For over ten years, Project Anywhere has promoted artists and researchers working anywhere in the world, in any context. After a decade of service to the international artistic research community, Project Anywhere is no longer accepting proposals for new projects, and will now turn its attention to creating a substantial ongoing historical archive of its ten years of programming in early 2024. Our current 2023 global exhibition program will therefore be our very last. Stay tuned for further announcements about our future online archive from 2024.
Meanwhile, Project Anywhere is pleased to share its extraordinary 2023 global exhibition program. Significantly, all proposals submitted to Project Anywhere have been rigorously blind peer reviewed by four artist academics of international standing and provisionally accepted proposals then ranked by our editorial committee. Specifically designed to promote advanced art and artistic research at the outermost limits of location-specificity, Project Anywhere has from the outset endorsed an original peer review model to replace the role of curator, which has in turn provided artists and artistic researchers working outside traditional exhibition systems with peer-validation, community support, and global dissemination of their work.
Project Anywhere 2023 global exhibition program
The Ship (Melody Woodnutt); Teenage God; Big Science (Martin White); Built of Earth (Zoë Heyn-Jones); Islands of Memory (Niccolò Masini and Elettra Bottazzi); Drawing the Ring of Steel(Kate Catterall); A Museum Encounter with the Uglich Sea (Nastia Volynova); Desert Sands (JD Trejo-Maya); A Ghost’s Story (Nieves Correa).
For more information visit here. Project Anywhere has been proudly supported as part of a partnership between the Centre of Visual Art (University of Melbourne) and Parsons School of Art, Media and Technology (Parsons School of Design, The New School).
