Technoecologies - Daniela Rosner - On Apps and Appliqué

On Apps and Appliqué

Daniela Rosner

Arc_tech_DR_01
Mimi Gellman, Traveler 1 and Traveler 2, 2025.
Technoecologies
November 2025










Notes
1

Debby Danard Wilson and Jean-Paul Restoule, “Tobacco Ties: The Relationship of the Sacred to Research,” Canadian Journal of Native Education 33, no. 1 (2010): 32. See also Jacqueline Lavallee, “Asemaa Nitam (Tobacco First): Indigenous Healing Practices within the Ojibwe Tradition,” (PhD diss., University of Toronto, 2022).

2

Mimi Gellman, “The Poetics of Indigenous Carto-Activism,” EUROPE 1, no. 416 (2022): 504–0274; Mimi Gellman, “Indigenous Research Ethics: A Decolonial Approach,” presentation, Emily Carr University of Art and Design and OCAD University, 2021, .

3

Oxford English Dictionary, 2nd edition, ed. John Simpson and Edmund Weiner (Oxford University Press, 1989).

4

Phyllis Tortora and Billie Collier, Understanding Textiles (New Jersey: Simon & Shuster, 1997), 343.

5

Tortora and Collier, Understanding Textiles, 344.

6

Tortora and Collier, Understanding Textiles, 344.

7

Nancy Arthur Hoskins, “Textiles, Coptic,” in Encyclopedia of Clothing and Fashion. Volume 3: Occult Dress to Zoran, index, ed. Valerie Steele (Farmington Hills: Thomson Gale, 2005), 298.

8

John Major, “Textiles, Japanese,” in Encyclopedia of Clothing and Fashion. Volume 3: Occult Dress to Zoran, index, ed. Valerie Steele (Farmington Hills: Thomson Gale, 2005), 302.

9

Tortora and Collier, Understanding Textiles, 344.

10

Avril Hart, “Fans,” in Encyclopedia of Clothing and Fashion. Volume 2: Fads to Nylon ed. Valerie Steele (Farmington Hills: Thomson Gale, 2005), 6.

11

Hart, “Fans,” 8.

12

Gillion Carrara, “Ferragamo, Salvatore,” in Encyclopedia of Clothing and Fashion. Volume 2: Fads to Nylon ed. Valerie Steele (Farmington Hills: Thomson Gale, 2005), 78.

13

Patricia Mainardi, “Quilts: the Great American Art,” in Feminism and Art History, (Routledge, 2018), 343; Elissa Auther, String. Felt. Thread (Minneapolis: University of Minnesota Press, 2010) 131.

14

Anna Arabindan-Kesson, Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World (Durham, NC: Duke University Press, 2021), 200. See also Mellanee Goodman, In the Fray: Black Women and Craft, 1850–1910 (master’s thesis, Warren Wilson College, 2021); and Marie Lo, “Handcrafting Whiteness: Booker T. Washington and the Subject of Contemporary Craft,” ASAP/Journal 5, no. 2 (2020).

15

Johanna Drucker, SpecLab: Digital Aesthetics and Projects in Speculative Computing (University of Chicago Press, 2009), 207.

16

“Permacomputing Wiki,” . See also and ➝. See also Jason Edward Lewis et al., “Abundant Intelligences: Placing AI within Indigenous Knowledge Frameworks,” AI & Society 40, no. 4 (2025): 2141–57; and Ana Valdivia, “Data Ecofeminism,” in Proceedings of the 2025 ACM Conference on Fairness, Accountability, and Transparency (New York: Association for Computing Machinery, 2025), 391–403. 2025.







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