Basel Abbas and Ruanne Abou-Rahme: May amnesia never kiss us on the mouth

May amnesia never kiss us on the mouth (2020–2022) by the New York and Ramallah-based artists Basel Abbas and Ruanne Abou-Rahme is an evolving multipart project featuring sound, moving-image installation and live performance.

The project foregrounds Abbas and Abou-Rahme’s remarkable personal archive of found video clips and ephemeral recorded footage, collected by the artists since the early 2010s and the beginning of the Arab Revolutions. Posted online and on social media by ordinary people living in and around Palestine, Iraq and Syria, the video clips, often ad hoc and recorded on mobile devices, focus on song, dance, protest and performance—affirmative acts of vocalisation and physical gesture.

This collected material forms the foundation of Abbas and Abou-Rahme’s multi-layered installation, only sounds that tremble through us (2022). The digital traces of these performing bodies are brought together with new performances created by the artists with dancer Rima Baransi and musicians Haykal, Julmud, and Makimakkuk, working in Ramallah, Palestine. Footage is looped, manipulated and superimposed upon images that include solarised landscapes and destroyed dwellings. Projections are rhythmic and augmented with a fragmentary script in both Arabic and English, detailing experiences of violence, trauma, displacement and resistance. The sound, composed by the artists, shifts between the solo voice, singing dirge-like, and a reverberating audio, heavy with bass notes. As sound and moving image accumulate, a testimony of shared experience begins to emerge, and in turn a collective body of knowledge. 

May amnesia never kiss us on the mouth bears witness to geopolitical upheavals, forced migration and community disintegration whilst simultaneously enacting modes of survival for those marginalised by colonial-capitalist conditions—reclaiming space for alternative political logics to persist. The project’s overarching title, May amnesia never kiss us on the mouth is borrowed from the English translation of Chilean writer Roberto Bolaño’s Infrarealist Manifesto (1976), used here by Abbas and Abou-Rahme as a reminder to resist forgetfulness and the erasure of personal, political and community histories that disappear all too quickly from consciousness.

Abbas and Abou-Rahme will activate the installation with the live performance an echo buried, buried, but calling still (2022). Drawing upon further sound, video, and text from the artist’s larger archive and combining this with live vocals, electronics, sound sampling and projections. This new work examines the significance of voice and embodiment through song as a testimony to the resilience of communities under threat.

Tickets to an echo buried, buried, but calling still are free but limited. Book here. 

This is the most substantial presentation of the work of Abbas and Abou-Rahme in the UK to date. The project has been commissioned by the Museum of Modern Art and DIA Art Foundation. 

Basel Abbas (b. Nicosia, Cyprus, 1983) and Ruanne Abou-Rahme (b. Boston, US, 1983) have had solo exhibitions at, among others, the Art Institute of Chicago (2021); Kunstverein in Hamburg (2018); Art Jameel Project Space Dubai (2017); Alt Bomontiada, Istanbul (2017); and Carroll / Fletcher, London (2016). Their work has been included in major international biennials such as the 12th Sharjah Biennial (2015), the 10th Gwangju Biennale, the 31st São Paulo Biennial (both 2014), the 13th Istanbul Biennial (2013), and the 53rd Venice Biennale (2009).