Issue 229: out now

Issue 229: out now


Cover: frieze, September 2022.

September 7, 2022
Issue 229: out now
Twitter / Facebook / Instagram

“I somehow have this sense of history—of the now being history.” —Wolfgang Tillmans

In the September issue of frieze, Jeremy Atherton Lin profiles artist Wolfgang Tillmans ahead of his major survey at the Museum of Modern Art, New York. Plus, ahead of her Turbine Hall commission at Tate Modern, London, we celebrate Cecilia Vicuña with contributions from Andrés Anwandter, Cathy Park Hong, Brenda Lozano, Mónica de la Torre and Alejandro Zambra.

Profile: Wolfgang Tillmans
“If the purpose of looking is only to make, then there’s nothing to look at.” On the occasion of Wolfgang Tillmans’s forthcoming exhibition at the Museum of Modern Art, New York, Jeremy Atherton Lin considers the artist’s search for truth and his many ways of looking.  

Festschrift: Cecilia Vicuña
“Cecilia Vicuña’s art dissolves the spurious borders between language and media.” For the September issue of frieze, Andres Anwandter, Cathy Park Hong, Brenda Lozano, Monica de la Torre and Alejandro Zamba pay homage to an artist whose irreducible practice has drawn fantastically on personal and indigenous language and visual culture to challenge the limits of the imagination while evoking new possibilities for our shared reality.

Also featuring  
Liz Kim
delves into South Korea’s new artistic avant-garde; Alvin Li speaks to Mire Lee, whose solo show is open MMK Frankfurt; in “1,500 words,” coinciding with the release of her book How Not to Exclude Artist Mothers (and Other Parents), Hettie Judah explores the subject of motherhood in the work of Caroline Walker.

Columns: Parting Glances
Lucy Ives
corresponds with Do Ho Suh, an artist known for reconstructing lost architecture; Wayne Koestenbaum pens a list of things he’s waved goodbye to, including “backstroke” and “admiring large muscles”; Stanton Taylor on Reinhard Mucha’s farewell to West Germany; Cornelius Prior on processing grief through Psilocybin therapy. Plus, to coincide with the release of Mathieu Lindon’s new novel, Hervelino (2022), Alastair Curtis examines the writer’s relationships with Michel Foucault and Hervé Guibert.

Plus, Cathy Wade remembers a childhood encounter with Carolee Schneemann’s Up to and Including Her Limits (1973). Finally, Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.

RSVP for Issue 229: out now
September 7, 2022

Thank you for your RSVP.

frieze will be in touch.


e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.