The Dreamer

In 2025, with Wonder Booster, we embraced wonder as a catalyst, expanding our gaze beyond the ordinary. Now we channel it strategically—into commitment and shared responsibility. Forget rigid protocols: cultivate a mindset open to the unexpected, the other. Transform wonder into meaningful perspective. Our duties reach beyond preservation to the next generation, who will shape tomorrow. Listen to off-screen voices—the Foundation’s visitors seeking self-recognition, reinvention—and the city’s silent questions, brimming with alternative futures, unique ideas, limitless creativity.

Joseph Brodsky, in Watermark on Venice: “A tear can be shed in this place on several occasions. Assuming that beauty is the distribution of light in the fashion most congenial to one’s retina, a tear is an acknowledgement of the retina’s… failure to retain beauty.” Venice overwhelms with unrestrainable beauty—radiant or subdued, crashing like waves. It wins eternal admiration. “One is what one looks at”, Brodsky adds. “For in dreams, as the poet said, begin responsibilities.”

Yeats’s phrase sparked Delmore Schwartz’s story—a paradox where dreams educate the imagination, spurring ethical life for the self and others. Dreams mirror actions and evasions, revealing position. Ignoring them is as irresponsible as dodging questions. Daydreams propel futures, demanding we weigh the consequences. They insist on reality, binding us to the world and relationships. Responsibility encompasses dreams themselves. Imagination isn’t a luxury—it’s a force, restrained amid wonder, a mission to conceive worlds and avoid catastrophes.

Giovanni Querini Stampalia is the dreamer: heir to a family ignited by art’s fire, science’s spark, vast libraries, fencing’s steel poetry, thundering horses. Unmarried, he gave it all—palace, collections, a midnight-open library for “useful studies,” free to everyone. A radical hack against locked-up knowledge.

His sister Caterina, the feminine counterpoint: poised passion, wed to cultured shadows, fueling salons with illuminated grace. Masculine thunder meets silken glow—their duet redefines legacy.

The Dreamer exhibition, opening on May 5, is conceived as a series of cinematic sets or stages: entry ignites family obsessions; the library pulses with late-night wisdom; stables clash hoof and blade; the finale unpacks the 1869 will’s eternal gift. Velvet drapes, gaslit flickers, war drums, horse whinnies touch the scars of an era. History not on shelves, but alive: What will you donate to tomorrow?

The poet’s insight is vital: responsibility precedes action, words, will—surfacing in raw desires. Life is a dream, dreams are political, ethical sources of shared possibilities. Great narratives turn on dreams from private longing to “I have a dream.” They call, seduce, and demand vigilance. What world do we want? No vision without dreams, no dreams without commitment, no commitment without the tear for beauty greater than us. No dreams without responsible dreamers.

Cristiana Collu
Director of Fondazione Querini Stampalia