As Alumni, Faculty, and Friends of the Whitney Independent Study Program, we unequivocally support the 2024–25 ISP cohort who were censored when presenting work in solidarity with the struggle for Palestinian freedom. We uplift their efforts to create and debate art while reckoning with political violence and institutional coercion, and affirm our shared solidarity against the ongoing genocide in Gaza.
On May 12, the Whitney Museum unilaterally canceled the performance No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance. The 2024–25 cohort of participants has publicly and collectively outlined their opposition to this act of censorship, including the financial and sociopolitical entanglements the board of the Whitney Museum holds in relation to this genocide. We support and reiterate their statements found here:
ISP Curatorial Exhibition Update: May 13, 2025
The artist list for “a grammar of attention,” the 2025 Whitney Independent Study Program Curatorial Exhibition, is no longer accurate. When this show was announced publicly on the Whitney Museum’s website on May 2 and at the time of the show’s opening on May 9, artists Fad I Fakhouri, Noel Maghathe, and Fargo Tbakhi were scheduled to perform on Wednesday, May 14. On May 12, the curators of this exhibition were told that the Whitney Museum had decided to cancel their performance.
In light of the artists’ removal from the show, we, the curators and artists involved in the performance, encourage you to take, read, and share the scores of the performance that the artists were to interpret. This event was to be grounded in the struggle for Palestinian freedom, while making space to mourn those who have been martyred in that struggle. We carry forward that ethos even in the absence of the performance.
“Take these scores with you back into the world, to interpret in your own community, in your house, or your church, or your organizing meetings, or your protests. Their purpose is to create a space to feel, grieve, rage, scream, cry, so that we can carry on fighting each day for the survival of those the world is killing.
Share these scores. Photocopy them. Write your own.
They don't belong to anyone. They are for the dead.”
[From the score of No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance]
ISP Symposium Update: May 17, 2025
Statement on the Cancellation of the ISP Critical Studies Symposium:
We, the ISP Symposium Participants, have decided to cancel the event set to be held on May 18, 2025 at the Whitney Museum.
The texts that we planned to share at this event are the product of deep, collective study. In them, we ask incisive questions about institutions, art/works, labor, bodies and flesh, race, political struggles, colonial power, violence, death, and the very nature of writing and making now. It has become impossible to share these texts inside the Whitney Museum with dignity.
The Whitney Museum has surveilled and scrutinized our work, intervened upon our practices, and degraded the independent criticality that has long been associated with the ISP. This has occurred across all three cohorts. Such surveillance is unprecedented. It escalated to the Whitney Museum’s unilateral cancellation of the performance No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance on May 12. This effectively forbade the collective and public mourning of Palestinian lives.
With these actions, the senior leadership at the Whitney Museum has abandoned its self-declared “Mission & Values,” including “that we must be as experimental, responsive, and risk-taking as the artists with whom we collaborate,” and “that we must lead with expertise, debate, self-reflection, and integrity.”
Under these conditions, sharing our work at the Whitney Museum has become untenable. We refuse to uphold the illusion of the Whitney Museum as a liberal-progressive institution. Our work at the ISP is made in spite of and in opposition to the financial and sociopolitical investments of the Whitney Museum.
The Independent Study Program must find an independent way forward. Rigorous criticality and study are urgently needed. We are committed to collective liberation and insurgent praxis. We stand in solidarity with our fellow participants and are proud of the work we’ve made together.
[see original statement on Instagram]
ISP Studio Statement: May 19, 2025
On Withdrawal from the Whitney ISP Capstone Exhibition, “Prototype,” at Westbeth Gallery:
We, the majority of participants in the Whitney Independent Study Program (ISP) studio cohort, have decided to withdraw our work from the “Prototype” capstone exhibition at Westbeth Gallery.
This decision arises from the fundamental contradictions of free artistic expression within institutions deeply embedded instructural violence and shaped by the financial interests of their board members. These interests ultimately limit the scope of critical and transformative possibilities by influencing what can be seen, said, and staged within these spaces.
On May 12, 2025, just two days before it was scheduled, the Whitney Museum of American Art canceled No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance, a work that offered space to honor and mourn Palestinian lives lost in the ongoing assault on Gaza. This act echoed a broader regime of repression targeting pro-Palestinian speech and it exposed the limits of critique inside institutions.
The ISP presents itself as an independent space—but that independence is a myth. The Whitney Museum actively undermines ISP principles of critical inquiry, artistic autonomy, innovation, experimentation, and activist practices through scrutiny, surveillance, and censorship. As artists, we have a responsibility to transform theory into practice. Our collective refusal to participate in the capstone exhibition is not just symbolic; it is a direct challenge to the institution’s legitimacy, especially as the Whitney censors Palestinian artists and profits from exploitation and oppression.
We are not just withdrawing, we are demanding. We demand that the Whitney Museum face its complicity in genocide and confront the deeper entanglement with its board members. We call on artists and cultural workers to direct solidarity and material resources toward Palestinian liberation, now in the 77th year of the ongoing Nakba.
We stand in unwavering solidarity with the Palestinian people in their struggle for freedom and dignity.
Free Palestine
[see original statement on Instagram]
ISP Associate Director Statement: May 19, 2025
Statement by ISP Associate Director Regarding the Whitney’s Cancellation of No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance and the ISP cohort’s response:
The Whitney Independent Study Program has been a space promoting the work of the arts for more than half a century. It stands by the rights of artists to express themselves and embodies the duties of artists to think and discuss freely. Its foundational premises are that it is independent—free from outside influences that would dictate what to think or discuss—and a place for study, to learn with and from others.
This work has always been unapologetically engaged with the politics of its times. The ISP began amid the revolutionary energies of May ’68, the movement against the Vietnam War, and the state violence of the Kent State massacre, and fully coalesced around AIDS activism two decades later. Today, this means participants in the Program continue to think for themselves and provoke thought in others about contexts including but not limited to fascism at home and the relentless genocide being carried out in Gaza. And sadly today, this means that we also face unprecedented censorship and a threat to our foundational independence because of our pursuit of the very dialogue that makes the ISP what it is.
Since joining the ISP, my highest priority has been to sustain and nurture a collective and independent study community of artists, curators, and writers based on care, trust, and a political commitment to the experimentalism of artmaking, thinking, and writing. Our shared medium is conversation, one that is thoughtful, open, caring, and courageous.
The members of the ISP remain committed to the collective practice of artworkers, many of whom belong to demographics that are more vulnerable than ever—among them, gender dissidents, political refugees, visa holders, and survivors of armed conflict, racism, and assault. It takes a lot of work and care to build a community, but only a moment of thoughtless violence to destroy, compromise, or instrumentalize it. The Whitney Museum, which for more than half a century supported this work, has disappointed us in the past weeks. This was particularly painful for our community when, on Wednesday May 7, one of the cohort’s artists, Ash Moniz, was assaulted on the NYC subway for being a trans woman wearing a Palestinian scarf. Rather than put out a statement in her support or reaching out expressing solidarity and concern to Ash, the museum chose to ignore the issue and instead continue to put the ISP under scrutiny. This scrutiny was carried out under the pretense of “security” for Whitney Museum audiences and the need to screen for “offensive” content. We needed protection, instead we got surveillance.
For the past three weeks, all ISP capstone projects—traditionally culminating in two exhibitions and a critical studies Symposium—have been subjected to an unprecedented level of scrutiny from the senior administration at the Whitney Museum. The announcement of the ISP capstone events on e-flux was cancelled, and the museum delayed the release of online content as long as possible to deny the shows normal visibility. Additionally, the admissions process for next year’s ISP cohort has also been halted by the museum administration until further notice.
On Wednesday May 12, the director of the Whitney Museum, Scott Rothkopf, decided to cancel a performance by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi interpreting a score of texts by Brandon Shimada, Christina Sharpe, and Natalie Diaz. The performance was called No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance. The title is borrowed from a line in Palestinian writer Mahmoud Darwish’s poem “State of Siege,” and the piece was originally commissioned by Jewish Currents. The performance was integrated in a nuanced and poetic statement of transnational political solidarity and an examination of entangled colonial, capitalist, and anti-Black violence that, as the curators write in their ISP exhibition text, “unfolds as a resonant chamber through a program of performances, installations, and workshops.” The exhibition, titled “a grammar of attention,” is, they continue, “both an invitation and an offering: to bear and build witness to that which is fraught, incomplete, unauthorized, unsettled yet tethered to our present.” Rothkopf did not visit the exhibition and every single one of my requests to upper management to engage the curatorial cohort in conversation was rejected.
The ostensible reason given by the Whitney for the cancellation was something unrelated to the show itself. One of the artists, Fargo Tbakhi, had introduced a first iteration of this piece at the Poetry Project in admittedly provocative language. But the point of artistic freedom has never been that it shies away from controversy or anger. And the point of defending it has never been that we agree with everything an individual says. The point is that we must refuse the right-wing extremism that seeks to dictate what everyone is allowed to believe and express. The point is to insist on a free society and to stand in solidarity with other individuals and educational institutions under attack by this newly amplified right-wing extremism.
And furthermore, the logic of banning the performance based on what one person said is flawed, because the choral clamor that constitutes the No Aesthetics performance is bigger than any individual. Fargo had every right to his political rage, but this was not about him alone. It was about the collective voices gathered in “a grammar of attention.” I disagree with and regret the museum’s cancellation of this performance and stand with all the artists in the exhibition and with the Palestinian people. I remain proud and fully supportive of “a grammar of attention”—a show that, sadly, may no longer be possible in the US’s current context of policing, suppression, deliberate ignorance, and fear.
I stand wholeheartedly in solidarity with all the ISP participants and the study community we have become, even in the most challenging political climate. I am honored to be part of this community, and our work together continues to give me hope, even now. I believe this year’s capstone events represents the best the ISP has to offer. The independence of the ISP has been seriously compromised. I call on everyone who believes that art has a place in the struggle for free speech to support the survival of this extraordinary and urgently necessary experimental study community, and not only this one.
Sara Nadal-Melsió, Associate Director of the Whitney Independent Study Program
[see original statement on Instagram]
***
The canceled performance, scrutinized artwork and scholarship, and atmosphere of censorship have their roots in a broader political climate of fear and intimidation in the United States, and follow other recent crackdowns on free expression, protest, and speech by artists and scholars supporting Palestine. The undersigned reaffirm our commitment to practices of integrity, risk, and autonomy, particularly under regimes of oppression and suppression.
The Whitney Museum’s stated mission and core values are grounded precisely in its acceptance of dissent, reinvention, and activism. If the Whitney Museum denies the ISP the ability to independently persist as a site of critique over an ongoing genocide, then the Whitney Museum loses all claim to uphold the very values it cites as its guiding principles.
Signed,
Noor Abed, Alum, Studio, 2015-16
Ayisha Abraham, Alum, Studio, 1991-92
Tom Ackers, Alum, Studio, 2011-12
Kasper Akhoj, Alum, Studio, 2008-09
Maricruz Alarcón, Alum, Studio, 2013-14
Alex Alberro, Alum 1993-94, Faculty and Seminar Leader 1998-2023
Hammam Aldouri, Alum, Critical Studies, 2015-16
John Almanza, Alum, Studio, 2014-15
Emanuel Almborg, Alum, Studio, 2014-15
Avi Alpert, Alum, Critical Studies, 2007-08
Nora M Alter, Faculty and Seminar Leader, Critical Studies, 2009-2023
Carmen Amengual, Alum, Studio, 2021-22
Amin, Alum, Studio, 2011-12
Campens Angelique, Alum, Curatorial, 2007-08
Eric Anglès, Alum, Studio, 2007-08
Anik, Alum, Curatorial, 2009-10
Ina Diane Archer, Alum, Studio, 1996-97
Sasha Archibald, Alum, Curatorial, 2004-05
Malin Arnell, Alum, Studio, 2009-10
American Artist, Alum, Studio, 2016-17
Douglas Ashford, Seminar Leader, Studio, 1988-89
Magdalyn Asimakis, Alum, Curatorial, 2016-17
Nooshin Askari, Alum, Studio, 2024-25
Arlen Austin, Alum, Studio, Critical Studies, 2015-16, 2014-15
Todd Ayoung, Alum, Studio, 1989-90
Michael Baers, Alum, Studio, 2004-05
Mimi Biyao Bai, Alum, Studio, 2017-18
Simon Baier, Alum, Critical Studies, 2003-04
Shobun Baile, Alum, Studio, 2023-24
George Baker, Alum, Seminar Leader, Critical Studies, 1994-95
Jan Baracz, Alum, Studio, 1998-99
Judith Barry, Seminar Leader
Judith Barry, Seminar Leader, Studio, Curatorial, 1989-90, 1988-89
Michaela Bathrick, Alum, Staff, Studio, 2019-20
Harold Batista, Alum, Studio, Critical Studies, 2014-15, 2015-16
Douglas Beer, Alum, Studio, 1980-81
Anthea Behm, Alum, Studio, 2010-11
Zoe Beloff, Alum, Studio, 1985-86
Lindsay Benedict, Alum, Studio, 2009-10, 2007-08
Adelita Husni Bey, Alum, Studio, 2011-12
James Biederman, Alum, Studio, 1970-71
Ursula Biemann, Alum, Studio, 1988-89
Mary Billyou, Alum, Studio, 2003-04
David Birkin, Alum, Studio, 2013-14
tasha bjelix, Alum, Studio, 2015-16
Hannah Black, Alum, Studio, 2013-14
Lluis Alexandre Casanovas Blanco, Alum, Critical Studies, 2018-19, 2017-18
Gavan Blau, Alum, Studio, 2013-14
Jenna Bliss, Alum, Studio, 2016-17
Dahlia bloomstone, Alum, Studio, 2024-25
Kim Bobier, Alum, Critical Studies, 2015-16
Roddy Bogawa, Alum, Studio, 1989-90
Brad Borevitz, Alum, Studio, 2006-07
Maibritt Borgen, Alum, Critical Studies, 2010-11
David Borgonjon, Alum, Critical Studies, 2021-22
Candice Breitz, Alum, Studio, 1996-97
Maura Brewer, Alum, Studio, 2014-15
Eric Brittain, Alum, Studio, 2021-22
Harper Brokaw-Falbo, Alum, Critical Studies, 2016-17
Ben Thorp Brown, Alum, Studio, 2012-13
Matt Browning, Alum, Studio, 2019-20
Julia Bryan-Wilson, Seminar Leader
Benjamin HD Buchloh, Faculty, Critical Studies, 2021-22, N/A
Robert Buck(Beck), Alum, Studio, 1992-93
Tom BURR, Alum, Studio, 1987-88
Jennifer Burris, Alum, Curatorial, 2010-11
Heather Bursch, Alum, Studio, 2010-11
Judith Butler, Seminar Leader, Curatorial, 2002-03
Elaine Byrne, Alum, Studio, 2014-15
Gabo Camnitzer, Alum, Studio, 2017-18
Sandrine Canac, Alum, Critical Studies, 2014-15
Lindsay Caplan, Alum, Critical Studies, 2011-12
Philip Cartelli, Alum, Studio, 2022-23
Lisa Cartwright, Alum, Studio, 1982-83
Michael Cataldi, Alum, Studio, 2010-11
MALABOU CATHERINE, Faculty, Critical Studies, 2024-25
Cheeny Celebrado-Royer, Alum, Studio, 2024-25
Colby Chamberlain, Alum, Critical Studies, 2011-12
Weiyi Chang, Alum, Curatorial, 2019-20
Yau Ching, Alum, Studio, 1992-93
Canada Choate, Alum, Critical Studies, 2021-22
Doris Chon, Alum, Critical Studies, 1999-00
Tony Chrenka, Alum, Studio, 2022-23
Augsburger Claude, Alum, Studio, 1983-84
Coleman Collins, Alum, Studio, 2018-19
Brian Conley, Alum, Studio, 1978-79
Liam Considine, Alum, Critical Studies, 2009-10
Huey Copeland, Alum, Seminar Leader, Critical Studies, 2002-03
Eli Coplan, Alum, Studio, 2022-23
Steven Cottingham, Alum, Studio, 2021-22
Erin Cramer, Alum, Studio, 1987-88
Chloe P. Crawford, Alum, Studio, 2021-22
Andrea Creutz, Alum, Studio, 2002-03
Dr. Alexandra Juhasz, Distinguished Professor, CUNY, Alum, Studio, 1987-88
Kajsa Dahlberg, Alum, Studio, 2007-08
sonia louise davis, Alum, Studio, 2015-16
Jill Dawsey, Alum, Critical Studies, 2000-01
Alistair Debling, Alum, Studio, 2018-19
Stephanie Deumer, Alum, Studio, 2018-19
Rosalyn Deutsche, Faculty, Critical Studies
Sally Gutierrez Dewar, Alum, Studio, 1999-00
Heather Diack, Alum, Critical Studies, 2006-07
David Diao, Faculty, Studio, 1969-98
Eva Diaz, Alum, Faculty, Curatorial, 1998-99
Marcel Dickhage, Alum, Studio, 2016-17
Joe Diebes, Alum, Studio, 2011-12
Katherine Dieckmann, Alum, Studio, 1984-85
Mark Dion, Alum, Faculty, Studio, 1984-85
Ayanna Dozier, Alum, Critical Studies, 2018-19
Dr Sonya Dyer, Alum, Studio, 2011-12
Carla Edwards, Alum, Studio, 2007-08
Frank Egloff, Alum, Studio, 1976-77
Douglas Eisenstark, Alum, Studio, 1980-81
Sara Eliassen, Alum, Studio, 2010-11
Åsa Elzén, Alum, Studio, 2007-08
Niloufar Emamifar, Alum, Studio, 2024-25
S Emsaki, Alum, Studio, 2023-24
Redmond Entwistle, Alum, Studio, 2006-07
João Enxuto, Alum, Studio, 2013-14
Karlito Miller Espinosa, Alum, Studio, 2019-20
Joanna Evans, Alum, Critical Studies, 2024-25
philipp farra, Alum, Studio, 2019-20
Silvia Federici, Seminar Leader
Zachary B. Feldman, Alum, Curatorial, 2022-23
Hannah Feldman, Alum, Critical Studies, Curatorial, 1992-93
Daphne Fitzpatrick, Alum, Studio, 1986-87
Alex Fletcher, Alum, Studio, 2011-12
Martine Flor, Alum, Studio, 2021-22
Ivan Forde, Alum, Studio, 2021-22
Kenneth Frampton, Seminar Leader
Andrea Frank, Alum, Studio, 1998-99
Andrea Fraser, Alum, Faculty, Studio, 1984-85, 1983-84
Rene Gabriel, Alum, Studio
Giulia Gabrielli, Alum, Studio, 2022-23
Tia-Simone Gardner, Alum, Studio, 2009-10
Benjamin Gerdes, Alum, Studio, 2004-05
Melanie Gilligan, Alum, Studio, 2004-05
Alison Gingeras, Alum, Critical Studies, 1996-97
Philip Glahn, Alum, Critical Studies, 1999-00
Brian Goldfarb, Alum, Studio, 1987-88
Alyosha Goldstein, Alum, Studio, 1991-92
Thyrza Nichols Goodeve, Alum, Faculty, 1998-99, 1997-98, 1983-84, 1982-83
Anthony Graves, Alum, Studio, 2004-05
Jim Grilli, Alum, Studio, 2015-16
Aline Guillermet, Alum, Critical Studies, 2012-13
Tamar Guimarães, Alum, Studio, 2007-08
Hans Haacke, Faculty, Seminar Leader
Karl Haendel, Alum, Studio, 1998-99
Rachel Haidu, Seminar Leader, Critical Studies
Hope Hall, Alum, Studio, 2000-01
Sophie Hamacher, Alum, Critical Studies, 2004-05
Maddie Hampton, Alum, Critical Studies, 2022-23
K8 hardy, Alum, Studio, 2003-04
Michelle N Harewood, Alum, Critical Studies, 2001-02
Nate Harrison, Alum, Critical Studies, 2010-11
Heather Hart, Alum, Studio, 2008-09
Davey Hawkins, Alum, Studio, 2014-15
Emma Hedditch, Alum, Studio, 2008-09
Mary Beth Heffernan, Alum, Studio, 1994-95
Niels Henriksen, Alum, Critical Studies, 2009-10
Joseph Henry, Alum, Critical Studies, 2017-18
Theresa Himmer, Alum, Studio, 2011-12
Perry Hoberman, Alum, Studio, 1978-79
Wayne Hodge, Alum, Studio, 2001-02
Daniel Hoffman-Schwartz, Alum, Critical Studies, 2001-02
Jack Hogan, Alum, Studio, 2022-23, 2021-22
Ryan Holmberg, Alum, Critical Studies, 2003-04
Lizzie Homersham, Alum, Critical Studies, 2016-17
Nina Horisaki-Christens, Alum, Curatorial, 2012-13
Benjamin Horns, Alum, Studio, 2021-22
Craig Houser, Alum, Curatorial, 1992-93
Mae Howard, Alum, Studio, 2023-24
Alex Hubbard, Alum, Studio, 2013-14
janine hudson, Alum, Studio, 1977-78
Sally Eaves Hughes, Alum, Curatorial, 2021-22
Ashley Hunt, Alum, Studio, 1999-00
Katurah Hutcheson, Alum, Studio, 1985-86
Rocío Olivares Iriarte, Alum, Studio, 2018-19
Julian Irlinger, Alum, Studio, 2017-18
Angelique Italy, Alum, Curatorial, 2007-08
Alfredo Jaar, Seminar Leader
Emily Jacir, Alum, Faculty, Studio, 1998-99
Kristina Jacob, Alum, Studio, 2000-01
Gareth James, Alum, Studio, 1997-98
JDSH, Alum, Studio, 2023-24
Jean, Alum, Studio, 1982-83
Rattanamol Singh Johal, Alum, Critical Studies, 2016-17
Kyle Bellucci Johanson, Alum, Studio, 2022-23
David L. Johnson, Alum, Studio, 2021-22
Jonas Stark Johnson, Alum, Critical Studies, 2019-20
Karen E. Jones, Alum, Curatorial, 1990-91
Erich Kessel Jr, Alum, Critical Studies, 2021-22
Michael Just, Alum, Studio, 2010-11
Sue Jeong Ka, Alum, Studio, 2016-17
Jennifer Kabat, Alum, Curatorial, 1992-93
Holen Sabrina Kahn, Alum, Studio, 2002-03
Jane Hye Jin Kaisen, Alum, Studio, 2007-08
Tom Kalin, Alum, Studio, 1987-88
Chris Kasper, Alum, Studio, 2005-06
Deborah Kass, Alum, Studio, 1972-73
Annebarbe Kau, Alum, Studio, 1981-82
David Kelley, Alum, Studio, 2010-11
Kevin Kelly, Alum, Studio, 2019-20
Susan Kelly, Alum, Studio, 1998-99
Jen Kennedy, Alum, Critical Studies, 2008-09
Jon Kessler, Alum, Studio, 1980-81
Grant Kester, Alum, Curatorial, 1986-87
Caroline Key, Alum, Studio, 2012-13
Bani Khoshnoudi, Alum, Studio, 2008-09
Edward Kihn, Alum, Studio, 2006-07
Alex Kitnick, Alum, Critical Studies, 2006-07
Hilary Kliros, Alum, Studio, 1979-80
Chelsea Knight, Alum, Studio, 2009-10
Silvia Kolbowski, Faculty
kavita kulkarni, Alum, Critical Studies, 2017-18
Emily Kunstler, Alum, Studio, 2003-04
Agnieszka Kurant, Seminar Leader, Studio, Critical Studies, 2024-25, 2023-24
Runo Lagomarsino, Alum, Studio, 2007-08
Kimberly Lamm, Alum, Critical Studies, 1999-00
Erika Landström, Alum, Studio, 2018-19
Wes Larios, Alum, Studio, 2017-18
Elena Lavellés, Alum, Studio, 2016-17
Louise Lawler, Seminar Leader, Critical Studies
Elisabeth Lebovici, Alum, Critical Studies, Curatorial, 1980-81, 1979-80
William Lee, Alum, Studio, 2021-22
Cristóbal Lehyt, Alum, Studio, 1999-00
Per-Oskar Leu, Alum, Studio, 2012-13
Simon Leung, Alum, Studio, 1988-89
Stella Liantonio, Alum, Critical Studies, 2024-25
YoonKyung Lim, Alum, Studio, 2011-12
Michelle Lim, Alum, Curatorial, 2009-10
Liz Linden, Alum, Studio, 2008-09
Greg Lindquist, Alum, Studio, 2017-18
Elisa R. Linn, Alum, Curatorial, 2017-18
Sarah Lookofsky, Alum, Faculty, Curatorial, 2004-05
Jazmin lopez, Alum, Studio, Critical Studies, 2023-24, 2022-23
Amanda Adams- Louis, Alum, Studio, 2011-12
Erica Love, Alum, Studio, 2012-13
Zoey Kira Lubitz, Alum, Curatorial, 2017-18
kara lynch, Alum, Studio, 1990-91
Hannah Maier-Katkin, Alum, Critical Studies, 2018-19
Trista E. Mallory, Alum, Critical Studies, 2011-12
Patricia Manos, Alum, Critical Studies, 2019-20
Anamaría Garzón Mantilla, Alum, Critical Studies, 2023-24
Elke Marhöfer, Alum, Studio, 2001-02
Mattin, Alum, Studio, 2008-09
Park McArthur, Alum, Studio, 2011-12, 2010-11
Olivia McCall, Alum, Critical Studies, 2023-24
Tom McDonough, Alum, Seminar Leader, Critical Studies, 1992-93
Micki McGee, Alum, Curatorial, 1980-81
Yates McKee, Alum, Critical Studies, 2004-05, 2001-02
Mores McWreath, Alum, Studio, 2008-09
John Mendelsohn, Alum, Studio, 1971-72, 1970-71
Liz Mermin, Alum, Critical Studies, 1994-95
Sonya Merutka, Alum, Critical Studies, 2022-23
Nadja Millner-Larsen, Alum, Critical Studies, 2011-12
Omar Mismar, Alum, Studio, 2016-17
Sharon Mizota, Alum, Studio, 1996-97
Jennifer Montgomery, Alum, Studio, 1988-89
Carlos Motta, Alum, Studio, 2005-06
Laura Mulvey, Faculty, Studio, Critical Studies, Curatorial
Dr. Sadie Murdoch, Alum, Studio, 2003-04
Maryanne Murray, Alum, Studio, 1993-94
Eileen Myles, Seminar Leader, Studio, Critical Studies, 2024-25
Rebecca Naegele, Alum, Studio, 2016-17
Angel Nevarez, Alum, Studio, 2001-02
John Newman, Alum, Studio, 1971-72
Hương Ngô, Alum, Studio, 2011-12
Alison Nguyen, Alum, Studio, 2023-24
Nia Nottage, Alum, Curatorial, 2018-19
Blake Oetting, Alum, Critical Studies, 2023-24
Itziar Okariz, Alum, Studio, 1999-00
Sofía Olascoaga, Alum, Curatorial, 2010-11
Adrienne Jacobson Oliver, Alum, Critical Studies, 2024-25
Michala Paludan, Alum, Studio, 2011-12
Lydia Panas, Alum, Studio, 1984-85, 1985-86
Liz Park, Alum, Curatorial, 2011-12
Pegah Pasalar, Alum, Studio, 2024-25
Ellen Pavey, Alum, Curatorial, 2017-18
John Arthur Peetz, Alum, Critical Studies, 2018-19
Ying S. Pek, Alum, Critical Studies, 2016-17
Constance Penley, Seminar Leader, Critical Studies
Claire Pentecost, Alum, Studio, 1988-89
Mai-Thu Perret, Alum, Studio, 2002-03
Rebecca Hackemann, PhD, Alum, Studio, 2000-01
Samuele Piazza, Alum, Curatorial, 2015-16
Sarah Pierce, Alum, Studio, 1994-95
Kristine Jærn Pilgaard, Alum, Curatorial, 2013-14
Michael Poetschko, Alum, Studio, 2012-13
Jenny Polak, Alum, Studio, 1992-93
Sreshta Rit Premnath, Alum, Studio, 2008-09
Walid Raad, Seminar Leader, Studio
Rajkamal, Alum, Studio, 2001-02
Maria Rapicavoli, Alum, Studio, 2011-12
Sean Raspet, Alum, Studio, 2007-08
Kamran Rastegar, Alum, Critical Studies, 2000-01
Andrea Ray, Alum, Studio, 1996-97
Vicente Razo, Alum, Studio, 2003-04
Elliot Reed, Alum, Studio, 2023-24
Sara Reisman, Alum, Curatorial, 2002-03
Erin Reitz, Alum, Critical Studies, 2016-17
Daniel Reuter, Alum, Studio, 2013-14
Sarah Richter, Alum, Critical Studies, 2023-24
Joe Riley, Alum, Studio, 2016-17
Kari Rittenbach, Alum, Curatorial, 2015-16
Emma C. Roberts, Alum, Critical Studies, 2021-22
Laurie Robins, Alum, Studio, 2016-17
Andrew Ross, Lecturer, Studio, Critical Studies, Curatorial, Architecture
Anna Rubin, Alum, Studio, 2022-23
Alan Ruiz, Alum, Studio, 2015-16
Orla Ryan, Alum, Studio, 1996-97
Susanne Østby Sæther, Alum, Curatorial, 2005-06
Stefan Saffer, Alum, Architecture, 2004-05
Jayce Salloum, Alum, Studio, 1998-99
Tim Saltarelli, Alum, Curatorial, 2011-12
Albert Samreth, Alum, Studio, 2024-25
Katya Sander, Alum, Studio, 2000-01
Kristina Scepanski, Alum, Curatorial, 2011-12
Steve Schiff, Alum, Studio, 2001-02, 2000-01
Alex Schmidt, Alum, Studio, 2024-25
Maximilian Schmoetzer, Alum, Studio, 2018-19
Carrie Schneider, Alum, Studio, 2015-16
Rebecca Schreiber, Alum, Studio, 1989-90
Susan Schuppli, Alum, Studio, 1995-96
Cathleen Schuster, Alum, Studio, 2016-17
Dread Scott, Alum, Studio, 1992-93
Emily Shanahan, Alum, Studio, 2017-18
Gwyneth Shanks, Alum, Curatorial, 2019-20
Asha Sheshadri, Alum, Studio, 2017-18
gregory sholette, Alum, Critical Studies, 1995-96
Aliza Shvarts, Alum, Seminar Leader, Critical Studies, 2014-15
Andrew Siedenburg, Alum, Studio, 2021-22
Sancho Silva, Alum, Architecture, 2003-04
Shelly Silver, Alum, Studio, 1980-81
Jason Simon, Alum, Studio, 1984-85
Mary Simpson, Alum, Studio, 2009-10
Nida Sinnokrot, Alum, Studio, 2001-02
Lise Tovesdatter Skou, Alum, Studio, 2002-03
Emily Small, Alum, Curatorial, 2022-23
Ania Soliman, Alum, Studio, 1999-00
Virginia Solomon, Alum, Critical Studies, 2007-08
Amalia Soto, Alum, Studio, 2021-22
Filipe de Sousa, Alum, Studio, 2017-18
Hen Stanford, Alum, Critical Studies, 2010-11
Sally Stein, Seminar Leader, Critical Studies
Felipe Steinberg, Alum, Studio, 2018-19
A. L. Steiner, Faculty, Studio
Blake Stimson, Alum, Studio, 1990-91
Alex Strada, Alum, Studio, 2018-19
Lauren Stringer, Alum, Studio, 1981-82
Angelique Szymanek, Alum, Critical Studies, 2012-13
Ginger Brooks Takahashi, Alum, Studio, 2006-07
Claire Tancons, Alum, Curatorial, 2000-01
Javier Téllez, Alum, Studio, 1997-98
Valerie Tevere, Alum, Studio, 1999-00
Jonathan Thomas, Alum, Studio, Critical Studies, 2006-07, 2005-06
Johanna Thorell, Alum, Curatorial, 2022-23
David Thorne, Alum, Studio, 1990-91
Lynne Tillman, Seminar Leader, Studio, Critical Studies, N/A
John Timberlake, Alum, Studio, 2001-02
Tess Timoney, Alum, Studio, 1990-91
Benjamin Tiven, Alum, Studio, 2011-12
Max Tolleson, Alum, Critical Studies, 2022-23
Elbe Trakal, Alum, Studio, 2018-19
Kerry Tribe, Alum, Studio, 1996-97
Hồng-Ân Trương, Alum, Studio, 2008-09
Oscar Tuazon, Alum, Studio, Architecture, 2002-03, 2001-02
Lan Tuazon, Alum, Studio, 2003-04
John A Tyson, Alum, Critical Studies, 2011-12
Christian Uhl, Alum, Studio, 1999-00
Danna Vajda, Alum, Studio, 2010-11
Joen Vedel, Alum, Studio, 2013-14
Sophia Victor, Alum, Studio, 2017-18
Jason Waite, Alum, Curatorial, 2012-13
Misra walker, Alum, Studio, 2024-25
Daniel Walworth, Alum, Studio, 1977-78
Elizabeth M. Webb, Alum, Studio, 2016-17
Marianne Weems, Alum, Studio, 1986-87
Nathaniel Whitfield, Alum, Studio, 2016-17
William Wiebe, Alum, Studio, 2019-20
Marisa Williamson, Alum, Studio, 2014-15
Robin Winters, Alum, Studio, 1972-73
Stephen Woo, Alum, Critical Studies, 2024-25
Manabu Yahagi, Alum, Curatorial, 2017-18
Lynne Yamamoto, Alum, Studio, 1992-93
Lauren Young, Alum, Critical Studies, 2017-18
Florian Zeyfang, Alum, Studio, 1997-98
Republished from ispalumni.org
