Future Public - Rahel Aima - Free Culture?

Free Culture?

Rahel Aima

Arc_FP_Aima_1

Photograph of the Arch of Triumph from Palmyra, Syria being reconstructed in Trafalgar Square. Photo: David Parry.

Future Public
September 2017










Notes
1

Museum of Islamic Art, “About Us” (2016), .

2

Ed Yong, “Why Frog Tongues Are So Sticky,” The Atlantic (February 1, 2017), .

3

Richard Clayton, "The Life of a Song: 'This Land is Your Land,'" Financial Times (April 15, 2016), .

4

Hilary Bird, "Cultural appropriation: Make it illegal worldwide, Indigenous advocates say," CBC News (June 13, 2017), .

5

Jason Burke, "ICC ruling for Timbuktu destruction 'should be deterrent for others,'" The Guardian (September 27, 2016), .

6

"African Union backs mass withdrawal from ICC," BBC News (February 1, 2017), .

7

Taryn Simon, Paperwork and the Will of Capital, 2015. .

8

See Claire Voon, "Slick Replica of Palmyra’s Triumphal Arch Arrives in New York, Prompting Questions," Hyperallergic (September 20, 2016), ; Jane Park, "How should we attribute 3D printed objects?," Creative Commons (April 19, 2016), .

9

Alexander Provan, "Unknown Makers," Art in America (October 1, 2016), .

10

Cesare Casarino’s distinctions between this singular, flattened “common” and a “commons” are useful here. See: Cesare Casarino and Antonio Negri, In Praise of the Common: A Conversation on Philosophy and Politics (Minneapolis: University of Minnesota Press, 2008).

11

Hansi Lo Wang, "Art From Japanese-American Internment Camps Saved From Auction Block," NPR (April 16, 2015), .

Future Public is a collaboration between the New Museum’s IdeasCity initiative and e-flux Architecture for IdeasCity New York, 2017.