For a first approach to “transversality,” see Félix Guattari, Molecular Revolution: Psychiatry and Politics, trans. Rosemary Sheed (Penguin, 1984), 11–24.
Hannah Black, “The Identity Artist and the Identity Critic,” Artforum 54, no. 10 (Summer 2016) →.
Andreas Petrossiants, in Diversity of Aesthetics, vol. I, Inside and Outside: Infrastructures of Critique, eds. Andreas Petrossiants and Jose Rosales (Emily Harvey Foundation, 2021), 35.
Marina Vishmidt, Speculation as a Mode of Production: Forms of Value-Subjectivity in Art and Capital (Brill, 2018).
Vishmidt, Speculation as a Mode of Production, x, 21, 25.
Theodor W. Adorno, Negative Dialectics, trans. E. B. Ashton (Seabury Press, 1973), 143; see also Marina Vishmidt, “The Hard Labour of Speculation: Shaping a Reflection on Methods,” MaHKUscript: Journal of Fine Art Research 3, no. 1: 1–8.
See Combahee River Collective, The Combahee River Collective Statement →.
Marina Vishmidt, “Lights, Camera, Now Time!: Polly II, Plan for a Revolution in the Docklands,” Mousse, October 7, 2024 →.
For further discussion on the Kantian history of boundary setting, see Vishmidt, “Hard Labour of Speculation,” 1.
