Ian BarryThe White, The Black, The Kestrel

Ian BarryThe White, The Black, The Kestrel

Kohn Gallery

Ian Barry, The White, 2013. 1967 work Squish head, 104mm stroker Velocette Venom Thruxton engine, GP Carburettors, acrylic, 7075 + 6061 T6 aluminum, Avon Venom tires, 21″ WM1 Avon, 19″ WM2 Borrani, brass, cloth, chromally, copper, enamel, epoxy, glass, light-emitting diodes, leather, magnesium, nickel, pyrex, rubber, silver, springs, stainless mesh, stainless steel, steel, titanium, 33 x 40 x 73 inches.

Ian Barry
The White, The Black, The Kestrel

July 27–August 31, 2013

Michael Kohn Gallery
8071 Beverly Blvd
Los Angeles, CA 90048

www.kohngallery.com

The Michael Kohn Gallery is pleased to present The White, The Black, The Kestrel, an exhibition of original motorcycles and other new work by Ian Barry. The White emerges from Barry’s continued exploration of symbolism, power and speed, using motorcycles as the translating mechanism. The Kestrel and The Black, two of Barry’s earlier works from the “Falcon” series, will be displayed alongside new pieces.

The White is a departure from the familiar framework of customizing existing motorcycles; with the exception of the engine and tires, The White was created using raw materials. Barry’s intimate and intricate practice depicts a restrained aesthetic condensed into an emotionally succinct and cerebral vision.

Ian Barry (b. 1973, Santa Cruz, California). Barry’s early study of architecture and engineering led to his fascination with motorcycles. Barry moved to Los Angeles in 2001and is currently working out of his studio in Hollywood, California.