Permanent Temporariness, by Sandi Hilal and Alessandro Petti
Book launches
February 21: Van Abbemuseum, Eindhoven
March 12: Checkpoint Helsinki
March 20: Lund University
April 13: AM Qattan Foundation, Ramallah
May 28: ArkDes, Stockholm
Permanent Temporariness is a book, a catalogue, and an archive that accounts for 15 years of research, experimentation, and creation that are marked by an inner tension and a visionary drive that re-thinks itself through collective engagement. It is the result of the profound desire of its authors, Sandi Hilal and Alessandro Petti, to look back in connection with the eponymous retrospective exhibition that was inaugurated at the New York University Abu Dhabi Art Gallery on February 24, 2018, and at the Van Abbemuseum in Eindhoven on December 1, 2018.
Since their first work, Stateless Nation at the Venice Biennale in 2003, and throughout their more recent architectural interventions in refugee camps, the architectural and artistic practice of Sandi Hilal and Alessandro Petti has explored and acted within and against the condition of permanent temporariness that permeates contemporary forms of life. In their ambitious research and project-based practice, art exhibitions are both sites of display and sites of action that spill over into other contexts: built architectural structures, the shaping of critical learning environments, interventions that challenge dominant collective narratives, the production of new political imaginations, the re-definition of words, and the formation of civic spaces.
This book is organized around 14 concepts that activate 17 different projects. Each project is the result of a larger process of collaboration and is accompanied by individual and collective texts and interviews that contextualize and expand the reach of every intervention.
Contributors to projects and texts include Maria Nadotti, Charles Esche, Robert Latham, Salwa Mikdadi, Eyal Weizman, Okwui Enwezor, Munir Fasheh, Grupo Contrafilé, Murad Odeh, and Rana Abughannam.
Edited by Maria Nadotti and Nick Axel.
The publication of this book has been made possible with the generous support of the Royal Institute of Art, Stockholm; New York University Abu Dhabi Art Gallery; Van Abbemuseum; and the Foundation for Arts Initiatives.
