Group Affinity

Casco Art Institute: Working for the Commons / Kunstverein München e.V.

Group Affinity, Manuel Rader, 2011

July 9, 2011

Group Affinity
Summer school
1–14 August 2011 with public evening class every night from 8 pm
Exhibition 15 August–11 September 2011 Taking place at
Kunstverein München
Galeriestr. 4, 8O539 München

Organized by
Kunstverein München
Casco, Office for Art, Design and Theory, Utrecht

Funded by
the German Federal Cultural Foundation

The notion of affinity has increasingly gained significance in contemporary social movements that underline self-organised and non-hierarchical models of public assembly. Group Affinity aims to examine and negotiate this form of public-alliance where definitions of social and cultural significance are constructed and interacted with by the people who share and support them—and to extend it as a model for mutual learning, communal living and emerging artistic and cultural production.

In the form of a two-week summer school and a four-week exhibition, Group Affinity offers a diverse curriculum of five participatory faculties run by international collectives in the field of art and design: Chicago Boys, Grand Openings, Cinenova, Andreas Müller & Susanne Pietsch and Slavs and Tatars. Despite the fact, that each collective works with a different method of research and action, the project has given them common ground, whereupon their practices accommodate inter-subjective alliance as a primary condition in their public operation. As such, the summer school provides a pretext to pursue this common interest within a broad range of experiences and opinions on the notion of how collective agency is formed.

In addition, the summer school can be seen as an educative premonition against the backdrop of today’s neo-liberal influence on European cultural politics and in particular its demands for culture to be measurable and profitable. Group Affinity seeks an alternative. It opts for creating a space for critical inquiries, heterogeneous alliances and the negotiation of differences. A group of international and local participants, all selected by the faculties from an open call, gathers in Munich for the first two weeks of August. This shared time will be divided into a private and a public part. During the daytime, the participants and faculties concentrate on mutual research and learning processes, that will include fieldwork within the social, cultural and historical context of Munich. On workdays from 8pm onwards, the faculties will host public evening classes with presentations, guest expert-lectures, performances and screenings. These evening classes are an open invitation for the general public to stay informed of the development of the working groups and participate with feedback and expand upon the notion of affinity. All these meetings will be held at the Kunstverein München. The academy and exhibition will be accompanied by a publication designed and developed by Berlin based graphic designer Manuel Raeder. For Group Affinity, Raeder has especially developed a mobile architectural structure for the space and its furniture, based on his long time research into communal architecture of Brazilian architect Lina Bo Bardi.

List of faculties, participants and guest experts

Chicago Boys
Initiated in 2010 by Kurdish artist and musician Hiwa K whose interests lie in different modes of informal knowledge, Chicago Boys, While We Were Singing, They Were Dreaming a.k.a Chicago Boys is a 1970s cover band and a neo-liberalist study group. From different professional and cultural backgrounds, they gather to learn how to perform, whilst grappling with questions regarding free market economy, in their group sessions. With their frequent use of video-lectures from Youtube and through conversations with a team of global lay researchers accessed via Skype, the Chicago Boys try to understand the weakening of the left that manifested at the turn of the 1970s into the 1980s in different parts of the globe—with a focus on the Middle East.

Faculty members: Hiwa K, Lawrence Abu Hamdan
Guest experts: Claudia Hummel, Annette Krauss
Participants: Sonya Dyer, Tijana Stevanovic, Marthe van Dessel, Jason Waite, Sofia Montenegro, Tom Varley

Grand Openings
Grand Openings (since 2005) is a performance collective based in New York. The components of their performances are recognizable—people, action, ceremony. But the essential quality underlying the group work is difficult to pin down, vacillating between constructed and formless, authentic and absurd. The boundaries of the event do not constrain—they encourage art and life to pass in and out of one another by pure osmosis, which implies suggestions on boundaries of collective actions and communication and possible modes of subversion of those limits in today’s condition of identarian politics.

Faculty members: Ei Arakawa, Jutta Koether, Emily Sundblad, Jay Sanders, Stefan Tcherepnin
Guest expert: Kerstin Brätsch
Participants: Eva Könnemann, Jason Hirata and Sol Hashemi, Hannah Weinberger, K2ao, Liam Casey, Jan Vorisek, Davide Stucchi

Cinenova, founded in 1991, is a volunteer-run organisation dedicated to preserving and distributing the work of women/feminist film and video makers. Its portfolio of 500 titles includes experimental film, narrative feature films, artists’ film and video, documentary and educational videos made from the 1920s to the present. Since all funding for the organisation was cut in 2001, Cinenova became a site for young activists to reflect on the desires and problems that arise through collective cultural work, along with the practicalities and labour involved in maintaining such an organisation.

Faculty members: Irene Revell, Melissa Castagnetto, Sandra Schäfer, Karolin Meunier
Guest expert: Madeleine Bernstorff
Participants: Emilia Muller-Ginoro, Caroline Stevenson and Shama Khanna, Richard John Jones, Isabella Schiele (Salong), Sarah Todd

Andreas Müller & Susanne Pietsch
Berlin- based architect and ex-Jan van Eyck Academie researcher Andreas Müller and Rotterdam based architect Susanne Pietsch have teamed up and begun a long-term research project on architecture for youth, such as youth centres, clubs, or hostels in relation to early youth movements and political youth organisations, pop cultural or counter cultural youth groups. Together with the participants they will narrow cast to Munich to deal with the particular cases of existing youth centres and gathering points for youths in the city and aim to conceive the alternative prototype.

Faculty members: Andreas Müller, Susanne Pietsch
Guest experts: Peter Hübner, Kathrine Clarke
Participants: Matthias Friederich, Tad Hozumi, Gürsoy Dogtas, Hyun Ju Chung, Mary Ikoniadou, Paul Wiersbinski, Jan van Duppen, Emanuel Rossetti, Tobias Madison

Slavs and Tatars
Slavs and Tatars is a faction of polemics and intimacies devoted to an area east of the former Berlin Wall and west of the Great Wall of China, known as Eurasia. The collective’s work spans several types of media, disciplines and a broad spectrum of cultural registers (high and low) focusing on an oft-forgotten sphere of influences amongst Slavs, Caucasians and Central Asians. For Group Affinity Slavs and Tatars aim to look at mystical, syncretic Islam as an impulse for the Anti-modern, including an examination of folklore and craft as an ideological impulse and a vehicle of critical content.

Faculty members: Payam Sharifi, Kasia Korczak
Guest expert: Mark Sedgwick Participants: Nigin Beck, Maija Rudovska, Olga Griasnova, Shaida Ghomashchi, Merce Rodrigo Garcia and Verina Gfader, Justè Kostkkovaitè

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Casco Art Institute: Working for the Commons / Kunstverein München e.V.
July 9, 2011

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