February 10–April 15, 2017
Prichard Art Gallery
414 S. Main Street
Moscow, ID 83843
USA
T 208 885 3586
The organizers wish to announce the release of the full-color catalog for the exhibition Visualizing Science.
Visualizing ScienceBoth the arts and sciences occupy threatened territory. Each approaches truth and notions of truth with a desire to prompt ideas surrounding our human condition. Visualizing Science stems from the need for mutual appreciation toward a collective understanding. These fields inform societies of significant challenges while working towards an optimistic future. There are radical forces at work that seek to undermine facts and the importance of aesthetic experiences. This new form of Neo-Luddism is not opposed to technology, but questions facts derived from science and the important constructs that underpin research, intellectualism and aesthetic exploration.
Visualizing ScienceVisualizing ScienceVisualizing ScienceThe participants of Visualizing Science see collaborations modeled upon this project as a means to fortify against anti-intellectualism while celebrating the productivity inherent in interdisciplinary work. Science interlaced with the cultural understanding of persuasive practitioners is a dialogue that can inform and evolve society far more than either independently.
Visualizing ScienceKosmos
Human subcultures and biological organisms exist as intersecting, overlapping communities—in a word, as “microbiomes.” The Sumi ink markings in this work suggest a pattern of layered interactions with no ontological hierarchy or precedence.
Kosmos
Nishiki Sugawara-Beda is a painter in calligraphy, Sumi-e, and mixed-media installations. James A. Foster works in the fields of ecology, computational biology, and bioinformatics.
Nishiki Sugawara-BedaJames A. FosterPivot
Not representing any particular animal but drawing from that world, this work engages with the mysteries of muscles, tendons, and bones—its elasticity.
Pivot
Val Carter explores the relationships between humans and animals in painting, printmaking, and sculpture. Craig McGowan studies biomedical science, ecology, and evolutionary biology.
Abundant
Inspired by mathematical models of insect swarms, this project suggests the presence of barely perceptible insects in the every.
Abundant
Abundant
Delphine Keim is a visual designer whose work is grounded in the interplay between text and image. Sally Graves Machlis paints stories in ink, watercolor, and mixed media. Sanford Eigenbrode, a self-described “aphid guy,” is an entomologist who studies climate change and agriculture.
Delphine KeimSally Graves MachlisSanford EigenbrodeHyperelliptic Threshold Noise
Polynomial equations can generate a plot over any field. These prints deploy layers of color on the abstract void of a black background, bringing numerical plots into tangible form.
Hyperelliptic Threshold Noise
Mike Sonnichsen is a printmaker, specializing in representing concrete physical objects with rich color and clarity. Jennifer Johnson-Leung studies algebraic geometry and number theory—what some would call “pure math.”
Mike SonnichsenJennifer Johnson-LeungThe Little Phage
Bacteriophages (or phages) are viruses that replicate themselves by infecting bacteria. This picture book for children displays the role of human scientists in creating phages, portraying “the little phage” as a hero.
The Little Phage
Greg Turner-Rahman works in the field of virtual technology and design and has a special interest in writing and illustrating children’s books. Holly Wichman does research in evolutionary biology and molecular biology with a particular focus on viruses.
Greg Turner-RahmanHolly WichmanNebulous
Human eyeballs are deformed and sight is lost from extended space flight. Evoking this problem and overcoming the impact this may have on our space aspirations is the central concern.
Nebulous
J. Casey Doyle is currently exploring works in ceramics. Bryn Martin uses engineering techniques to help diagnose and treat neurological disorders.
J. Casey DoyleBryn MartinTo Find (in) Words
Immediately after a burn, the fallen trees seem nothing more than blackened sticks. The resilient fabric of forest ecology, in the face of changes that increase fire dangers is required as we deal with climate change.
To Find (in) Words
Stacy Isenbarger works in mixed-media sculptures and installations. Penelope Morgan’s research focuses on fire ecology and management and landscape ecology and dynamics.
Stacy IsenbargerPenelope Morgan’sSally Graves Machlis & Roger H.D. Rowley, curators; Scott Slovic, project writer & interviewer; David Gottwald, designer