The Imaginary Sea

Curator: Chris Sharp

Artists: Yuji Agematsu, Gilles Aillaud, Jean-Marie Appriou, Miquel Barceló, Bianca Bondi, Cosima von Bonin, Leidy Churchman, Julien Discrit, Hubert Duprat, Nicolas Floc’h, Camille Henrot, Adam Higgins, Allison Katz, Paul Klee, Yves Klein, Michael E. Smith, Jeff Koons, Jennifer J. Lee, Jochen Lempert, Micha Laury, Dora Maar, Henri Matisse, Mathieu Mercier, Bruce Nauman, Kate Newby, Melik Ohanian, Alex Olson, Gabriel Orozco, Jean Painlevé, Bruno Pelassy, Lin May Saeed, Martin Soto Climent, Shimabuku

“The animal possesses secrets which, unlike the secrets of caves, mountains and seas, specifically address humankind.” —John Berger, Why Look at Animals?

To which secrets is the British writer John Berger referring? What mystery is held in the gaze exchanged with a wild animal? The enigmatic link between man and animal is at the heart of this exhibition, here explored through aquatic life.

The Imaginary Sea, conceived by American curator Chris Sharp, transforms the Villa Carmignac into an underwater museum of natural history, diving into artists’ sea of dreams as vividly as the eroding seas of our real world.

Taking early 20th-century European art as its starting point, the exhibition explores how underwater life has fascinated and inspired artists throughout the last century to today.

Its more contemporary facet focuses on the way in which certain artists anticipated a shifting point of reference: humans would no longer be the dominant species, but an integral part of a wider community of living beings linked with other ecosystems.

This disrupts our position as “observer,” peering into tanks at the aquarium or cages at the zoo.

Below the surface, the exhibition invites us to immerse ourselves in the deepest seas of various kinds. The “artificial sea,” transformed by man and populated by faux species that have emerged from chemical waters. The “lost sea,” where a fictive future museum of natural history unfolds, bringing together archival animals that no longer exist except in our imaginations. The “sea of ​​humankind,” where the human gaze upon animals is questioned: who are we, in the end, if not perhaps the “others” whom all these marine creatures are scrutinizing?

The Fondation Carmignac
Founded in 2000 by Edouard Carmignac, the foundation is structured around two main pillars: a collection of contemporary art currently comprising more than 300 works and the Carmignac Photojournalism Award, which funds annually the production of an investigative photo reportage.

Since June 2018, the Fondation has welcomed the public to discover its temporary exhibitions, housed at the Villa Carmignac on the Mediterranean island of Porquerolles, a national park in the South of France. The venue has a garden with site-specific art works, and hosts a series of cultural and artistic activities.

Press contacts: Valentine Dolla, valentine.dolla@carmignac.com / Sarah Greenberg, sgreenberg@evergreen-arts.com