Monte di Pietà
April 20–November 24, 2024
Venice
Italy
Fondazione Prada presents Monte di Pietà, a project conceived by artist Christoph Büchel, in its Venice venue, Ca’ Corner della Regina, from April 20 to November 24, 2024.
Originally the home of Venetian merchants Corner di San Cassiano, Ca’ Corner della Regina was built between 1724 and 1728 on the ruins of the Gothic palazzo in which Caterina Corner, the future Queen of Cyprus, was born in 1454. In 1800, the building became the property of Pope Pius VII, who assigned it to the charitable Congregation of the Padri Cavanis. From 1834 to 1969, it hosted the Monte di Pietà (Mount of Piety) of Venice, whereas, in 1975, it became the Historical Archive of the Venice Biennale and has been the Venice permanent space of Fondazione Prada since 2011.
The layered history of the building is Büchel’s framework for constructing an articulated network of spatial, economic, and cultural references. Monte di Pietà is a deep dive into the notion of debt as the root of human society and the primary vehicle by which political and cultural power is exercised. Historically, a crossroads of commercial and artistic exchange and intermingling, the city of Venice is an ideal context for exploring the relationships between these complex topics and the deep dynamics of contemporary society.
The project develops in an immersive environment, taking over the palazzo, specifically its ground floor, mezzanine and first floor. It consists of a fictitious bankrupt pawnshop based on the original layout of the Monte di Pietà of Venice. Christoph Büchel’s work The Diamond Maker (2020–), a suitcase containing lab-grown diamonds, is on view in this context. It results from a physical and symbolic process of destruction and transformation of the artist’s entire body of artworks in his possession, including the ones from his youth and childhood and those yet to be created. The diamonds have been realized by ALGORDANZA AG, a company founded in 2004 in Switzerland that produces memorial diamonds globally. Monte di Pietà incorporates new productions and references of installations previously conceived by Christoph Büchel, a heterogeneous selection of objects, documents, historical and contemporary artworks related to property history, credit and finance, the development of collections and archives, and the creation and meaning of real or artificial wealth
Monte di Pietà also explored the blurred boundaries between the physical and virtual dimensions of our contemporaneity. Through the online activity of a granfluencer and the activation of a cryptocurrency, the project deals with immateriality and volatility of financial transactions in the digital sphere that, in an almost alchemical process, burn wealth to produce new value. The speculative mechanisms typical of cryptocurrencies are bent in favor of people who were born or are residents of Municipality of Venice. This token, called Schei and promoted on TikTok by the granfluencer Regina de schei, aims to create new profit and distribute it to Venetian inhabitants.
In Western history, debt, virtual money and the birth of currency are intrinsically linked to the management of power that enables expansion and accumulation. Debt has always played an essential role in social and political upheavals, and rulers have repeatedly implemented debt cancellations throughout history, often used to restore the previous social order. In particular, the Republic of Venice was a mercantile state that contributed to the birth of modern debt-based financial markets and the legal recognition of intellectual property. Debt is also closely related to the practices of storage and accumulation of tangible and intangible resources. The art system, specifically museum institutions, plays a significant role in preserving heritages and collections and assigning symbolic and economic value to goods and objects.
