October 6, 2016 - CRAC Alsace - Nameless Freedom
October 6, 2016

CRAC Alsace

Nameless Freedom
October 16, 2016–January 15, 2017

Opening brunch: October 16, 11:30am

CRAC Alsace
18 rue du Château
68130 Altkirch
France
Hours: Tuesday–Sunday 2–6pm

T +33 3 89 08 82 59
info@cracalsace.com

cracalsace.com
Twitter / Facebook / Instagram

Nameless Freedom
October 16, 2016–January 15, 2017

Opening brunch: October 16, 11:30am

CRAC Alsace
18 rue du Château
68130 Altkirch
France
Hours: Tuesday–Sunday 2–6pm

T +33 3 89 08 82 59
info@cracalsace.com

cracalsace.com
Twitter / Facebook / Instagram

Curated by Elfi Turpin.

With Sven Augustijnen, Nicolas Clair, Fernand Deligny, Frédéric Dialynas Sanchez with input from Lê Huy Cửu and Sébastien Leseigneur, Vidya Gastaldon, Beatrice Gibson, Daniel Jacoby, Irene Kopelman, Felipe Mujica, Johanna Unzueta.

In the late 1960s, in the space-time void of the Cévennes region, French poet and pedagogue Fernand Deligny established a territory for autistic children and their speaking carers. In doing so he set up the context for hitherto unheard of events through the interweaving of unpremeditated relationships between all concerned.

In order to observe and grasp this process, Deligny used as recording tools not only film, but also drawing; the latter enabled the mapping onto this territory of the trajectories, acts and spatial displacements of the mute subjects and their speaking educators. These maps, known as the "Lignes d’erre du réseau des Cévennes" (the Cévennes Network Wander Lines), built a way of seeing on strata of silent, invisible relationships, instead of traversing them blindly. The point was to avoid misunderstandings and to enter the children's field of vision in a way that enabled a communal life outside of language.    

Deligny's original contribution was "to do without doing": to make possible—with no prior suppositions, imaginings or ideations—modes of being conducive to the surfacing of reality. A tricky matter which, over and above experimental education and alternative experiences of transmission, bears directly on this exhibition: one intended to be free, and devoid of presupposition, and to this end convening artists who themselves also tend to bring an unimaginable reality to the surface.

What goes on in an exhibition? What goes on between its inhabitants? Between the artists, the works, the curators, the carers, and the visitors with their myriad language registers? How to avoid crushing its developing, invisible relationships? How to avoid ploughing blindly through an exhibition? How to enter the field of vision of the works? How to live outside of language?

–E.T., September 2016

*"La liberté sans nom" (Nameless Freedom) is the title of an essay in Fernand Deligny, L’Arachnéen et autres textes (Paris: Editions L’Arachnéen, 2008).

 

Press contact: Richard Neyroud, r.neyroud [​at​] cracalsace.com


CRAC Alsace is a member of d.c.a and Versant Est.

CRAC Alsace is supported by Ville d’Altkirch, Conseil Départemental du Haut-Rhin, Région Grand Est and DRAC Alsace Champagne-Ardenne Lorraine – Ministère de la Culture et de la Communication.

 

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