Symposium: Fabrication and Disintegration in Contemporary Art

Symposium: Fabrication and Disintegration in Contemporary Art

Schaulager, Laurenz Foundation

Robert Gober, Untitled (detail), 1995–97. Emanuel Hoffmann Foundation, permanent loan to the Öffentliche Kunstsammlung Basel. © Robert Gober. Photo: Russell Kaye.

August 21, 2017
Symposium: Fabrication and Disintegration in Contemporary Art
September 7–8, 2017
Schaulager, Laurenz Foundation
Ruchfeldstr. 19
4142 Münchenstein
Switzerland

T +41 61 335 32 32
F +41 61 335 32 30
info@schaulager.org
www.schaulager.org

From wax to plastic to moss—the range of materials used in contemporary art is endless as is the urge of artists to experiment. A material is more than just a passive working medium: it is flexible and variable; it can be shaped and conveys shape. Its properties determine how the art work is made and influence its lifetime: wax becomes brittle, plastic deteriorates, moss dries out and crumbles.

The fabrication processes in the artist’s studio can be complex, and in some cases highly specialised. This makes it necessary to establish reliable networks with experts, and leads to situations involving many different forms of collaboration. The ageing process of these materials also poses new challenges to conservators and art historians—the materials change and decay in ways that can be highly unpredictable. Traditional, time-tested methods cease to be effective. Familiarity with the process by which a work is made is therefore an advantage in ensuring its preservation.

These issues form the subject of a two-day symposium at Schaulager on “Fabrication and Disintegration in Contemporary Art,” which aims to bridge the divide between the production and conservation of contemporary works of art. Experts from the fields of conservation and art history will be conferring with artists, studio assistants and technical professionals.

The symposium is directed at international experts from the museum world and the areas of conservation and art history, but members of the general public with an interest in contemporary art are also welcome, since the symposium will shed light on processes that generally remain invisible in the presentation of art.

The symposium has been conceived in partnership with science and art historian Vera Wolff (ETH Zurich) and the conservator Christian Scheidemann (New York).

Programme, speakers and registration: www.schaulager.org/symposium-2017
Please register by September 1, 2017 at the latest.

Contact: Isabel Drews, Communication, Schaulager, i.drews [​at​] schaulager.org

Advertisement
Map
RSVP
RSVP for Symposium: Fabrication and Disintegration in Contemporary…
Schaulager, Laurenz Foundation
August 21, 2017

Thank you for your RSVP.

Schaulager, Laurenz Foundation will be in touch.

Subscribe

e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.