June 24, 2012 - PLATEAU, Samsung Museum of Art - Felix Gonzalez-Torres
June 24, 2012

Felix Gonzalez-Torres

Felix Gonzalez-Torres, Untitled (North), 1993.
Light bulbs, porcelain sockets and extension cords.*

Felix Gonzalez-Torres

June 21–September 28, 2012

PLATEAU, Samsung Museum of Art
Samsung Life Insurance Building
Taepyeongno2-Ga, Jung-Gu,
Seoul, Korea 100-716
Hours: Tues–Sun, 10–6pm

T +82 2 2259 7726


PLATEAU, Samsung Museum of Art is pleased to present a solo exhibition of Felix Gonzalez-Torres, entitled Double. This exhibition examines the broad spectrum of Gonzalez-Torres’s oeuvre with particular emphasis on the malleable nature of his works, demonstrating how their meaning, as much as the form, can shift as the architectural, social, and curatorial landscapes change. As suggested in the title, Double proposes a dual presentation at both PLATEAU and our sister museum Leeum, as well as multiple locations throughout the city of Seoul, involving various ways of repetition and reconfiguration of the artist’s works. Utilizing editions and simultaneous manifestations of identical pieces, the presentation hopes to reflect the continuing vitality of his art, which continues to inspire countless artists in contemporary art today.

Felix Gonzalez-Torres, who died at the early age of 38 in 1996, is considered one of the most influential artists of his generation whose legacy still remains strongly present in the current art historical discourse. Born in 1957 in Cuba and immigrated to New York City in 1979, the artist did not allow his racial and sexual minority status to marginalize his position in the art world, instead developing his own unique body of work by appropriating the existing visual language of minimalism. At the same time, he actively engaged the viewer in his works, subverting conventional art practices through its endless transformation and destruction of form. Using everyday objects such as mirrors, clocks, puzzles, candies, and paper stacks, Gonzalez-Torres’s oeuvre more profoundly examined the “public” function of art, while presenting strictly private contemplations on love and the fragility of life. From the socially critical works of the 1980s to the more contemplative and poetic works of the 1990s, his oeuvre achieved its distinct perspective through the juxtaposition of the private and public, as well as the poetic and political.

Challenging tradition, monumentality and even his own authority as artist, Gonzalez-Torres emphasized the mutability of meaning and form in order to keep his work alive and connected with the viewers across cultures and generations. His works will also have a powerful resonance with Korean viewers today who have undergone dramatic political, economic and cultural changes over the recent decades. As the first comprehensive exhibition of Gonzalez-Torres’s work in Asia, this exhibition will provide a significant opportunity to introduce the remarkable achievements of his short but prolific career to the Korean and international audiences in the region,

Curated by Soyeon Ahn, Chief Curator, PLATEAU, Samsung Museum of Art, Korea.

PLATEAU, Samsung Museum of Art was first inaugurated in 1999 as Rodin Gallery, presenting its permanent installation of Auguste Rodin’s monumental masterpieces, The Gates of Hell and The Burghers of Calais, and has established itself as one of the central institutions in the Korean contemporary art scene.

In May 2011, Rodin Gallery reopened its doors under the new name, PLATEAU, aspiring a broader scope of program, as well as higher artistic grounds for artists and patrons alike. With the new name, PLATEAU expresses our renewed commitment to embracing the dynamic developments in Korean and international contemporary art, in continuation with our permanent display of the Rodin masterpieces.

Press contact: Lee Kyoung Ock, Public Relations Team:
T +82 2 2014 6552 / kyoungock81.lee [​at​] samsung.com

*Image above:
Felix Gonzalez-Torres, Untitled (North), 1993. Light bulbs, porcelain sockets and extension cords. Overall dimensions vary with installation. Twelve parts: 6.85m in length with 6m of extra cord each. Courtesy Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on Hudson, New York. Installation view at PLATEAU, Samsung Museum of Art. Photo: Sang Tae Kim.

PLATEAU, Samsung Museum of Art
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