Marjolijn Dijkman: Theatrum Orbis Terrarum

Marjolijn Dijkman: Theatrum Orbis Terrarum

University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA)

Marjolijn Dijkman,”Theatrum Orbis Terrarum,” ongoing photographic research 2005-2010.
Courtesy of the artist.

September 23, 2010

Marjolijn Dijkman: Theatrum Orbis Terrarum
September 26 – November 28, 2010

University of California,
Berkeley Art Museum and Pacific Film Archive (BAM/PFA)

2626 Bancroft Way
Berkeley, CA 94720

BAM/PFA presents Marjolijn Dijkman: Theatrum Orbis Terrarum/MATRIX 234. Theatrum Orbis Terrarum is an ongoing photographic archive of more than 9,000 images, which attempts to rethink existing representations of our physical world. Initiated in 2005, Dijkman’s project takes its name from the first modern atlas, Abraham Ortelius’s 1570 publication the “Theater of the World.” Relying on equal parts fact and imagination, Ortelius’s atlas gave form and shape to distant countries, illustrated similarities in urban planning, and provided a visual interpretation of connections between places across land and water. Dijkman’s atlas of images, comprised in this MATRIX exhibition as well as on her website ( and in several publications, makes these aesthetic, political, and social choices explicit.

Dijkman posits Theatrum not only as an atlas, but as a collection and archive—through images of places and situations in the built and natural environments, she evinces the impulse to accumulate and catalogue, represent and understand, relate and individuate across the world. Entering the MATRIX exhibition, the viewer will be surrounded by panorama of about 300 physical images displayed along the walls. This field of images is contrasted with a rear installation of thousands of projected images, organized as a rapid slideshow, each sequence of images introduced with a textual reference of action (Abandon, Botch, Camouflage, Declare, Embrace, for example). Both create movements or chapters by linking individual images, the former by a relational visual logic and the latter through specific association of language and image. As a means to engage publicly, Theatrum also presents itself in a free newsprint publication that presents the project and considers other points of reference in cartographic, archival, and artistic projects historically, and in the present. In total the project is the artist’s attempt to “gain insight into the way in which the world is organized” both by attempting to collect and present a multivalent image of the world through photograph and text, and by using different modes of classification and organization to question the possibility and impossibility of understanding the world through such means.

Dijkman has exhibited her work at Museum Boijmans van Beuningen, Rotterdam; Mercosur Biennial, Porto Alegre, Brazil; Arnolfini, Bristol; MACBA, Barcelona; MuHKA, Antwerp; Bloomberg SPACE, London; Bonner Kunstverein, Bonn; De Appel, Amsterdam; Sharjah Biennial; and Van Abbemuseum, Eindoven. In 2005, with her partner Maarten Vanden Eynde, she founded the artist-run initiative, Enough Room for Space, which partners with sites and institutions around the world to initiate temporary projects that explore critical positions of art in society and create platforms for collaboration. She graduated from the Gerrit Rietveld Academy; did post-graduate work at the Piet Zwart Institute; and was a researcher at the Jan van Eyck Academie.

The BAM/PFA exhibition is curated by Phyllis Wattis MATRIX Curator Elizabeth Thomas.

Conversation with Michel Dear and Marjolijn Dijkman
Sunday, September 26, 3 p.m.
Museum Theater
Exploring overlapping interests in human geographies, emergent urbanisms, subjective mapping, and expressive representations of place, urbanist Michael Dear and the artist will chart an improvisational course through this mutually compelling terrain.
Admission is free. Opening reception follows.


The MATRIX Program at BAM/PFA is made possible by a generous endowment gift from Phyllis C. Wattis; The Andy Warhol Foundation for the Visual Arts; and the continued support of the BAM/PFA Trustees.

University of California, Berkeley Art Museum and Pacific Film Archive 

Gallery Hours:

Wednesday to Sunday, 11 a.m. to 5 p.m.; open till 9 p.m. on L@TE Fridays

Closed Monday and Tuesday

Press contact: 
Peter Cavagnaro

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University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA)
September 23, 2010

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