e-flux

Announcements

MACRO - Museum of Contemporary Art of Rome

Museum for Preventive Imagination: Autumn 2021

UCCA, Beijing

Huang Rui
Ways of Abstraction

Kunsthaus Pasquart

Emma Talbot
Ghost Calls and Meditations
Vanessa Billy
We Become

Lunds konsthall

In the Pupil of the Panther

KBr Fundación MAPFRE Photography Center

Paolo Gasparini
Field of Images

Public Art Program, City of Vancouver

New public artwork: Weekend Chime by Brady Cranfield

Künstlerhaus Stuttgart

Andrea Fraser
This meeting is being recorded

New Contemporaries

Bloomberg New Contemporaries 2021

Museum Ludwig, Cologne

Pablo Picasso
Picasso, Shared and Divided

Museum Tinguely

Michael Landy
H.2.N.Y.

Journal

Issue #120

September 2021

Editorial

Four Theses on Aesthetics Rizvana Bradley and Denise Ferreira da Silva

Lenin’s Image Boris Groys

The Postdramatic Theater’s Misadventures in the Age of Contemporary Art Keti Chukhrov

Spectacular Opacities Stanley Wolukau-Wanambwa

Taking the Fiction Out of Science Fiction: A Conversation about Indigenous Futurisms Grace Dillon and Pedro Neves Marques

Vive la Révolution des J’menfichistes!! Roy Samaha

Postcommunist Aesthetics: A Conversation with Anamika Haksar Arvind Rajagopal

Twenty Years after Genoa Franco “Bifo” Berardi

Issue #119

June 2021

Editorial: “The Collective Body” Zdenka Badovinac

Bones, Muscles, and Connective Tissue: Tales of Collectivity Ana Dević

The Collective Alice, or, on Fear, Death, Multitudes, and Pain Iskra Geshoska

A Bureau for Self-Care: Interdependence versus Individualism iLiana Fokianaki

Rathole: Beyond the Rituals of Handwashing Oxana Timofeeva

The Autoimmune Condition: A Report on History Ivana Bago

Polish Autumn: Body Politics and a New Subject Agata Adamiecka-Sitek

OMUZ Neylan Bağcıoğlu, Merve Elveren, Görkem İmrek, Saliha Yavuz, and the Omuz Dictionary Group, on behalf of Omuz

Triple Braid, or, What Gives Us Reason to Hope? Nikolett Erőss

The Collective Body of the Pandemic: From Whole to (Not) All Ana Vujanović

Future Heritage? Azra Akšamija

Cancelling Art: From Populists to Progressives Jela Krečič

Trees, More-Than-Human Collectives Bojana Piškur

Countryside Roads Raluca Voinea

Issue #118

May 2021

Editorial

Astrology, Mortality, and Indifference to Life Shuddhabrata Sengupta

Collectivizations Jonas Staal

Living Lumbung: The Shared Spaces of Art and Life ruangrupa and Nikos Papastergiadis in Conversation

“There Is No Unhappy Love”: The Communism of Destitution Marcello Tarì and Matt Peterson

Surpassing Disaster: Haunted by an Imaginary Smyrna Pelin Tan

Excerpt from Atang: An Altar for Listening to the Beginning of the World Patrick Rosal

Minor Listening, Major Influence: Revisiting Songs of the Humpback Whale Alaina Claire Feldman

Antonio Caro, 1950–2021 Luis Camnitzer

The Artist as Hostage: Luis Manuel Otero Alcántara Coco Fusco

Video & Film

New York Conversations

Nico Dockx, Rirkrit Tiravanija, Anton Vidokle

COMING SOON October 1-31, 2021

Spaces of Exception

Matt Peterson, Malek Rasamny

September 27–October 11, 2021

Port of Memory

Kamal Aljafari

September 1-30, 2021

Projects

Summa Technologiae

Summa Technologiae—titled after a collections of philosophical essays by Stanisłav Lem—is a project that puts together three formats: the school, the conference, and the exhibition, in order to look at the impact of Lem’s work across disciplines.

Podcasts

Wet Togetherness [7]—Clogging: Ibiye Camp and Vera Frenkel presented by Shanghai Biennale

00:20:18

Exhibition Reviews

Berlin roundup

Berlinische Galerie, BQ, Galerie Neu, neugerriemschneider, Galerie Barbara Weiss, Klemm's, Hamburger Bahnhof - Museum für Gegenwart - Berlin, Wentrup

Emily McDermott

Art & Education

2021 MFA Degree Show

Kingston School of Art at Kingston University London