Photography, South Africa, Legacies

Photography, South Africa, Legacies

Yale University Art Gallery

David Goldblatt, Incomplete houses, part of a stalled municipal development of 1,000 houses.... Lady Grey, Eastern Cape, 5 August 2006, 2006. Courtesy of Yale University Art Gallery. © The David Godlblatt Legacy Trust.

April 7, 2025
Photography, South Africa, Legacies
A symposium at the Yale University Art Gallery
Photography, South Africa, Legacies: April 11, 9am–3pm
Yale University Art Gallery
1111 Chapel Street
New Haven Connecticut 06510
United States


T +1 203 432 0600
artgalleryinfo@yale.edu
artgallery.yale.edu

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Join a dynamic conversation with leading voices in photography, social history, and Black studies at the Yale University Art Gallery’s symposium, “Photography, South Africa, Legacies.” Organized in conjunction with the exhibition David Goldblatt: No Ulterior Motive, the symposium examines the work and legacy of South African photographer David Goldblatt (1930-2018), inviting timely inquiries into the structures and representations of apartheid. Using Goldblatt's photographs as an entry point, presentations will explore the intersections of photography, land dispossession, resistance, and photography's role in shaping and telling history. 

Schedule
9am:
 Coffee

9:30am: Welcome
Judy Ditner, the Richard Benson Curator of Photography and Digital Media, Yale University Art Gallery

9:45am: About David: The Quiet and the Commonplace
Brenda Goldblatt, David Goldblatt's daughter and collaborator

10am: Panel I: Photographs of Dispossession
The life, death, and resurrection of Indian South African cityscapes—Dan Magaziner, Professor of History, Yale University

Contentious Remembering: Photography, Memory, and the Memorialization of Dispossession in South Africa—M. Neelika Jayawardane, Professor of English, State University of New York at Oswego

Celebrating Home in the City: Photography and Black Johannesburg—Thuto Thipe, Assistant Professor of African History, University of Chicago

11am: Conversation: Poloko
Jabulani Dhlamini, South African documentary photographer
Leslie M. Wilson, Associate Director, Academic Engagement and Research, Art Institute of Chicago

12pm: Break

1pm: Panel II: Portraits of Resistance
An Open Book—Oluremi Onabanjo, the Peter Schub Curator of Photography, Museum of Modern Art

Portraiture and the Industry of “Visibility”—Antawan Byrd, Assistant Professor of Art History, Northwestern University, and Associate Curator of Photography, Art Institute of Chicago

Cropped and Redefined Impressions: The Passbook as Portrait of South(-ern) African History—Drew Thompson, Associate Professor of Visual Culture and Black Studies, Bard Graduate Center

2pm: Roundtable: All participants

The full schedule is also available online. Free and open to the public. Registration is not required. 

This event is organized in conjunction with David Goldblatt: No Ulterior Motive, by exhibition curators Judy Ditner and Leslie M. Wilson, as well as Daniel Menzo, the Marcia Brady Tucker Fellow, Department of Photography, Yale University Art Gallery. Symposium made possible by generous support from Jane P. Watkins, M.P.H. 1970, and the Martin A. Ryerson Lectureship Fund. 

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