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Announcements

Bauhaus Dessau Foundation

Rita Evans
Gropius House || Fictional

Kunstmuseum Liechtenstein

Rivane Neuenschwander
knife does not cut fire

IHME Helsinki

Amar Kanwar: Learning from Doubt

MUSEUM MMK FÜR MODERNE KUNST

John Cage
Museumcircle

Sirius Arts Centre

Daniela Ortiz
They Will Burn with the Flame of the Mother’s Torment and in Ashes Transform

National Museum of Modern and Contemporary Art, Gwacheon

Time of the Earth

Malmö Konstmuseum

LOCATIONS—(in)visible symposium

NYU Abu Dhabi Art Gallery

Between the Sky and the Earth

International Biennial Association

8th General Assembly: Working Towards a Sustainable Biennial Model

Han Nefkens Foundation

Timoteus Anggawan Kusno wins Han Nefkens Foundation – Loop Barcelona Video Art Production Grant 2021

Journal

Issue #122

November 2021

Trap Metaphysics McKenzie Wark

Inappropriate Gestures: Vogue in Three Acts of Appropriation Sabel Gavaldon

Images Are Masks Sohrab Hura

Cultural Wars and the Politics of Diplomacy Hanan Toukan

from Tournesol Lynn Xu

I Want Something Other Than Time Lewis Freedman

Two Poems erica kaufman

Neither Hopeful nor Pathological: A Theory of South African Art Serubiri Moses

Authoritarianism and the Cybernetic Episteme, or the Progressive Disappearance of Everything on Earth Irmgard Emmelhainz

Obituary for Sylvère Lotringer Franco “Bifo” Berardi and Christian Marazzi

Issue #121

October 2021

Twenty-One Art Worlds: A Game Map Hito Steyerl, Department of Decentralization, and GPT-3

Divergent Survivances Elizabeth A. Povinelli

Resonances: A Conversation on Formless Formation Stefano Harney, Fred Moten, Sandra Ruiz, and Hypatia Vourloumis

Hood + Chow: Uncle Sam Eagle Clit and the Status Blossom Tam Donner

Participation Deborah Bird Rose

Under Etna’s Shadow: Pier Paolo Pasolini and the Volcano Andreas Petrossiants

Shaky Distinctions: A Dialogue on the Digital and the Analog Alexander R. Galloway and Bernard Dionysius Geoghegan

Issue #120

September 2021

Four Theses on Aesthetics Rizvana Bradley and Denise Ferreira da Silva

Lenin’s Image Boris Groys

The Postdramatic Theater’s Misadventures in the Age of Contemporary Art Keti Chukhrov

Spectacular Opacities Stanley Wolukau-Wanambwa

Taking the Fiction Out of Science Fiction: A Conversation about Indigenous Futurisms Grace Dillon and Pedro Neves Marques

Vive la Révolution des J’menfichistes!! Roy Samaha

Postcommunist Aesthetics: A Conversation with Anamika Haksar Arvind Rajagopal

Twenty Years after Genoa Franco “Bifo” Berardi

Video & Film

Children Without Childhood

Khadijeh Habashneh

December 8–21, 2021

Ça sera beau (From Beyrouth with Love)

Wael Noureddine

November 24–December 7, 2021

Ouroboros

Basma Alsharif

November 24–December 7, 2021

Projects

Summa Technologiae

Summa Technologiae—titled after a collections of philosophical essays by Stanisłav Lem—is a project that puts together three formats: the school, the conference, and the exhibition, in order to look at the impact of Lem’s work across disciplines.

Podcasts

Masha Gessen on how to survive an autocracy

00:53:25

Art Criticism

Art Basel Miami Beach, Miami Beach Convention Center, Richard Saltoun Gallery, Helena Anrather Gallery, Pequod Co., Calderón, Rubell Family Collection, Institute of Contemporary Art, Miami (ICA Miami), Selenas Mountain, HistoryMiami

Ricardo Mor

Art & Education

Office Hours: Natasha Marie Llorens: Royal Institute of Art in Stockholm

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