Rajagopal

Twenty Years after Genoa Franco “Bifo” Berardi

Issue #119

June 2021

Editorial: “The Collective Body” Zdenka Badovinac

Bones, Muscles, and Connective Tissue: Tales of Collectivity Ana Dević

The Collective Alice, or, on Fear, Death, Multitudes, and Pain Iskra Geshoska

A Bureau for Self-Care: Interdependence versus Individualism iLiana Fokianaki

Rathole: Beyond the Rituals of Handwashing Oxana Timofeeva

The Autoimmune Condition: A Report on History Ivana Bago

Polish Autumn: Body Politics and a New Subject Agata Adamiecka-Sitek

OMUZ Neylan Bağcıoğlu, Merve Elveren, Görkem İmrek, Saliha Yavuz, and the Omuz Dictionary Group, on behalf of Omuz

Triple Braid, or, What Gives Us Reason to Hope? Nikolett Erőss

The Collective Body of the Pandemic: From Whole to (Not) All Ana Vujanović

Future Heritage? Azra Akšamija

Cancelling Art: From Populists to Progressives Jela Krečič

Trees, More-Than-Human Collectives Bojana Piškur

Countryside Roads Raluca Voinea

Video & Film

Inhan Cho in conversation with Lukas Brasiskis

October 28–November 11, 2021

1021

Roh Youngmee

October 28–November 11, 2021

Doomsday Video

Yun Choi

October 28–November 11, 2021

Projects

Summa Technologiae

Summa Technologiae—titled after a collections of philosophical essays by Stanisłav Lem—is a project that puts together three formats: the school, the conference, and the exhibition, in order to look at the impact of Lem’s work across disciplines.

Podcasts

Elizabeth A. Povinelli on the four axioms of critical theory

00:52:32

Art Criticism

Diane Severin Nguyen’s “IF REVOLUTION IS A SICKNESS”

SculptureCenter

Peter Brock

Art & Education

The Book of Sand

Aiiiii Art Center