March 2022

March 2022


Cover: Gala Porras-Kim, 254 offerings for the rain at the Peabody Museum (detail), 2021.  

March 1, 2022
March 2022
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This month in Artforum:

Benjamin H. D. Buchloh on Lawrence Weiner (1942–2021)
“To differentiate Weiner’s writing decisively from poetry is still one of his work’s most bewildering challenges.” —Benjamin H. D. Buchloh

Martha Buskirk on the art of Gala Porras-Kim
“The artist’s engagement with institutions, if provocative, is not necessarily adversarial.” —Martha Buskirk

Dan Nadel on the art of Daniel Hesidence
“Hesidence’s techniques arise not only from a refusal of certainty but also from careful observation of paint phenomena and a dedication to making an unimpeachable surface.” —Dan Nadel

Kaelen Wilson-Goldie on Bassem Saad’s Congress of Idling Persons, 2021
“Saad locates the crucial pressure points affecting the flow of solidarity across different communities and art’s capacity to connect with viewers across different terrains.” —Kaelen Wilson-Goldie

And: Stephanie LaCava on Nora Turato, Alex Kitnick on Jason Hirata, Domenick Ammirati on Isolarii, Jeffrey Weiss on Bruce Nauman’s His Mark, Paul Galvez on James Ensor, Caroline Lillian Schopp on Günter Brus and Alfons Schilling, Nora N. Khan on “Metabolic Rift,” and Jordan Strafer shares her Top Ten.

Plus: Johanna Fateman on “Looking Back: The 12th White Columns Annual,” and more than 30 exhibition reviews from around the globe.

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