February 2, 2018 - Barjeel Art Foundation - Paul Guiragossian: Testimonies of Existence
February 2, 2018

Barjeel Art Foundation

Paul Guiragossian, La Lampe, 1979. Oil on canvas, 90x60 cm. Courtesy of the Barjeel Art Foundation collection.

Paul Guiragossian
Testimonies of Existence
February 24–April 28, 2018

Opening: March 10, 6–9pm

Barjeel Art Foundation
Al Qasba,
Level Two, Maraya Art Centre
Sharjah
United Arab Emirates

T +971 6 556 6555
info@barjeelartfoundation.org

www.barjeelartfoundation.org
Instagram / Facebook / Twitter

Paul Guiragossian
Testimonies of Existence
February 24–April 28, 2018

Opening: March 10, 6–9pm

Barjeel Art Foundation
Al Qasba,
Level Two, Maraya Art Centre
Sharjah
United Arab Emirates

T +971 6 556 6555
info@barjeelartfoundation.org

www.barjeelartfoundation.org
Instagram / Facebook / Twitter

Barjeel Art Foundation is pleased to present Paul Guiragossian: Testimonies of Existence—a selection of Paul Guiragossian works from the Barjeel Art Foundation collection and other prominent private collections within the UAE. Guest curated by Maisa Al Qassimi with Mandy Merzaban as curatorial advisor, the exhibition is held in collaboration with the Paul Guiragossian Foundation and its president Manuella Guiragossian, daughter of the late artist. Marking the 25th anniversary of his death in 1993, Testimonies of Existence will feature paintings from the 1960s to the early 1990s interspersed with elements drawn from the foundation’s archive that document his life and prolific career. The exhibition explores key moments in the artist’s practice during this period and Guiragossian’s pivotal position in the history of modernism in the Arab world as well as among his generational peers.

By drawing on a range of influences and interests from ancient and modern art histories to philosophy in his practice, Guiragossian developed an approach that has become immediately recognisable. Driven by an early curiosity with the human form, the artist spent his career investigating the realm between figuration and abstraction. Acutely aware of the physical and psychological effects of exile and displacement, his personal experience as a refugee played a role in his nuanced awareness of the body. Born in Jerusalem in 1926 to Armenian parents, survivors of the Armenian Genocide, Guiragossian and his family migrated to Jaffa and eventually to Beirut by boat in the years leading up to the creation of the state of Israel in 1948.

The exhibition’s title is drawn from a quote from the artist's own reflections where he described a work of art as being “sealed for eternity” and absorbing the time and place of its creation. “They are testimony to our existence, and we will always find something new in them,” he said, upon winning a prize at the first edition of the Paris Biennale in 1959.

Commenting on the show, Mandy Merzaban, Barjeel’s founding curator said: “Hosting a solo exhibition for Paul Guiragossian is an important milestone in our exploration of modernism through many exhibitions in the past few years. It's exciting to have this as our final show in the Barjeel Art Foundation space at the Maraya Art Centre. The exhibit offers a rare glimpse into his remarkable career by drawing on the Paul Guiragossian archive, a resource that continues to expand as we gain more insight into an artist who is pivotal to the study of modernism in the Arab world.”

The entire exhibition, rather than offering a full survey of Guirgossian’s career aims to shed light on important moments and focal points. Paintings such as Silhouettes, a 1987 canvas borrowed from the collection of Sheikha Salama bint Hamdan Al Nahyan and Journey (1986/7), from Charles Al Sidawi exemplify Guiragossian’s approach. Long, drawn out figurative characters defined in varying palettes of vibrating colour, oscillates between figuration and abstraction in Guiragossian’s paintings. They tap into the multi-faceted condition of human experience. A significant number of paintings also focus on the relationship between mother and child such as La Lampe (1979) from the Barjeel Art Foundation collection and Le Centre Du Monde (1983) borrowed from the collection of HE Zaki Nusseibeh. The latter, for instance, depicts a tender embrace between mother and child in monochromatic colours. The appearance of maternal figures is an important symbol in Guiragossian's works, often viewed as an image of hope and peace.

 

For​ ​media​ ​enquiries​ ​please​ ​contact:
Mandy​ ​Merzaban
​, Founding Curator
mandy [​at​] barjeelartfoundation.org
 

About​ ​Barjeel​ ​Art​ ​Foundation
The Barjeel Art Foundation is an independent, United Arab Emirates-based initiative established to manage, preserve and exhibit Sultan Sooud Al-Qassemi’s collection of Arab modern and contemporary art. The foundation’s guiding principle is to contribute to the intellectual development of the art scene in the Arab region by building a prominent, publicly accessible art collection in the UAE and online. Part of this objective involves developing a public platform to foster critical dialogue around modern and contemporary art practices with a focus on artists with Arab heritage internationally. Barjeel Art Foundation exhibits locally in Sharjah, and internationally through loans and curated exhibitions.

About The Paul Guiragossian Foundation
The Paul Guiragossian Foundation was established in 2011 to preserve and promote the legacy of the artist, Paul Guiragossian (1926–1993). Since its inception, the Foundation has embarked on a rigorous research journey to locate, catalogue, acquire and restore artworks and archival documents by and about Paul Guiragossian. The Foundation boasts an extensive database comprising images of hundreds of artworks along with comprehensive information on their provenance and present location. Moreover, it has gathered a considerable number of archives (photographs, published reviews, exhibition catalogues, personal letters and manuscripts, audio and video recording, etc.) that span the long and prolific career of Paul Guiragossian. This material is available upon request to students and scholars of art history as well as curators who wish to learn more about the life and work of the artist.

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