Inventing the Truth. On Fiction and Reality

Inventing the Truth. On Fiction and Reality

Romanian Cultural Institute at the Venice Biennale

Carmen Dobre-Hametner, Consuming History, 2015. Digital photograph, 30.2 x 55.9 cm. Courtesy of the artist.

March 29, 2015

Inventing the Truth. On Fiction and Reality
9 May–22 November 2015

Press and professional preview: 6–8 May 
Opening:Friday, 8 May, 5pm; The Finnish Method, performance by Alex Mirutziu at 5:30pm

The New Gallery of the Romanian Institute for Culture and Research in Humanities
Campo Santa Fosca
Palazzo Correr
Cannaregio 2214
30121 Venice

Commissioner: Monica Morariu 
Deputy Commissioner: Alexandru Damian
Project management and communication: Ephemair Association, Bucharest

Artists: Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar 

Curator: Diana Marincu 

The exhibition Inventing the Truth. On Fiction and Reality will represent Romania at the 56th International Art Exhibition – Venice Biennale at the New Gallery of the Romanian Institute, alongside Darwin’s Room by Adrian Ghenie in the National Pavilion in Giardini. 

The exhibition took shape along two simultaneous directions of research, one of which interprets fiction as the “repressed” part of the discourse of history (as defined by Michel de Certeau), while the other focuses on the seemingly banal everyday, where quotidian elements are poetically re-contextualised and temporally recomposed by means of fiction. The transformation of the past into the solid substance of history is always an act of excess, a political gesture, a subjective intrusion on the part of those researching an archive. Therefore, the works presented here enrich the analysis of history through the insertion of fiction and personal micro-histories. However, the present provides even greater interpretative versatility and a better dynamics of narrative construction thanks to real-time revisions and corrections. 

The works on show bring to the fore both the interpretative process and the production of such narratives. The visual construction of each project engages with the conventions of fiction, making visible the traces of the author and the subtle joins linking authenticity and invention. The impossibility of identifying the limits of reality leads the viewer to waver between how convincing and how jarring the mise-en-scène is.

Carmen Dobre-Hametner‘s (b. 1978) photographic project Consuming History documents the commercial re-enactment of everyday life in communism, organized in a former Soviet bunker near Vilnius, and made available for tourists and locals; the photographs reflect on contemporary perceptions of history and otherness. Stefan Sava (b. 1982) proposes a video essay on the potential and the limits of interpreting a personal photographic archive, questioning the representation of a traumatic past. The work And then one thing led to another… by Larisa Sitar (b. 1984) speaks of exchanges between ideology and history by appropriating differently dated engravings that depict violence, ruin and nameless figures that influenced the course of human history. Michele Bressan (b. 1980) speculates on the temporal displacement of an event, rendering it more abstract and suspending it outside chronological conventions. Lea Rasovszky (b. 1986) puts together a story from fragments of real events, personal memories and excerpts from books, integrating fiction into the narrator’s own life. Alex Mirutziu (b. 1981) uses the concepts of the “bureaucratic object” and “ontological design” in the relations he establishes between word and space, body and object. 

Organizers: Romanian Ministry of Foreign Affairs, Romanian Cultural Institute, Instituto Romeno di Cultura e Ricerca Umanistica di Venezia, Romanian Ministry of Culture 
Partners: The National Museum of Contemporary Art, Bucharest; Center Of Excellence In Image Study, Bucharest (CESI); Faculty of Letters, The University of Bucharest; The Embassy of Romania in the Republic of Lithuania; Ivan Gallery, Bucharest; Sabot Gallery, Cluj
Sponsors: Corcova, Roy & Damboviceanu; Flash Lighting Services
With the support of: Ovidiu Sandor; Fabrik; Square Media; IDEA Design & Print; X Design

For press inquiries, please contact: 
ephemair [​at​] / Silvia Rogozea: T +40 724 576 779

The Romanian participation at the 56th Venice Biennale will be complemented by the exhibition Adrian Ghenie – Darwin’s Room in the Romanian Pavilion, Giardini della Biennale. The project, curated by Mihai Pop, is initiated by The Paintbrush Factory in Cluj in partnership with Film ETC. Association in Bucharest. More details on

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Romanian Cultural Institute at the Venice Biennale
March 29, 2015

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