Heidi Bucher

Heidi Bucher

Swiss Institute

Heidi Bucher, Grande Albergo Brissago (Eingangsportal) (Grande Albergo Brissago (Entrance Portal)), 1987. Textile, latex, PVAC glue, gouache, approximately 386 x 742 x 92 cm. Courtesy Jill and Peter Kraus Collection.

February 24, 2014

Heidi Bucher
February 19–May 11, 2014

Swiss Institute
18 Wooster Street
New York, NY 10013

T +1 212 925 2035


Swiss Institute is delighted to present the first exhibition by Swiss artist Heidi Bucher (1926–1993) at an American institution in more than 40 years. The exhibition presents a unique selection of Bucher’s most significant works, along with screenings of audiovisual documentation and never before seen archival materials.

Born in Winterthur, Bucher moved to California in the 1960s. In the United States, she befriended Edward Kienholz and collaborated with her husband, Carl Bucher, on “Bodyshells,” a series of wearable sculptures exhibited at the Los Angeles County Museum of Art in 1972. Continuing her exploration of the relationship between clothing and architecture, she returned to Switzerland in the mid-1970s and began her most iconic body of work, latex casts of objects and architectural elements.

Herrenzimmer (Master Bedroom) (1977–79), Bucher’s first major “Raumhaut” (room skin), is a molding of the master bedroom of her parents’ Winterthur house. The room’s heavy, ornate décor and familial history are literally lifted up by the hanging process and the work’s ghostly transluscence. Grande Albergo Brissago (Eingangsportal) (Grande Albergo Brissago (Entrance Portal)) (1987), which has never before been exhibited in an institutional context, is a majestic imprint of a hotel’s grandiose entry doors. It was realized in Brissago, a Swiss village on the western shore of Lake Maggiore, where the European intelligentsia gathered during World War II. Among other major works in the exhibition, Jetzt fliesst das Wasser aus der Vase (Now Water Flows from the Vase) (1986) signals the artist’s interest in the representation of movement and fluidity in sculpture.

Through her conjoined process of embalming and sloughing, Bucher’s work conjures themes of memory and extrication, documentation and transformation. Most enduringly, the question of material remains a thread connecting a long, performative, self-archeological undertaking.

The Heidi Bucher exhibition was organized in collaboration with the Centre Culturel Suisse, Paris, with generous additional support from Jill & Peter Kraus.

Heidi Bucher’s work has been exhibited extensively throughout Europe and North America. In 2004, Bucher was the subject of a retrospective exhibition at the Migros Museum für Gegenwartskurst, Zürich. Her work has been featured in exhibitions at the Kunstmuseum Winterthur, Switzerland; Musée d’Art Contemporain, Montréal; Centre Culturel Suisse, Paris; Museum für Gestaltung, Zürich; Kunsthaus Zürich; and the Kunstverein Ludwigsburg, Germany; among others. Bucher’s work is in the permanent collection of the Migros Museum für Gegenwartskunst, Zürich.

Swiss Institute thanks Mayo & Indigo Bucher, Migros Museum für Gegenwartskunst, Alexander Gray Associates and Freymond Guth Fine Arts.

For more information, please contact Clément Delépine: clement [​at​] swissinstitute.net


Heidi Bucher at Swiss Institute
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Swiss Institute
February 24, 2014

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