e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.
Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.
e-flux Video & Film presents special screening series online and streams live and recorded content prepared by e-flux and our collaborators. This platform is also an archival resource gathering conversations, lectures, and symposia recorded at e-flux and elsewhere over the past decade and featuring some of the most interesting artists and thinkers of our times.
e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.
e-flux conversations is a place for in-depth discussions of urgent artistic and social ideas. Using a hybrid editorial model, the open forum allows for participation from readers as well as specialized discussions.
art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.
Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.
e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.
What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...
The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...
“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...
It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.
Let’s see how need and care and...
Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.
Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...
Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...
What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.
In many locales, artists in search of cheap rent constitute the...
By means of the philosophical and politico-economical consideration of Soviet socialism of the 1960s and 1970s, this book manages to reveal the hidden desire for capitalism in contemporaneous anticapitalist discourse and theory. The research is marked by a broad cross-disciplinary approach...
Working across such mediums as printmaking, sculpture, language, and installations, Camnitzer's work investigates how power is exercised and can be challenged in society. An influential teacher, over the six decades covered by this volume, he has interrogated the power structures inherent to...
In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today?
Art and Cosmotechnics addresses the challenge of technology to the existence of art and traditional thought, especially in light...
Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...
In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...
“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...
The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...
In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing.
DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.
The Institute of the Cosmos is an ongoing collective research project founded in 2019 and commissioned by the RIBOCA 2. Informed by the historical ideas of Russian Cosmism, the Institute is a space for a creative investigation of the materiality of the cosmos and its strange universalism, from the perspectives of philosophy, anthropology, history of science, and art.
For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.
AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.
East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.
Animism on e-flux.com is a digital project that could also be a cinematic lecture, a speculative text performed by voices, images, and sounds, or a guided tour through an archive with multiple points of entry.
Think you can’t be an artist? Think again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.
Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.
Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.
Summa Technologiae—titled after a collections of philosophical essays by Stanisłav Lem—is a project that puts together three formats: the school, the conference, and the exhibition, in order to look at the impact of Lem’s work across disciplines: from Literature to Film,...
The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.
Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.
In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.