Take for example the distinction between the "smooth" science of pre-industrial craft and the "striated" science of modern mathematics in chapter 12 of A Thousand Plateaus, first published in French in 1980. Deleuze himself would eventually contradict some of these arguments in his book on Leibniz, The Fold, and the Baroque (1988), where differential calculus is seen as the successful merger of the two sciences (as infinitesimal numbers are used to emulate, reenact, and manipulate the smooth continuity of natural materials and geometric operations). Both arguments were extremely influential in the rise of early digital design theories in the 1990s.
See in particular my book The Second Digital Turn: Design Beyond Intelligence, forthcoming with the MIT Press in September 2017.
Artificial Labor is collaborative project between e-flux Architecture and MAK within the context of the VIENNA BIENNALE 2017.