Teresa Montoya: Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill

Teresa Montoya: Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill

Block Museum of Art, Northwestern University

January 27, 2026
Teresa Montoya
Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill
February 4–June 14, 2026
Opening Keynote: Teresa Montoya in Conversation: February 7, 2pm
Block Museum of Art, Northwestern University
40 Arts Circle Drive
60208 Evanston IL
www.blockmuseum.northwestern.edu

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Teresa Montoya’s Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill / February 4–June 14, 2026 / Opening keynote: Saturday, February 7, 2pm.

On August 5, 2015, the rupture of the abandoned Gold King Mine near Silverton, Colorado, released more than three million gallons of toxic wastewater into the Animas River, turning its waters as well as that of the San Juan River and its other tributaries, a shocking yellow. In 2016, Chicago-based artist and anthropologist Teresa Montoya (Diné, born 1984) embarked on a journey from the historic mining town of Silverton to Shiprock, New Mexico on the Navajo Nation, tracing the path of the contamination and documenting its ongoing cultural and environmental impacts.

Marking the ten-year anniversary of the disaster, The Block Museum of Art partners with Montoya to revisit this journey. Tó Łitso (Yellow Water) explores the enduring consequences of the Gold King Mine spill through photography, sound recordings, water samples, and cartographic data.

Combining documentary photographs with scientific data and poetic reflection, Tó Łitso invites viewers to consider water not only as a life-sustaining resource but also as a conduit for histories, stories, and harm. Through Montoya’s interdisciplinary practice, Tó Łitso (Yellow Water) offers a powerful meditation on environmental and cultural justice in the Southwest and beyond.

About Teresa Montoya
Teresa Montoya (Diné) is a photographer, social scientist, and Assistant Professor in the Department of Anthropology at the University of Chicago. Her research and creative practice focus on contemporary problems of environmental governance in relation to historical legacies of land dispossession and resource extraction across the Indigenous Southwest. Her work has been published in the American Journal of Public Health, Anthropology Now, Cultural Anthropology, Journal for the Anthropology of North America, Ecology and Society, Environment and Planning E: Nature and Space, Visual Anthropology Review, and Water International. She has curatorial experience in various institutions, including the Field Museum, where she served as a guest curator for Native Truths: Our Voices, Our Stories. She is the founding member of Diné in Focus, a collective dedicated to Diné photojournalism through a Diné lens. Website.

Explore the exhibition here.

Teresa Montoya’s Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill was curated by Kathleen Bickford Berzock, Associate Director of Curatorial Affairs, and Marisa Cruz Branco (Isleta Pueblo/Portuguese), Terra Foundation Fellow, in collaboration with the artist. It was supported in part by a grant from the Illinois Arts Council. Ahéhee' (thank you) to Janene Yazzie, John Hosteen, Wade Campbell, and Andrew Curley for Diné language and curatorial guidance.

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