April 27, 2019
With Larne Abse Gogarty, Diedrich Diederichsen, Inka Meißner, Peter Osborne, Susanne Pfeffer, Jeannine Tang
Both the brutal clarity and cold materiality that distinguish the oeuvre of Cady Noland turn things supposedly familiar and commonplace into manifestations of power and violence through exclusion, containment, control and punishment, but also expressions of longing for consumption and mobility. The immediacy of her works blurs the boundaries between object and subject.
ONE DAY ON CADY NOLAND seeks to revive the discursive debate that—owing to Noland’s long withdrawal from exhibition activity—has taken place only on occasion over the past years. The lectures will examine her work from art- and cultural-historical, philosophical and artistic perspectives. In the process, such issues as her artistic method, aspects of (post-)minimalism, objectification, transgression or the differences between socially accepted and terrorist violence as a means of individuation will present themselves for discussion.
Program
11am–1pm
Kristina Hasenpflug: Welcome
Susanne Pfeffer: Introduction
Inka Meißner: No Symbols, no Trade
Larne Abse Gogarty: For your own Security
2:30–4:30pm
Peter Osborne: The Obviousness and Opaqueness of the 80s: Cady Noland’s Dirty Minimalism, Squeaky Clean
Jeannine Tang: Couplings and Uncouplings
5–6pm
Diedrich Diederichsen: Hardware Store and Transgression: Doing your Thing
Moderated by Anna Sailer
The symposium will be held in English. Admission is free—please rsvp to symposium@mmk.art.
The exhibition Cady Noland can be seen at MUSEUMᴹᴹᴷ until May 26.
Opening Hours: Tuesday–Sunday 10am–6pm,
Wednesday 10am–8pm
Supported by
