e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

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Helsinki Art Museum
Glasgow International Festival of Visual Art
Museum of Contemporary Art, North Miami / bardoLA
April 22, 2019
Royal Institute of Art in Stockholm
Institute of Contemporary Art at the University of Pennsylvania (ICA)
MASP - Museu de Arte de São Paulo Assis Chateaubriand
New Zealand Pavilion at the Venice Biennale
April 21, 2019
Institute of Contemporary Art, Miami (ICA Miami)
April 20, 2019
Portugal Pavilion at the Venice Biennale
Partners for Sacred Places / Philadelphia Contemporary
April 19, 2019
Castello di Rivoli Museum of Contemporary Art
Taipei Fine Arts Museum
Project Arts Centre
neue Gesellschaft für bildende Kunst (nGbK)

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

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e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

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HafenCity Universität Hamburg
April 22, 2019
April 20, 2019
Bryan E. Norwood, Ginger Nolan, and Elisa Dainese
Architecture Unbound
Concéntrico: International Festival of Architecture and Design
April 18, 2019
Joseph Godlewski

Global Disciplinary Knowledge
Princeton University School of Architecture
April 16, 2019
Marrikka Trotter, Gabriel Fuentes, and Joseph Bedford
Canonical vs. Non-Canonical
The Museum of Modern Art (MoMA) / MoMA PS1
April 15, 2019
Nick Axel, Joseph Bedford, and Nikolaus Hirsch
Institute for the History and Theory of Architecture (gta) | ETH Zürich
Princeton University School of Architecture
Strelka Institute for Media, Architecture and Design
Bi-City Biennale of Urbanism\Architecture (Shenzhen)
Städelschule Architecture Class (SAC)
The Bartlett School of Architecture / UCL
Liquid Utility
March 22, 2019
Nick Axel, Nikolaus Hirsch, Reinhold Martin, Jacob R. Moore, and Jordan Steingard
Becoming Digital
February 21, 2019
Luke Caspar Pearson
From Superstudio to Super Mario
Becoming Digital
February 19, 2019
Guillermo Fernández-Abascal and Urtzi Grau
Learning to live together
Becoming Digital
February 16, 2019
Becoming Digital
February 14, 2019
Ramon Amaro
As if
February 11, 2019
February 5, 2019
Becoming Digital
February 1, 2019
Becoming Digital
January 30, 2019
Mark Jarzombek
Digital Post-Ontology
Becoming Digital
January 29, 2019
Ellie Abrons, Nick Axel, McLain Clutter, Adam Fure, and Nikolaus Hirsch

e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.

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art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.

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Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

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Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
James Owen Weatherall
Becket Mingwen
Jacob Korczynski
Litia Perta
Bar Laika

e-flux video & film is a platform dedicated to the moving image, gathering conversations, lectures, and symposia recorded at e-flux since 2010 and featuring some of the most interesting artists and thinkers of our times. Beyond providing an archival resource, the platform will present new works as well as stream events in real time.

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

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Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

“Rejuvenation and immortality are going to comprise the defining technological imaginary of our time.This will also constitute the ultimate political question: Will biotechnology lead to perpetual youth and longevity for the rich elite, or to an immortality for all? Everything is pointing to...

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...

“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.

Let’s see how need and care and...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...

Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom...

Jalal Toufic

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...

Benjamin H. Bratton

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

Boris Groys

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter,...

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

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Friday, May 3, 2019, 7pm
Questioning the functions and claims of contemporary art within economic and political systems that rely on the management of data and affects, this talk takes issue with a peculiar emphasis—placed for quite some time, e.g. in curatorial statements and the self-descriptions of art institutions—on notions such as “research” and “knowledge production.”
Thursday, May 2, 2019, 9pm
Information Skies is not a dystopia but rather a poetically rendered document of the current evolutionary mutations that concern changes in communication tools and reality processing.
Tuesday, April 30, 2019
e-flux is very pleased to present the exhibition The Imperial Ghost in the Neoliberal Machine (Figuring the CIA) opening Tuesday, April 30 from 6:30–8:30pm, and on view through June 8, Tuesday–Saturday from 12–6pm.
Sunday, April 28, 2019, 9pm
Now celebrating its sixth year, Art of the Real is the Film Society of Lincoln Center’s annual survey of the most vital and innovative voices in nonfiction moving-image cinema and art. Organized by Dennis Lim and Rachael Rakes, each edition features a selection of Spotlights that take a closer look at a range of practices in experimental documentary. This year, AOTR will collaborate with e-flux Bar Laika to present two spotlight events at Bar Laika with the artist and filmmaker Eric Baudelaire and the scholar and critic Erika Balsom.
Thursday, April 25, 2019, 9pm
Bar Laika is very pleased to present an evening with Mariam Ghani, featuring a screening of selected video works and Q&A with the artist.
Sunday, April 21, 2019, 9pm
Now celebrating its sixth year, Art of the Real is the Film Society of Lincoln Center’s annual survey of the most vital and innovative voices in nonfiction moving-image cinema and art. Organized by Dennis Lim and Rachael Rakes, each edition features a selection of Spotlights that take a closer look at a range of practices in experimental documentary. This year, AOTR will collaborate with e-flux Bar Laika to present two spotlight events at Bar Laika with the artist and filmmaker Eric Baudelaire and the scholar and critic Erika Balsom.
Thursday, April 18, 2019, 8:30pm
Join us at Bar Laika for the sixth edition of Satellite, featuring Tarek Atoui a Lebanese artist and electroacoustic composer based in Paris. Atoui engineers complex and original instruments that challenge and expand our ways of understanding and experiencing sound.
Wednesday, April 17, 2019, 7pm
Join us at e-flux on Wednesday, April 17, 7 pm for a screening of Emanuel Almborg's new film The Nth Degree (2018), followed by a conversation between the artist and writer Ciarán Finlayson.
Thursday, April 11, 2019, 9pm
Bar Laika is very pleased to present Chto Delat's new film—an opera-farce titled One Night in a Social Network.
Friday, April 5, 2019
Friday, April 5, 7–9pm and Saturday, April 6, 11am–8pm Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality... With Ramon Amaro, James Bridle, Kaye Cain-Nielsen, Maïté Chénière, Kodwo Eshun, Anselm Franke, Jennifer Gabrys, Charles Heller, Tom Holert, Inhabitants, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Nikolay Smirnov, Hito Steyerl, Oraib Toukan, and Brian Kuan Wood.
Thursday, April 4, 2019, 9pm
Bar Laika is very pleased to present Harun Farocki's Parallel, screening parts I and II on Thursday, March 7, 9pm and parts III and IV on Thursday, March 21, 9pm. Farocki's four-part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape, and inherent rules of computer-animated worlds.
Thursday, March 28, 2019, 9pm
Bar Laika is very pleased to present an evening with Dara Birnbaum, featuring a screening of selected video works and Q&A with the artist. 
Thursday, March 21, 2019, 8:30pm
Join us at Bar Laika for the fifth edition of Satellite, featuring Peter Zummo and Eve Essex.
Thursday, March 14, 2019, 9pm
An evening of videos, sounds, and recipes with artist Christian Nyampeta, starting with the trailer of Sometimes It Was Beautiful (2018); followed by Words after the World (2017); and extending with a live streaming of Radius, an online and occasionally inhabitable radio station. The menu for the evening is conceived in collaboration with writer Mary Wang.
Monday, March 11, 2019, 7pm
Join us for an evening with David Claerbout, discussing the artist’s notion of ‘dark optics’—looking back at the history of the camera, its relation between light, optics, and the belief-system it represented, as well as the current disintegration of this system.

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.