Femme as in Fuck You Journal #102 September 2019
Andrei Tarkovsky The Exhibition - Announcements
Sexual Difference and Ontology Journal #32 February 2012
Very Much Reality e-flux Architecture
Memory, Hope, and Loss e-flux Architecture
In Defense of the Poor Image Journal #10 November 2009
The Mediated Plant Journal #102 September 2019

e-flux announcements are press releases for current exhibitions of art from all over the world. Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist-run spaces and experimental venues. The announcement archive documents some of the most significant exhibitions that have taken place since 1999.

Click to view the announcements archive

Museum of Contemporary Art Santa Barbara
Wellcome Collection
Trapholt Museum of Modern Art and Design
M+, West Kowloon Cultural District
Yerba Buena Center for the Arts (YBCA)
Yesterday
September 21, 2019
San Jose Museum of Art
Ishara Art Foundation
Rose Art Museum at Brandeis University
September 20, 2019
art-agenda / Art Basel
Toronto Biennial of Art
Signal - Center for Contemporary Art
Netwerk Aalst
neue Gesellschaft für bildende Kunst (nGbK)
September 19, 2019
The Elizabeth Foundation for the Arts
Friends with Books: Art Book Fair Berlin
Museum Ludwig, Cologne
Künstlerhaus, Halle für Kunst & Medien (KM– Graz)

Launched in 2008, e-flux journal is a monthly art publication featuring essays and contributions by some of the most engaged artists and thinkers working today. The journal is available online, in PDF format, and in print through a network of distributors.

Click to view the Journal archive

e-flux Architecture is a sister publishing platform of e-flux, archive, and editorial project founded in 2016. The news, events, exhibitions, programs, journals, books, and architecture projects produced and/or disseminated by e-flux Architecture describe strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

Click to view e-flux Architecture

Positions
September 22, 2019
Julian Rose
Machines for Looking
Bauhaus Dessau Foundation
Overgrowth
September 19, 2019
Het Nieuwe Instituut
Columbia University Graduate School of Architecture, Planning and Preservation
Ibero-American Architecture and Urbanism Biennial
Overgrowth
September 17, 2019
Amica Dall
Very Much Reality
Center for Architecture, Urbanism, and Infrastructure (CAUI)
Goethe-Institut Prague
Positions
September 15, 2019
Reiser+Umemoto | RUR Architecture
Roca Gallery Lisbon
Overgrowth
September 12, 2019
Karl Otto Ellefsen and Tarald Lundevall
Rural Dilemmas
Overgrowth
September 10, 2019
Stefan Kaegi / Rimini Protokoll
Society under Construction
Overgrowth
September 6, 2019
Matthias Schuler and Anja Thierfelder
Five Elements
Overgrowth
September 4, 2019
Steve Webb
The Aqueduct
Overgrowth
September 2, 2019
Hélène Frichot and Helen Runting
The Queue
Positions
August 31, 2019
Positions
August 29, 2019
Amelyn Ng
OOTB
Positions
August 27, 2019
Dan Handel
Other Intoxications
Positions
August 24, 2019
feminist architecture collaborative
The Women, Young Men, and Other Buildings
Positions
August 23, 2019

art-agenda reviews exhibitions taking place at art galleries worldwide. Its international team of writers include some of the most interesting voices in contemporary art criticism.

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Art & Education is a platform for art schools and academies. Its content covers a wide range of events from graduation shows to new teaching positions at some of the best educational programs worldwide. Art & Education publishes reviews of studio art, curating, and art history programs throughout the world.

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Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
Milton Avery Graduate School of the Arts at Bard College
Clare Butcher
Lucy Cotter
Sara Mameni
James Owen Weatherall
Becket Mingwen
Jacob Korczynski
Announcing the e-flux app

e-flux video & film is a platform dedicated to the moving image, gathering conversations, lectures, and symposia recorded at e-flux since 2010 and featuring some of the most interesting artists and thinkers of our times. Beyond providing an archival resource, the platform will present new works as well as stream events in real time.

e-flux books comprise several imprints, including the e-flux journal reader series co-published with Sternberg Press, e-flux classics distributed by the University of Minnesota Press, and supercommunity books co-published with Verso Books.

Click to view all books

Benjamin H. Bratton

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian...

Martha Rosler

What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world.

In many locales, artists in search of cheap rent constitute the...

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter,...

Boris Groys

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his...

“Rejuvenation and immortality are going to comprise the defining technological imaginary of our time.This will also constitute the ultimate political question: Will biotechnology lead to perpetual youth and longevity for the rich elite, or to an immortality for all? Everything is pointing to...

It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.

Let’s see how need and care and...

Hito Steyerl

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number...

Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely...

Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom...

Jalal Toufic

What Was I Thinking? is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if...

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing...

“Supercommunity traverses every experience, every struggle. It gives voice to art as it does to social critique, to the critique of science in the same way as the syndicalism of the old and new labour-power, to the struggle of artists as precarious workers and the precarious workers as...

Arseny Zhilyaev

Avant-Garde Museology is the first title in e-flux classics, a new book series focusing on an emerging historical canon specific to an era when the world’s many eccentric modernities, economies of knowledge, and shared political histories seek to be recognized through contemporary...

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks,...

Jalal Toufic

“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their...

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

Click to view the program archive

Thursday, September 26, 2019, 9pm
Join us for a screening of APART's The Most Beautiful Catastrophe (2018), introduced by Peter Sit.
Wednesday, September 25, 2019, 7pm
Join us at e-flux on Wednesday, September 25, 7pm to celebrate the launch of Irmgard Emmelhainz’s newest book Jean-Luc Godard’s Political Filmmaking, published by Palgrave Macmillan (2019). The evening will feature a conversation between the author and theorist Soyoung Yoon.
Sunday, September 22, 2019, 9pm
Join us at Bar Laika for the tenth edition of Satellite featuring Baby Aspirin DVD.
Friday, September 20, 2019, 6:30pm
Metahaven returns to New York with a project comprised of their film installation Hometown (2018), a new series of textile pieces, and an essay in e-flux journal. - Opening: Friday, September 20, 6:30pm Presentation by Metahaven: Monday, September 23, 7pm On view September 20—November 2, 2019 Hours: Tuesday–Saturday, 12–6pm
Thursday, September 19, 2019, 9pm
Join us at Bar Laika for the ninth edition of Satellite, featuring a live performance of Amateur Psychology by Joe Jeffers and Jaimie Branch, and a DJ set by Ase Manual.
Thursday, September 12, 2019, 9pm
Join us at Bar Laika on Thursday, September 12, 9pm as we revist e-flux video rental (EVR), a seminal e-flux project organized in 2004 by Julieta Aranda and Anton Vidokle. This week, we present Józef Robakowski's From My Window and Michel Auder's Polaroid Cocaine.
Wednesday, September 11, 2019, 7pm
In her new video work Three (or more) Ecologies: A Feminist Articulation of Eco-intersectionality – Part I: For the World to Live, Patriarchy Must Die, Angela Anderson brings together two geographically disparate locations on the globe: North Dakota and Rojava (Northern Syria). The film contrasts the highly industrial/technical nature of the destructive fracking industry in North Dakota’s Bakken region with a women’s autonomous village project in Rojava, emphasizing the urgent need for a societal shift towards relations of empathy and care. After the screening, Anderson will be in conversation with activist and feminist writer Silvia Federici.
Thursday, September 5, 2019, 9pm
Join us at Bar Laika on Thursday, September 5, 9pm as we revist e-flux video rental (EVR), a seminal e-flux project organized in 2004 by Julieta Aranda and Anton Vidokle. For the first in a series of weekly screenings, we present Clemens von Wedemeyer's Occupation and Cerith Wyn Evans' Pasolini Ostia Remix.
Thursday, August 1, 2019, 9pm
For Bar Laika's last event before the break, join us to celebrate Liam Gillick’s poster design for the B52 bus shelter on Greene Ave—the first in a year-long series of artist commissions of oversize posters for the bus shelter in front of the bar. Following the reception, we will screen The Story of the Lucas Aerospace Shop Stewards Alternative Corporate Plan (1978). The screening will be followed by karaoke, led by Liam Gillick.
Thursday, July 25, 2019, 9pm
Shot in Guangzhou and Paris, After Reality is characterized by its translocal ambiguity. In the abandoned, suburban areas located between cities, people plant trees and vegetables, mixed in with weeds and shrubbery. Under the intercity overpasses, wildly overgrown vines and vegetation have completely covered dilapidated walls and tightly wrapped themselves around the land. Presented by Nikita Yingqian Cai.
Sunday, July 21, 2019, 9pm
Join us at Bar Laika for the eighth edition of Satellite in collaboration with Blank Forms, featuring Onyx Ashanti and Dee Diggs. This event will include a performative demonstration of Ashanti's Sonocyb, followed by Q&A with Ashanti and a DJ set by Dee Diggs.
Thursday, July 18, 2019, 9pm
The Film of Kyiv (2017-2019) is a long-term episodic series formed around filmed observations of architectural locations and urban spaces in Kyiv, Ukraine. While the sites chosen by the filmmaker appear heterogeneous, the subjects in question are points of transition where capital and urban forms overlap in complex webs of past, present, and future.
Thursday, July 11, 2019, 9pm
Bar Laika is very pleased to present a special two-part screening of current and previous winners of the e-flux Prize in Oberhausen—on Thursday July 4 and Thursday July 11. Thursday July 11 - Part Two: Louise Botkay and Bruno Valera
Thursday, July 4, 2019, 9pm
Bar Laika is vry pleased to present a special two-part screening of current and previous winners of the e-flux Prize in Oberhausen—on Thursday July 4 and Thursday July 11. Thursday, July 4, 9pm - Part One: Maya Schweizer, Dimitri Venkov, and Zhong Su
Thursday, June 27, 2019, 9pm
Lumapit Sa Akin, Paraiso (Come to Me, Paradise) is a science-fiction documentary set in Hong Kong. The film focuses on the lives of three domestic workers. Every Sunday, the Filipina domestic workforce gather for a day of rest and socialization in Statute Square, located in the business and retail district, Central.

In 2001, e-flux initiated a program of online projects that gradually evolved into a traveling series of experimental exhibitions. Some of these projects are now dormant and archived here, while others remain ongoing. 

Click to view the projects archive

Think you can’t be an artist? Think Again. In 101 Art Ideas You Can Do Yourself, Rob Pruitt supplies the instructions and leaves the art making to the viewer.

Report (Not Announcement) is a transitionary report on the state of mobility at the beginning of 21st Century comprising of accounts and documents submitted by 48 cultural producers from all over the globe. A project by BAK in collaboration with e-flux, curated by Binna Choi.

AUP is a public database of censored, forgotten, postponed, impossible or rejected art projects, by nearly 2000 artists. View online and submit your unrealized projects.

Utopia Station: posters by more than 100 artists. View them online, download the PDF and print them out. A 2003 Venice Biennal project, curated by Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist.

For their contribution to All The World’s Futures—the 56th International Art Exhibition: La Biennale di Venezia, the editors of e-flux journal created a single issue spanning from May to September 2015, with one piece of writing released each day.

Martha Rosler Library: Comprising more than 7,000 volumes selected from the books at Martha Rosler’s residence and studio in Brooklyn and academic office in New Jersey, the library was accessible for the public use at e-flux’s Ludlow street location in NYC.

East.Art.Map: is a project developed by IRWIN of Slovenia and is a tool that leads you through the last 50 years of the visual arts in Eastern Europe. Learn about 250 artists / events / projects proposed by 24 art critics / curators / artists and make suggestions.

The Next Documenta Should Be Curated by an Artist, a new e-flux project curated by Jens Hoffmann, featuring reflections of a group of artists upon the conditions of the relationship between artists and curators.

DO IT began in 1993 in Paris with a discussion among Christian Boltanski, Bertrand Lavier, and Hans Ulrich Obrist. DO IT is a manual of artist’s instructions.

In 1998 the artist Minerva Cuevas launched an ingenious and complex ongoing economic fiction as a means of exploring the politics of contemporary hope: Mejor Vida Corp.

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