Yoko Ono: Music of the Mind

The Museum of Contemporary Art Chicago is thrilled to announce Yoko Ono: Music of the Mind, opening October 2025. The MCA is the exclusive US venue for this comprehensive solo exhibition dedicated to artist, musician, and activist Yoko Ono (b. 1933, Tokyo, Japan; lives in New York). Traveling from Tate Modern in London, where it enjoyed record attendance, and in close collaboration with Ono’s studio, this groundbreaking retrospective covers seventy years of Ono’s trailblazing career, with over 200 works including participatory instruction pieces and scores, installations, a curated music room, films, music and photography, and archival materials. The exhibition reveals Ono’s innovative approach to language, art, and participation that continues to speak to the present moment.

Participation is an important feature of Yoko Ono’s vision as an artist, which is why visitors will be able to partake in several interactive, instruction-based artworks throughout Music of the Mind. This exhibition underscores Ono’s legacy of radical performance and her significant and influential contributions to visual art, including Fluxus and Conceptualism; music; film; and activism. The MCA is proud to welcome this timely exhibition, spotlighting Ono’s revelatory art from the last seven decades.

“We are thrilled to present Yoko Ono: Music of the Mind here at the Museum of Contemporary Art Chicago—a celebration of Ono’s expansive practice which continues to challenge the boundaries of artist and audience,” Pritzker Director Madeleine Grynsztejn said. “This exhibition underscores the avant-garde and interdisciplinary roots that made the MCA what it is today—our first performance in 1967 featured Fluxus artists. We’re overjoyed to bring Ono’s work to the MCA, a museum that so truly aligns with her practice and overlaps with her history.”

Yoko Ono: Music of the Mind documents the artist’s career starting with the mid-1950s, exploring her pivotal role in avant-garde circles in New York, Tokyo, and London, including the development of her "instruction pieces," and the active role she played in the formation of Fluxus, the loose art collective and movement founded in New York in the early 1960s. The exhibition highlights key works from across her decades-long career, including her performance Cut Piece (1964), considered a landmark in performance and feminist art; her collaborations with notable musicians such as John Cage, Ornette Coleman, and her late husband, John Lennon; selected activations of instruction-based art from her influential book Grapefruit (1964); her innovative films of the 1960s and 1970s including FLY (1970–71) and her banned Film No.4 (Bottoms) (1966–67) which she created as a "petition for peace"; recent works such as her ongoing Wish Tree installation (1996–present); and public artworks that are emblematic of Ono’s commitment to peace activism.

The exhibition features several participatory artworks, such as Painting to Hammer a Nail (1961/1966), Bag Piece (1964), and White Chess Set (1966), among others. Later works like Add Color (Refugee Boat) (1960/2016) encourage guests to write their hopes and beliefs on a white boat and its surroundings, while the installation My Mommy Is Beautiful (2004) gives the public an opportunity to share thoughts about their relationship to their mothers and motherhood and attach photographs of their mother. Additionally, there will be public activations of Ono’s peace-driven artworks on billboards throughout the city of Chicago and on the MCA’s premises.

“Yoko Ono is a wildly influential and significant figure in performance, conceptualism, music, and activism. She has inspired generations of audiences to think differently about the everyday and seeing art,” said Manilow Senior Curator Jamillah James. “It is an honor to host this wide-ranging exhibition, which is a critical opportunity that invites the public to deeply engage with Ono’s many important contributions to visual art in new and exciting ways."

Yoko Ono: Music of the Mind is organized by Tate Modern, London, in collaboration with Kunstsammlung Nordrhein-Westfalen, Düsseldorf and Gropius Bau, Berlin, and curated by Juliet Bingham, Curator, International Art, Tate Modern, with Andrew de Brún, Assistant Curator, International Art, Tate Modern. The MCA presentation is organized by Jamillah James, Manilow Senior Curator, with Korina Hernandez, Curatorial Assistant.