Stephen Mueller: Orchidaceous

Stephen Mueller: Orchidaceous

Hunter College

Stephen Mueller, Hey Tira Mi Su, 1995. Acrylic on canvas, 92 × 60 inches. Courtesy of Lennon, Weinberg, Inc. and Texas Gallery.

September 12, 2018
Stephen Mueller
September 13–October 28, 2018
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Opening: September 13, 6–8pm 
Artist-led walkthrough: September 22, 4–6pm, with Joe Fyfe, Carrie Moyer, and Carl Palazzolo 
The Gallerists: A panel discussion:September 25, 7–9pm, with Maggie Clinton, Michael Findlay, and Fredericka Hunter, moderated by Carrie Moyer. 
Hunter College MFA Program Flex Space, Room 200; 205 Hudson Street 
Tribeca Art Night: September 26, 6–9pm, 205 Hudson Gallery open late for the 9th edition of Tribeca Art Night 
Artist-led walkthrough: October 27, 4–6pm, with Josh Blackwell, Carrie Moyer, and Arlene Shechet 
Closing: October 27, 6–8pm, Closing reception with performance by Ariana van Gelder 

Gallery hours: Wednesday–Sunday, 1–6pm

Curated by Carrie Moyer and Sarah Watson with Agnes Gund Curatorial Fellows Evan Bellantone and Sophia Ma and Hunter MA and MFA students enrolled in the Advanced Curatorial Certificate

Stephen Mueller: Orchidaceous presents a rare look into the late painter’s oeuvre during a period of rigorous creative transformation. The exhibition traces Mueller’s formal and conceptual evolution from his high-octane, impetuous gestural work from the late 1980s to the spatial complexity, exquisite color and sensuous facture of his late paintings. With over 40 paintings and works on paper, this will be the artist’s most comprehensive exhibition to date.

Stephen Mueller (1947–2011) was part of a loose-knit group of New York-based artists—including Mary Heilmann, Jonathan Lasker, Elizabeth Murray, Thomas Nozkowski, David Reed, Pat Steir, Gary Stephan and others—who transformed and reenergized American abstract painting during the late 1970s and 1980s. Building on the tenets of Color Field painting, Mueller’s subtle, luminous images anticipate many of the concerns of contemporary painting. The work overflows with visual puns and associations through sophisticated re-combinations of Asian iconography, cartoons, encyclopedic decorative traditions, new-age sensibility, and electric, synthetic color. Through his endlessly innovative use of acrylic paint, his canvases become portals into radiant space. The trajectory of Mueller’s work reveals an artist deeply committed to inventing his own articulation of the spiritual—an impulse that has particular appeal and resonance for painters working today.

Stephen Mueller: Orchidaceous is the result of generous collaboration with the Estate of Stephen Mueller; Texas Gallery, Houston; and Lennon, Weinberg, Inc., New York. The exhibition is accompanied by a richly illustrated publication containing an essay by curator Carrie Moyer; Mueller’s own writing; and interviews with painters in Mueller’s creative circle, including Robin Bruch, Joe Fyfe, Judith Hudson, Shirley Kaneda, Melissa Meyer, Carl Palazzolo, Ellen Phelan, Pat Steir and Billy Sullivan. A full schedule of public programing will accompany the exhibition.

Stephen Mueller had nearly 50 solo exhibitions during his lifetime. His paintings were included in numerous group exhibitions across the U.S., Europe, and Asia, including in two Whitney Biennials (1987, 1995). Curated by Klaus Kertess, Mueller’s 2003 mid-career exhibition was held at the Joslyn Museum, Omaha, NE. He was the recipient of grants and fellowships from the NEA, NYFA, the Gottlieb Foundation, the Guggenheim Foundation and the Pollock-Krasner Foundations, among others. Between 2003 and 2011, Mueller was a frequent contributor for, Gay City News, and Art in America. His work is held in the collections of the Whitney Museum of American Art, New York; the High Museum, Atlanta; the Brooklyn Museum; the Birmingham Museum of Art; and the Museum of Fine Arts, Houston, among others. His estate is jointly represented by Texas Gallery, Houston; and Lennon, Weinberg, Inc., New York.

Stephen Mueller: Orchidaceous is made possible by the generous support of the David Bershad Family Foundation, the Susan V. Bershad Charitable Fund, Inc., Carol and Arthur Goldberg, Agnes Gund and Joan Lazarus in support of the Curatorial Certificate Program, and the Evelyn Kranes Kossak Fund for exhibition programming.

The Hunter College Art Galleries also thank Paula Cooper Gallery, Larry Gagosian, and Marian Goodman Gallery for their generous contributions to the Curatorial Certificate Program.

For information on public programming, visit

Press contact: Jocelyn Spaar, jocelyn.spaar [​at​] / T 212 772 4991

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Hunter College
September 12, 2018

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