December 13, 2017 - Es Baluard Museu d'Art Modern i Contemporani de Palma - On anam? (Where are we going?)
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December 13, 2017

Es Baluard Museu d'Art Modern i Contemporani de Palma

Carmela Gross, Migrants 2/Migrants 4, 2014. Installation, set of 104/102 pieces made of enamelled iron, dimensions variable. Collection of the artist. Courtesy of Galeria Vermelho. Photo: Pedro Pérez Machado. © Carmela Gross, 2017.

On anam? (Where are we going?)
November 10, 2017–April 1, 2018

Es Baluard Museu d'Art Modern i Contemporani de Palma
Plaça de la Porta de Santa Catalina, 10
07012 Palma Illes Balears
Spain
Hours: Tuesday–Saturday 10am–8pm,
Sunday 10am–3pm

T +34 971 90 82 00
F +34 971 90 82 03
museu@esbaluard.org

www.esbaluard.org
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On anam? (Where are we going?) forms part of a trilogy revolving around the context of the Mediterranean immersed in unresolved individual and collective contradictions: political and social transformations that represent a change of a global nature and question the idea of frontier, altering the models of identity and management of the conflicts of a continuous present marked by migration and diaspora. Different creators and thinkers have dealt with these subjects in the history of contemporary art, from a more encrypted angle.

In 2015 it was La Mer au Milieu des Terres // Mare Medi Terraneum, an exhibition curated by Cécile Bourne-Farrell; the following year, Waste Lands, directed by Piedad Solans, and in 2017 we present the project developed by the curator Sonia Becce, who has, on the basis of works of a pronouncedly conceptual nature, carried in new significances and questions about displacements. Becce, a great connoisseur of the work of Félix González-Torres, whose proposals influenced several generations of artists, has researched these issues to give rise to this exhibition device presented under the title of Where are we going?.

Text by the curator Sonia Becce
One may think of human beings as “subject to frontiers," since right from birth they are driven to cross them either for their own pleasure, because they are forced to by nature or pressured by diverse situations. Birth is a great inaugural act that transcends the physical and symbolic barrier between dependency and self-sufficiency, an act by which one abandons the stability of a homeostatic atmosphere for the vicissitudes of a world that has everything except equilibrium. Later on in life, another limit is transposed over and over – that of the home. The door that opens and closes behind you, leaving your personal universe behind you, with the safety of your own things, the familiar, the private, to give way to the unpredictable meeting of other people, other worlds, the political and the public.

The sentence “Where are we going?” may refer to the question we repeat, as citizens, when faced with the misgivings caused by the political decisions that affect us or to what, alarmed by the urgent climatic catastrophe we are obviously responsible for, we ask ourselves, shattered, regarding the future of the planet, or we could imagine that the question is the one asked by an individual, a group who have met up by chance or a family, when they start to conceive of flight, escape, leaving the places where they belong, urged on by wars, social violence, economic unrest or in search of a better destiny.

The works included in the exhibition deal with questioning the identity and methods of recognition of the individual, question the scopes of the country and state as custodians of personal freedoms, delve into fictional or real documents as testimonies of wars in different latitudes or bear witness to solitary or group migrant traffic as a tool of self-knowledge or a last hope.

This exhibition proposes a polyphonic conversation between videos, installations, photographs and documents, belonging to artists with extremely diverse origins. Ergin Çavuşoğlu (Targovishte, Bulgaria, 1968), Félix González-Torres (Guaimaro, Cuba, 1957–Miami, 1996), Carmela Gross (São Paulo, 1946), Paulo Nazareth (Governador Valadares, Brazil, 1977), Núria Güell (Vidreres, Gerona, 1981) and Walid Raad-The Atlas Group (Chbanieh, Lebanon, 1967), activate an imaginary dialogue and call for discernment of the reasons why individuals move, struggle or risk everything for ideals, fatalities or simply out of desperation.

Es Baluard Museu d’Art Modern i Contemporani de Palma is located in the Balearic islands, in the middle of the Mediterranean sea set in a crossroads of different local and regional dynamics. A considerable part of its exhibitions and activities’ programme deals with the issues around its social and political context in the sense that the museum aims to explain the keys of the present we live in from a glocal perspective.

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