X-TRA Volume 17, number 1 Fall 2014

X-TRA Volume 17, number 1 Fall 2014

X-TRA

X-TRA
Volume 17, number 1
Fall 2014

www.x-traonline.org

Issue highlights:
Connie Butler and Julia McCornack discuss Lygia Clark‘s retrospective at MoMA; Jan Tumlir on Miles Coolidge at ACME, Los Angeles; Artist’s Project by Stanya Kahn; Leslie Dick‘s feature On Repetition; and Vanessa Place on the Guggenheim’s Italian Futurism exhibition.

Buy issue now.

X-TRA and Project X are at the NY Art Book Fair
Join us at the New York Art Book Fair this weekend, September 26–28, at MoMA PS1 hosted by Printed Matter, Inc.  We’ll have the new X-TRA, a limited edition Stanya Kahn tote bag, Cadavere Quotidiano, and more.

Booth N49
More NYABF details

Table of contents
Julia McCornack and Connie Butler / From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988

Melissa Ragain / Episodes from an Inland Sea
Review: Trent Harris: Echo Cave
Utah Museum of Contemporary Art, Salt Lake City

Jan Tumlir / Angel of History, or Canary in the Coal Mine
Review: Miles Coolidge
ACME., Los Angeles

Vanessa Place / Dall’ arte di far manifesti: The Art of Making Manifestos
Review: Italian Futurism, 1909–1944: Reconstructing the Universe
Simon R. Guggenheim Museum, New York

Stanya Kahn / Ciphers for Ciphers

Leslie Dick / On Repetition: Nobody Passes

Constance Mallinson / De-Framing the Land
Review: Fran Siegel: Translocation and Overlay
Art, Design & Architecture Museum, University of California, Santa Barbara

Gladys-Katherina Hernando / A Critical Reflection of a Particular Physical Location
Review: John Knight
Fitzpatrick-Leland House, Los Angeles

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editors@x-traonline.org / T +1 323 982 0279

X-TRA is published by the nonprofit Project X Foundation for Art & Criticism, which is generously supported by The Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, Pasadena Art Alliance, The Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, City of Los Angeles Department of Cultural Affairs, The Mike Kelley Foundation for the Arts, and our patrons and subscribers.