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e-fluxAnnouncement2026-09-09
e-flux
Onassis Culture
Launch of ONX Relay
e-fluxAnnouncement2026-09-09
e-flux
e-flux journal

Issue 165

e-fluxAnnouncement2026-09-09
e-flux
KINDL – Centre for Contemporary Art
Fall programme
e-fluxAnnouncement2026-09-09
e-flux
Americas Society
Telenovela
e-fluxAnnouncement2026-09-09
e-flux
PalaisPopulaire
Lucia Tallová
Moving Clouds
e-fluxAnnouncement2026-09-09
Agenda
Talking Galleries
12th Barcelona Symposium
e-fluxAnnouncement2026-09-09
Agenda
Arts of the Working Class
Soft Power festival
e-fluxAnnouncement2026-09-09
Architecture
Daniels Faculty of Architecture, Landscape and Design at University of Toronto
Fall 2026 public program
e-fluxAnnouncement2026-09-09
Education
The Gramounce
Dialectics of the Dinner Table: course and residency in Shanghai
e-fluxAnnouncement2026-09-08
e-flux
Museum Ludwig, Cologne

50th anniversary

e-fluxAnnouncement2026-09-08
e-flux
DOOSAN Art Center
Yeoreum Jeong
The Plural
e-fluxAnnouncement2026-09-08
e-flux
Haus der Kulturen der Welt (HKW)
Not All Travellers Walk Roads—Of Humanity as Practice
e-fluxAnnouncement2026-09-08
e-flux
Kunstverein für die Rheinlande und Westfalen, Düsseldorf

I, etcetera / “Reruns”

e-fluxAnnouncement2026-09-08
e-flux
Kunsthalle Recklinghausen
What Lies Below Is Another Above
e-fluxAnnouncement2026-09-08
e-flux
Secession

Bernhard Leitner / Lap-See Lam / JJJJJerome Ellis

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Criticism
“FIRE: From the Cosmos to the Commons”
Jesi Khadivi
City Curator Hamburg
“FIRE: From the Cosmos to the Commons” takes up the notion of apocalypse—from the Greek apokalypsis, “an uncovering” rather than an ending—and applies it to the ongoing sense of permacrisis. The exhibition begins with the hyper-specific: the historic St. Nikolai Memorial, a church that burned in the Great Fire of 1842 and, after being rebuilt, was subsequently destroyed in Operation Gomorrah in 1943, save for its historic spire.
Carlos Motta’s “Pleas of Resistance”
Quinn Latimer
OK Linz
The Bogotá-born artist’s rigorous narration of the queer, non-western body, both pre-Hispanic and amidst its resistance to colonial-religious conquest, does not preclude him from reappropriating the empire’s signs and signifiers. Or its technocratic politics of force both past and present. Enter the devil. The Catholic Church has long employed it to represent those sexualities outside its binary-biological purview. Motta, in turn, uses the fallen angel as both hybrid figure and burning lens to look at queer, intersex, trans, and trans-interspecies bodies, their desires and their fabulations, and the violent, violating systems that would subjugate them.
“Exhibitions of Resistance”: A Short History of Korea’s Biennials
Patrick Langley
The history of biennials in Korea is also a history of pro-democratic resistance. When the country’s first major international biennial opened in Gwangju in 1995, it marked the fifteenth anniversary of May 18, 1980, when student-led protests against Chun Doo-hwan’s military dictatorship resulted in the massacre of at least 196 people. The decision to host this landmark exhibition in a bastion of Korean pro-democratic civil resistance was significant, explicitly linking the local “Gwangju spirit” to the international system of contemporary art.
Speaking across: On disorder and refusal
With major retrospectives of Ana Mendieta and Beverly Buchanan on view this fall, it feels like an apt time to revisit a 2019 exhibition that features both artists without shoehorning their boundary-pushing work into tidy narratives or art-historical taxonomies. Quite the opposite, writes Natasha Marie Llorens: Sadia Shirazi’s satisfyingly messy group show succeeded because its model of a “dialectics of isolation” respects what Mendieta described as “ a personal will to continue being ‘other.’” 
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Notes
September 7, 2026
What Images Withhold: Film Form and Public Sphere
Film
By Lukas Brasiskis
September 4, 2026
The Politics of Looking
By Nicholas Mirzoeff and Claire Fontaine
September 3, 2026
Locarno International Film Festival 79
By George MacBeth
August 31, 2026
I Have A Polysemic Imagination: A Conversation
Film
By Jean-Pierre Gorin
August 28, 2026
(Under)Privileged Spaces: On Martha Rosler’s If You Lived Here…
By Nina Möntmann
August 26, 2026
Politics of Art: Contemporary Art and the Transition to Post-Democracy
By Hito Steyerl
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Journal
#165 September 2026
Issue #165
September 2026
EditorialEditors
They Lived a Cosmic LifeBoris Groys and Svetlana Baskova
When the War Comes: Erosion, Transition, and Manic MelancholiaHenrike Kohpeiß
How Much Fascism in the Maximum Power Principle?Antonia Majaca
Neptune Frost and the Final Future of AfrofuturismCharles Tonderai Mudede
Populism, or, The Cultural Logic of Late FascismT. J. Demos
Lifted AFMcKenzie Wark
Spatial CompositionNeil Gray and Andreas Petrossiants
#164 June 2026
Issue #164
June 2026
EditorialEditors
Alcatraz as Image: The Trumpian Politics of Carceral SpectacleMartabel Wasserman
Architectures of Amnesia: Donald Judd and America’s “Forgotten War” in KoreaAndrew Sungtaek
The Algorithm and the Antichrist: Political Theology at the Sunset of Silicon ValleyGiorgio Cesarale and Matteo Pasquinelli
Do Androids Dream of AGI?Vinícius Portella
Against the Clock: Remote Work, Stolen Sleep, and the Limits of ExtractionElvia Wilk
Thank God Science Is Queer NowAldo Kempen
Fire Tribes and Stateless Worlds: A ConversationBima Satria Putra and David Wengrow and Stevphen Shukaitis
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 1Nato Thompson and Claire Pentecost and Brooke Singer and David Garcia and Rich Pell and Lucas Fortunato
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 2Nicola Triscott and Lynn Hershman Leeson and Samuel Ashford and Doug Ashford and Julie Ault and Trevor Paglen
#163 May 2026
Issue #163
May 2026
Editorial: “Intellectuals”McKenzie Wark
Speculating on an Unasked QuestionDenise Ferreira da Silva
The Public Intellectual in HistoryTithi Bhattacharya
In Darkness and Secrecy: On Conspiratorial IntellectualismBogna Konior
A Toast to FemmunismMcKenzie Wark
The Algorithm and the IntellectualAmber Musser
A Fragment, a Message in a Bottle, a ToolboxVerónica Gago
Civilization and Its Incontinence: On the Closed Effluvial Loop of Intellectual LaborDominic Pettman
The Useful NarcissistMatt Seybold
The Angel of History Goes to the FrontDaria Serenko
Critique Is Over, Morality Is Dead, and Surreal Utopias Are Where It’s AtLuce deLire
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Architecture
e-fluxAnnouncement2026-09-09
Daniels Faculty of Architecture, Landscape and Design at University of Toronto
Fall 2026 public program
Simulation
e-fluxAnnouncement
Seeing the City like a Theory
Darío Negueruela del Castillo
e-fluxAnnouncement2026-09-08
Columbia University Graduate School of Architecture, Planning and Preservation
WORKS: fall 2026 public program
e-fluxAnnouncement2026-09-07
Allies and Morrison
Citymakers: At Home in the City
Simulation
e-fluxAnnouncement
From Models to Simulations: Architecture Inside Out
Peter Krapp
Simulation
e-fluxAnnouncement
Weirded Urban Spaces
Marco Caracciolo
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Education
September 9, 2026
The Gramounce
Dialectics of the Dinner Table: course and residency in Shanghai
September 8, 2026
Anderson Collection at Stanford University
Patty Chang
surfacing
September 8, 2026
School of the Art Institute of Chicago
Fall 2026 Visiting Artists
September 8, 2026
Institute for Doctoral Studies in the Visual Arts (IDSVA)
Apply for May 2027 admission
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Books
e-fluxSeptember 4, 2026
The Cis Gaze and its others
McKenzie Wark
e-fluxSeptember 1, 2026
Towards a New Universalism
Boris Groys
e-fluxSeptember 1, 2026
After the Kino-Eye: An e-flux Film Reader
e-fluxAugust 12, 2026
Forms of Non-Belonging
Pelin Tan
e-fluxDecember 6, 2025
Cream Psychosis
Mary Walling Blackburn
e-fluxNovember 24, 2025
Séance: Technology of the Spirit
e-fluxSeptember 12, 2025
Theory of Seeing
Władysław Strzemiński
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