e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

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MAXXI - National Museum of 21st Century Arts
Galeria Municipal do Porto
Yesterday
September 27, 2020
National Museum of Modern and Contemporary Art, Deoksugung
Thyssen-Bornemisza Art Contemporary (TBA21)
Salzburger Kunstverein
September 26, 2020
He Art Museum
Bruges Contemporary Art and Architecture Triennial
Haus der Kulturen der Welt (HKW)
Bombas Gens Centre d'Art (València)
Artist Cinemas
September 25, 2020
Liquid Architecture
Connecting Cultures
September 24, 2020
Kunstmuseum Stuttgart

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

Click to view the Journal archive

e-flux Video & Film presents special screening series online and streams live and recorded content prepared by e-flux and our collaborators. This platform is also an archival resource gathering conversations, lectures, and symposia recorded at e-flux and elsewhere over the past decade and featuring some of the most interesting artists and thinkers of our times.

Artist Cinemas presents
Kush Badhwar, Blood Earth | Take Me Back: Week #6
Saturday, September 26—Friday, October 2, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
The Otolith Group, Medium Earth | Part Four – Reading the Earth
Sunday, September 27—Saturday, October 10, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Ernst Karel, Toby Lee, and Pawel Wojtasik, Single Stream | Part Four – Reading the Earth
Sunday, September 27—Saturday, October 10, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Malena Szlam, Altiplano | Part Four – Reading the Earth
Sunday, September 27—Saturday, October 10, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Arjuna Neuman and Denise Ferreira da Silva, 4 Waters-Deep Implicancy | Part Four – Reading the Earth
Sunday, September 27—Saturday, October 10, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Zlatko Ćosić, Un-Pollute | Part Four – Reading the Earth
Sunday, September 27—Saturday, October 10, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Visualizing the Anthropocene: Aesthetics and Politics | Online discussion with T.J. Demos, Toby Lee, Sasha Litvintseva, Susana de Sousa Dias, and Lukas Brasiskis
Thursday, October 1, 2020 at 1pm EST
Artist Cinemas presents
Mikhail Lylov and Elke Marhöfer, Soils-Habit-Plants | Take Me Back: Week #5
Saturday, September 19—Friday, September 25, 2020
Artist Cinemas presents
Ibrahim Shaddad, Jagdpartie (Hunting Party) | Take Me Back: Week #4
Saturday, September 12—Friday, September 18, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
David Kelley and Patty Chang, Flotsam Jetsam | Part Three – Decolonizing the Landscape
Sunday, September 13—Saturday, September 26, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Susana de Sousa Dias, Fordlandia Malaise | Part Three – Decolonizing the Landscape
Sunday, September 13—Saturday, September 26, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Su Yu Hsin, water sleep II Akaike river under Xizang Road | Part Three – Decolonizing the Landscape
Sunday, September 13—Saturday, September 26, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Nguyễn Trinh Thi, Landscape Series #1 | Part Three – Decolonizing the Landscape
Sunday, September 13—Saturday, September 26, 2020
e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory
Jorge Jácome, Flores | Part Two – War Machines and Sites of Environmental Memories
Friday, August 28—Thursday, September 10, 2020
Artist Cinemas presents
Deborah Stratman, O’er the Land | Take Me Back: Week #3
Wednesday, September 2—Tuesday, September 8, 2020

e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

Click to view e-flux Architecture

Monument
September 28, 2020
Nick Axel, Ludo Groen, Nikolaus Hirsch, and Marina Otero Verzier
Editorial
Independent School for the City
Lucerne University of Applied Sciences and Arts Engineering and Architecture
Open? - 2020 Russian Federation Pavilion at the Venice Biennale
Daniels Faculty of Architecture, Landscape and Design at University of Toronto
Academy of Architecture - USI Mendrisio
Garagem Sul | Lisbon
Accumulation
September 16, 2020
MAAT - Museum of Art, Architecture and Technology
Open? - 2020 Russian Federation Pavilion at the Venice Biennale
Casa da Arquitectura
Accumulation
September 14, 2020
Amanda Boetzkes and Jeff Diamanti
At the Moraine
Accumulation
September 11, 2020
Accumulation
September 9, 2020
Gökçe Günel
Energy Accumulation
Open? - 2020 Russian Federation Pavilion at the Venice Biennale
Accumulation
September 7, 2020
MEXTRÓPOLI
Accumulation
September 4, 2020
Stephanie Wakefield
Anthropocene Hubris
Accumulation
September 2, 2020
Ian Gray
Damage Functions
Accumulation
August 31, 2020
Hannah le Roux and Gabrielle Hecht
Bad Earth
Oceans
August 28, 2020
Oceans
August 17, 2020
Emma McCormick-Goodhart
Underwater (Un)Sound
Software
August 16, 2020
Space Popular
FREESTYLE
Software
August 14, 2020
David A. Banks
Where Do You Live?
Software
August 12, 2020
Software
August 10, 2020
Andrew Witt
Feral Autonomies

e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.

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art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.

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Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

Click to open Art & Education in a new tab

California Institute of the Arts (CalArts)
Columbia University School of the Arts
Columbia University School of the Arts
Sam Fox School of Design & Visual Arts at Washington University in St. Louis
Parsons School of Design at The New School
Milton Avery Graduate School of the Arts at Bard College
Saas-Fee Summer Institute of Art
Studium Generale Rietveld Academie
João Enxuto and Erica Love
Clare Butcher
Lucy Cotter
Sara Mameni
Announcing the e-flux app

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

Click to view all books

“Rejuvenation and immortality are going to comprise the defining technological imaginary of our time.This will also constitute the ultimate political question: Will biotechnology lead to perpetual youth and longevity for the rich elite, or to an immortality for all? Everything is pointing to...

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

Luis Camnitzer

Working across such mediums as printmaking, sculpture, language, and installations, Camnitzer's work investigates how power is exercised and can be challenged in society. An influential teacher, over the six decades covered by this volume, he has interrogated the power structures inherent to...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

Jalal Toufic

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...

Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...

Keti Chukhrov

By means of the philosophical and politico-economical consideration of Soviet socialism of the 1960s and 1970s, this book manages to reveal the hidden desire for capitalism in contemporaneous anticapitalist discourse and theory. The research is marked by a broad cross-disciplinary approach...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

Yuk Hui

In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today?

Art and Cosmotechnics addresses the challenge of technology to the existence of art and traditional thought, especially in light of...

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.

Let’s see how need and care and...

Benjamin H. Bratton

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.

The Institute of the Cosmos is an ongoing collective research project founded in 2019 and commissioned by the RIBOCA 2. Informed by the historical ideas of Russian Cosmism, the Institute is a space for a creative investigation of the materiality of the cosmos and its strange universalism, from...

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