May 17–July 22, 2018
22 Rue des Alouettes
75019 Paris
France
Hours: Wednesday–Sunday 2–7pm
Exhibition curator: Gallien Déjean
With Ethan Assouline, Beau Geste Press, Lynda Benglis, Kévin Blinderman : masternantes, Pauline Boudry / Renate Lorenz, Jean-Louis Brau & Claude Palmer, Monte Cazazza, Chris & Cosey, COUM Transmissions, Vaginal Davis, Brice Dellsperger, Casey Jane Ellison, Harun Farocki, Karen Finley, Brion Gysin, Hendrik Hegray, Her Noise Archive, Robert Morris, Ebecho Muslimova, Meret Oppenheim, Pedro, Muriel & Esther, Lili Reynaud-Dewar, Christophe de Rohan Chabot, Louise Sartor, Throbbing Gristle, Cosey Fanni Tutti, Amalia Ulman and Les Vagues
Cosey Fanni Tutti (b. 1951 in Kinston-up on-Hull, England) is well known as a member of the English group Throbbing Gristle, which had a significant impact on the late 1970s’ experimental music scene. Besides her musical activities, Cosey developed a unique body of work defined by her actions within the pornographic industry.
Neither a retrospective nor a historical or monographic survey, A Study in Scarlet was conceived as a nebula of works revolving around Cosey Fanni Tutti’s artistic legacy, looking at its influences (Beat Generation, Fluxus), companions (COUM Transmissions, Monte Cazazza) and contemporaries (Karen Finley), while crossing various issues or strategies also used in more recent practices: infiltrating an institution or industry (artistic, pornographic, musical), integrating the body into a production line, overturning a norm by exacerbating it or making it redundant, self-representing and self-defining one’s own identity, "pro-sex" feminism, the visibility of women on radical music scenes, etc. [...]
