Cevdet Erek: Americas
Yining Fei: Feral Sediment
September 19–December 28, 2026
Long Island City NY 11101
United States
Hours: Monday and Thursday–Sunday 12–6pm
Aziz Hazara: Coming Home
September 19–December 28, 2026
Opening reception: Saturday, September 19, 2–4pm
Aziz Hazara: Coming Home seeks to return material discarded at Bagram Airfield following the American military’s abrupt withdrawal from Afghanistan. At SculptureCenter, the items comprising Coming Home offer a glimpse into the material remnants of a twenty-year war. Cumulatively, they bear witness to everyday life in a military outpost, bringing into focus the massive human, environmental, and material dimensions of a conflict that, outside of Afghanistan, was primarily experienced through images. Although the exhibition consists of debris—discarded objects from a specific site—it serves as an active and durational engagement with the simple gesture of return, complicated by the infrastructure and legacies of US intervention.
Cevdet Erek: Americas
September 19–December 28, 2026
Opening reception: Saturday, September 19, 2–4pm
Cevdet Erek—Sounds, Artworks, Words: Tuesday, September 22, 6:30–7:30pm
Cevdet Erek: Americas arranges five of Cevdet Erek’s site-specific sonic works developed in the last decade alongside a new commission for SculptureCenter. Reworking and rechanneling the murmurs of his previous installations into a new compilation, Erek will create a rhythmic structure that synchronizes with the textures of SculptureCenter’s labyrinthine lower level. His immersive sonic installations distribute multiple frequencies that hold fragmentary chords, custom-built speakers amplify architectural features, and refashioned measuring rulers quantify and make physical beats of time. His site-specific commission will consider two possibly overlapping histories rooted in New York City: the emergence of heavy underground music in the 1980s and Sound/Art, a 1984 exhibition at SculptureCenter that contributed to the definition of sound art as a genre.
Yining Fei: Feral Sediment
September 19–December 28, 2026
Opening reception: Saturday, September 19, 2–4pm
Yining Fei: Feral Sediment centers on the milu, a rare species of deer native to China, whose survival has been mediated by captivity, diplomacy, and modern infrastructure. The exhibition originates in Fei’s observations of the morphological similarities between the lining of the deer’s digestive organs and aerial views of industrialized landscapes, a coincidence that opens an inquiry into what separates wildness from domestication. Working across sculpture, moving image, and installation, Fei constructs the deer’s interior organs as a cosmos in miniature, a space where the biological and the artificial, the intimate and the planetary, converge.
In Practice 2027
SculptureCenter is pleased to announce the artists selected through our In Practice 2027 Open Call for Artist Proposals: Jianxin Tian, Thomas Tait, Anastasia Sosunova, Ash Moniz, Max Popov, and Jessica Wilson.
In Practice: Jianxin Tian
On view: January 27–March 8, 2027
In Practice: Thomas Tait
On view: March–April 2027
In Practice: Anastasia Sosunova
On view: May–June 2027
In Practice: Ash Moniz
On view: July–August 2027
In Practice: Max Popov
On view: September–October 2027
In Practice: Jessica Wilson
On view: November–December 2027
Future exhibitions
In January 2027, SculptureCenter will open a solo exhibition by Berenice Olmedo on our ground floor that expands her study of machinic bodies. In May 2027, we’ll present Olga Balema’s first major solo institutional exhibition in the US. Additional programs and exhibitions will be announced at a future date.
Travelling exhibitions
Pat Oleszko: Fool Disclosure
Museum Cobra, Amstelveen, Netherlands
November 21, 2026–April 4, 2027
Centro per l'arte contemporanea Luigi Pecci, Prato, Italy
May 1–August 22, 2027
Support
Major support for Aziz Hazara: Coming Home is provided by Patrick Collins. Generous support is provided by Teiger Foundation. Additional funding is provided by Carla Chammas and Judi Roaman.
SAHA—provided support for Cevdet Erek: Americas.
Generous support for Cevdet Erek: Americas is provided by Bilge Ogut-Cumbusyan and Haro Cumbusyan, and the SAHA x TPF Art Circle.
Special thanks to neugerriemschneider, Berlin and Koray Duman.
Support for Yining Fei: Feral Sediment is provided by Ally Yanxiu Luo.
In Practice is made possible by the Elaine Graham Weitzen Commissioning Fund for Emerging Artists.
Major support for the In Practice program is provided by the Pollock-Krasner Foundation.
Generous support for In Practice is provided by Sarah Elson.
The SculptureCenter Asymmetry Curatorial Fellowship is made possible by Asymmetry.
Support for all of SculptureCenter’s work with artists from abroad is provided by the International Council: Anonymous, Stephen Cheng, Yan Du, Thomas Berger, Shareen Khattar, Kenneth Tan, Füsun Eczacıbaşı - SAHA, Selin Gülçelik, Emin Hitay, Tansa Mermerci, Antonio Murzi and Diana Morgan, Felekşan Onar, Ferruh Şenkaya, Berna Tuğlular, Koza Güreli Yazgan, Yuan Han Li, and Audrey Rose Smith and Vicente Muñoz.
Leadership support for SculptureCenter’s exhibitions and programs is provided by Carol Bove, Anna-Maria and Stephen Kellen Foundation, Barbara von Portatius, and Teiger Foundation. Major support is provided by Richard Chang, Jill and Peter Kraus, Miyoung Lee and Neil Simpkins, Eleanor Heyman Propp, Jacques Louis Vidal, and The Andy Warhol Foundation for the Visual Arts. Generous support is provided by Candy and Michael Barasch, Jane Hait and Justin Beal, Gabrielle Humphrey, Amy and Sean Lyons, Lily Lyons, Ronay and Richard Menschel, Poppy Pulitzer, and Alexander S.C. Rower. Additional funding is provided by Ben Ackerley, Charmaine and Roman Mendoza, Matt and Elizabeth Quigley, Katharine Ristich, Julien Sarkozy, Carla Shen, Kristina Wong Foster, and Lisa Young and Steven Abraham.
Leadership support for SculptureCenter’s annual operations is provided by the Lambent Foundation Fund of Tides Foundation. Major support is provided by Irene and Allen H. Brill, the Hartwig Art Foundation, and the A. Woodner Fund. Generous support is provided by Andrew Fine and David Andersson, Zenas Hutcheson/The Knox Foundation, Marinela Samourkas, our Board of Trustees, and many charitable individuals and friends.
SculptureCenter’s programming and operations are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and Queens Borough President Donovan Richards.
SculptureCenter acknowledges the generous support provided by the Collaborative Arts Network New York (CANNY). As a coalition of small to mid-sized multidisciplinary arts organizations, CANNY is committed to strengthening the infrastructure of arts nonprofits throughout New York. For more information about CANNY, please visit can-ny.org.











