Issue #18: Nico Dockx, Rirkrit Tiravanija
and Anton Vidokle
v.z.w. Mark // A Prior Magazine
J Kluyskensstraat 6,
9000 Ghent,
Belgium
Based on The New York Conversations, a project realized by A Prior Magazine and the artists in the summer of 2008, this new issue brings an edited transcript of conversations between artists, writers, curators and the audience on modalities of power and status and the role and position of the creative entrepreneur, be it artist, writer or curator in the artworld today.
Partcipants and contributors: Jeebesh Bagchi, Francisca Benitez, Nico Dockx, Daniel Faust, Liam Gillick, Egon Hanfstingl, Am Johal, Steven Kaplan, Anders Kreuger, Miwon Kwon, Maria Lind, Sis Matthé, Monica Narula, Hadley Nunes, Saul Ostrow, Marti Peran, Raqs Media Collective, Simon Rees, Els Roelandt, Dieter Roelstraete, Martha Rosler, Joe Scanlan, Helena Sidiropoulos, Monika Szewczyk, Rirkrit Tiravanija, Jan Verwoert, Anton Vidokle, Lawrence Weiner, Andrea Wiarda, Louwrien Wijers, Valérie Mannaerts, Maxwel Stephen.
The issue will be presented:
13 February 2009, 7pm at Wiels , Brussels. WIELS Centrum voor Hedendaagse Kunst | Centre d’Art Contemporain, Van Volxemlaan 354, B-1190 Brussel | Avenue Van Volxem 354, B-1190 Bruxelles
Evening program: Professor at the University of Leuven Rudi Laermans in conversation with Els Roelandt, chief editor A Prior Magazine: A discussion on the position of a Belgium based magazine in a globalised artworld.
+ big stocksale of all remaining backissues
12 March 2009, 8pm at The Building, Berlin.
The Building
Platz der Vereinten Nationen 14A
Berlin 10249 DE
16 April 2009, 8pm at E-flux, New York
e-flux
41 Essex Street
New York, NY, 10002
Please contact us at
v.z.w. Mark // A Prior Magazine
Main office:
J Kluyskensstraat 6, 9000 Ghent, Belgium
t. +32 9 267 0169 // els@aprior.org
Milan Office: andrea@aprior.org
Berlin Office: monika@aprior.org
Research and Circulation: maria@aprior.org
www.aprior.org for content, subscriptions and advertising
A Prior Magazine is supported by the Flemish Community and the Royal Academy of Fine Arts (KASK) of the University College Ghent