Eye of the Storm
19 – 20 June 2009
An interdisciplinary art and science conference
on scientific controversy
Tate Britain
Millbank, London
Nature today is replete with invisible, elusive, fearful, yet wholly “real” entities revealed to us by science: acid rain, ozone depletion, climate change, species loss. Curiously, despite the alleged universality of science, these scientific constructions of nature are among the most frequent focal points for contemporary social controversies. How does contemporary art and visual culture complement, complicate, and render more or less controversial the objects and processes made known by science?
In the 11 years since our first Eye of the Storm conference, The Arts Catalyst has curated an invigorating series of commissions, exhibitions and events to widen the conversation about ecology, genetics and our knowledge of the universe. Now The Arts Catalyst has been invited by Tate Britain to revisit how artists, scientists and social scientists are responding to contemporary concerns.
The Eye of the Storm two-day programme at Tate Britain opens with a keynote address by Professor Sheila Jasanoff of Harvard University, one of the major voices in science and technology studies, who calls for a new humility in science and technology. The American pioneers of environmental art, Helen and Newton Mayer Harrison, will describe their recent work, The Force Majeure, 2008-2009, which highlights how ill-equipped we are to meet a future shaped by global warming. While bio-artist Eduardo Kac will chronicle his transgenic hybrid creations, which have generated controversy since he first persuaded French geneticists to produce a rabbit, GFP Bunny, 2000, that glows in the dark, and include Natural History of the Enigma, 2003-8, currently on display at the Weisman Art Museum, Minneapolis, a transgenic human-plant cross.
The astonishingly inventive Adam Zaretsky will express his concern that cloned animal breeders may not have adequate art schooling in the principles of aesthetics for contemporary breeding of gastronomic novelty. The infamous crop circler, Rod Dickinson, will present his powerful re-enactments of scientific experiments, which explore mechanisms underpinning systems of belief and social control. And Oron Catts pioneer in the use of bioscience as a medium for artistic expression and Director of SymbioticA, the Centre of Excellence in Biological Arts at the School of Anatomy and Human Biology, University of Western Australia, will present his findings about regenerative bodies.
Eye of the Storm is a collaboration between The Arts Catalyst and Tate Britain in association with Leonardo/OLATS. The conference brings together the expertise of London-based commissioning agency, The Arts Catalyst, whose new art experimentally and critically engages with science to produce playful, risk-taking projects, with Tate Britain’s mission of presenting new research and debates within visual culture into the area of contemporary interrelationships between art, science and society.
Eye of the Storm, at Tate Britain, Millbank, London
Full conference programme online at www.artscatalyst.org
19 and 20 June 2009
Booking required. A limited number of one-day places are available, please contact +44 (0) 20 7887 8888.
Register online at www.artscatalyst.org or call +44 (0) 20 7887 8888.
For additional information contact: Jo Fells or Nicola Triscott at The Arts Catalyst
T: +44 (0)20 7375 3690
E: admin@artscatalyst.org
