Intimate Geographies
Lebanese artist couple explores the notion of home
June 9–August 15, 2021
Maastricht 6211 RT
The Netherlands
Hours: Tuesday–Sunday 12–5pm
T +31 43 327 0207
info@marres.org
Under the influence of the COVID-19 pandemic, the notion of home has been completely disrupted: the office, the studio, the shops, the museum, the restaurants and the bars have invited themselves inside our houses, either symbolically or virtually. Home is no longer solely the attractive physical and mental space that it used to be; it has also become a space for endless waiting.
During Intimate Geographies two protagonists occupy Marres, House for Contemporay Culture. This artist couple makes sporadic appearances in the homely environment established within the art centre and could be mistaken for visitors. The awkwardness of their actions and their behavior makes their presence more salient. You might catch them having lunch in the dining room, making phone calls, napping or working in their studios. What is the purpose of these enigmatic rituals?
The exhibition presents different experiences and environments, including a landscaped garden full of plants that the couple had in their former house in Beirut, a living room where the two are having a mundane discussion on a couch overlooking a curiously undulating carpet, or a dining room where they have lunch surrounded with embroidered curtains from another time-space. Little by little, as a visitor you will infiltrate their intimate and professional lives.
Charbel-joseph H. Boutros and Stéphanie Saadé’s duo exhibition Intimate Geographies reflects on the complex agency of exhibition-making within a precarious and fragile art world.
Stéphanie Saadé
The work of Stéphanie Saadé (Lebanon, 1983) develops a language of suggestion, playing with poetics and metaphor. She shares clues, signs, imageless and occasionally silent trails, which interact like the words of a single sentence. It is for the viewer to decipher them, as would an archaeologist faced with traces, fossils, and fragments. This enigmatic quality often stems from the artist’s own experience.
Saadé was an artist in residence at Jan van Eyck Academy and the Cité Internationale des Arts. She had solo exhibitions in Museum Van Loon, Parc Saint Léger and Maison Salvan. Her work was included in exhibitions at venues such as the 13th Sharjah Biennial (United Arab Emirates), Punta della Dogana (Venice), and the Museum of Contemporary Art Toronto.
Charbel-joseph H. Boutros
In his work, Charbel-joseph H. Boutros (Lebanon, 1981) charges invisibility with intimate, geographical and historical layers: finding poetic lines that extend beyond the realm of existing speculations and realities. Being born amidst the Lebanese conflict, his work is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.
Boutros was a resident at the Pavillon, Palais de Tokyo and the Jan van Eyck Academy. He had a solo exhibition at S.M.A.K. Museum (Ghent) and his work was included in exhibitions at venues such as the 12th International Istanbul Biennial, Punta Della Dogana (Venice), Centre Pompidou-Metz (Metz, France) and Home Works 8 (Beirut).
About Marres
Marres, House for Contemporary Culture, is located in the heart of the old town of Maastricht in the South of the Netherlands. Marres develops a new vocabulary for the senses in collaboration with artists, musicians, designers, scientists, and perfumers. In addition to bringing a lively program of exhibitions, presentations and performances, Marres also features a beautiful garden and a wonderful restaurant.
