December 2009 / Issue No. 76
“HISTORY”
A change of scene has occurred in regard to the way artists relate to history and to what is to be understood as history in the first place. Neither does contemporary art currently focus on a chronological history of events, nor seem modes of remembrance momentarily of particular interest. Instead, the question in which ways different generations come to terms with the past is at the fore. Even if nothing appears as unchangeable as the past, what is respectively subsumed as the past under the rubric of “history” is subject to a constant process of negotiation – exceeding simplistic notions of “re-enactment”. Relevant art today points to the narratives, aesthetics and, particularly, the notions of time on which our very concepts of history are based.
Plus reviews from Berlin, Istanbul, Cologne, Barcelona, Munich, Baden-Baden, Frankfurt am Main, and Nuremberg
Exclusive new artists’ editions:
Jonathan Meese, Florian Pumhösl, Angela Bulloch
ENGLISH CONTENT
SUSANNE LEEB
NOT QUITE EMBRACING FAILURE
History in Contemporary Art
HANS-JÖRG RHEINBERGER
HISTORY OF SCIENCE WITH GEORGE KUBLER
HISTORY AND FICTION
A roundtable discussion on the (re)construction of history in art and film with Yael Bartana, Maryam Jafri, Romuald Karmakar and Clemens von Wedemeyer, moderated by Kathrin Peters
LAURENCE A. RICKELS
LONELY GHOSTS
On the Sense and Direction of “Reenactment”
ILKA BECKER
THE IMAGE AS REVENANT
Retroactivity and Remediation in the Works of T.J. Wilcox
REVIEWS
ISABELLE GRAW
A STROKE OF GENIUS
On Louise Lawler at Galerie Sprüth/Magers, Berlin
MARK GODFREY
JACK OF ALL TRADES
On Jack Goldstein at the Museum für Moderne Kunst, Frankfurt am Main
TJ DEMOS
BARBARITY OR SOCIALISM?
On the 11th International Istanbul Biennial
ARTISTS’ EDITIONS
JONATHAN MEESE
“STIRNBAND, ‘BRUZZZELEE’, SHINGSHANGSCHEU”, 2009
FLORIAN PUMHÖSL
“Vervielfältigung von Bild No. 27 und Bild No. 29″, 2009
SPECIAL ARTIST’S EDITION
ANGELA BULLOCH
“AbraCadereSalubra”, 2009
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