Jean-Pascal Flavien’s breathing house

Jean-Pascal Flavien’s breathing house

Parc Saint Léger

Jean-Pascal Flavien, “breathing house,” 2012.*

June 22, 2012

Jean-Pascal Flavien
breathing house, la maison respire

30 June–16 September 2012

Opening: 29 June 2012

Parc Saint Léger –
Centre d’art contemporain

Avenue Conti 58320
, France

T +33 (0)3 86 90 96 60
F +33 (0)3 86 90 96 61

contact [​at​]

The Parc Saint Léger is pleased to present Jean-Pascal Flavien‘s first major project in France: breathing house, la maison respire.

Jean-Pascal Flavien’s practice has as its point of departure the design and construction of houses, which in turn become platforms for other works. His projects embrace a plurality of mediums, including drawing, video, performance, writing, or book publishing. Thought out and designed as functional habitations, each house sets up, by way of a pre-determined relationship between the space and its occupants, a singular living situation. To this date, three houses have been completed: the viewer in Rio de Janeiro in 2007, the no drama house in Berlin in 2009, and the two persons house in Sao Paulo in 2010.

With the breathing house, la maison respire, the artist sets up a new situation in his work: designing and placing a house parallel to the exhibition space and imagining situations, usages, breathing movements between these two spaces, which are deployed by means of various relations and exchanges between them.

The project breathing house, la maison respire consists on the one hand of the exhibition that goes from 30 June to 16 September 2012 and secondly consists of the house itself, whose presence at Parc Saint Léger will unfold over a period of one year. In its operating principle, the house therefore includes the exhibition as a temporary extension of its space. The project is experienced in three stages—before, during, and after the exhibition—all of which give rise to a specific production. Before: the artist lives in the house, during which he will define and determine its relationship to the exhibition space. During: the artist will invite persons close to him and to his work (including artists, curators, and art historians) to live in the house, offering them to be involved in his project and to test its autonomy—guests can spend a few days or work on a personal project or decide to respond more directly to the project—with the only assignment of leaving behind a testimonial of their experience in the form of a text or of the documentation of an activity. After: All the contributions will then be collected in the form of a publication by Devonian Press, a common practice of the artist who has defined these publications as a constitutive part of his work practice.

What emerges at this point is the host of spatial and interspatial relationships which this project exposes. The house is juxtaposed to the exhibition space and allows for comings and goings from one space to the other in the way of a breathing in time, a movement back and forth in space. The house is set forth as a series of successive filters placed in parallel to the exhibition space, the space of the house being subdivided by two movable partitions segmenting the activities that takes place within it: living / sleeping / working. These sliding walls are perforated by openings, porous to passages. When moving, they unsettle the viewer’s gaze and modify the perspectival axes, allowing for objects, activities, and people to move from one space to another, creating links and couplings between the different activities taking place in both spaces: sleeping / working, sleeping / exhibiting, living / exhibiting, etc… These movements are the movements of breathing, a migration of ideas as much as of objects. What does it mean to pass an object from a work space to a sleeping space—especially when you consider sleep as a work space for the dream? What does it mean to move a table from the house so as to have breakfast in the exhibition space? Can a type of object take form from this situation? The challenge of the breathing house is not to define or delimit all these fields but to question and rebuild relationships between spaces, and further, to postulate an artistic process that includes and produces moments of latency, sleep, and exchanges.

Curated by Sandra Patron.

Persons invited to inhabit the house
Helmut Batista, Louidgi Beltrame & Elfi Turpin, Julien Bismuth, Marie de Brugerolle, Federica Bueti, Marie Cool & Fabio Balducci, Natalie Czech, Vanessa Desclaux, Övül Durmuşoğlu, Vanessa Joan Müller, Sabine Nielsen, Anri Sala, Julia Gwendolyn Schneider, …

Lectures and presentations
Saturday, 23 June: Vanessa Desclaux, Talking, confronting, moving, displacing, breathing…
Monday, 2 July: Marie de Brugerolle, The colour of the days
Saturday, 1 September: Vanessa Joan Müller, Other spaces

The exhibition will be followed by a comprehensive publication, co-produced with Kunstverein
Langenhagen. The construction of the house received the support of the Fondation Nationale des Arts Graphiques et Plastiques.

*Image above:
Jean-Pascal Flavien, breathing house, 2012. 3.9 x 6.15 x 4.85 meters. Courtesy of the artist and Galerie Catherine Bastide, Brussels.

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Parc Saint Léger
June 22, 2012

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