Museum of Islamic Art, “About Us” (2016), ➝.
Ed Yong, “Why Frog Tongues Are So Sticky,” The Atlantic (February 1, 2017), ➝.
Richard Clayton, "The Life of a Song: 'This Land is Your Land,'" Financial Times (April 15, 2016), ➝.
Hilary Bird, "Cultural appropriation: Make it illegal worldwide, Indigenous advocates say," CBC News (June 13, 2017), ➝.
Jason Burke, "ICC ruling for Timbuktu destruction 'should be deterrent for others,'" The Guardian (September 27, 2016), ➝.
"African Union backs mass withdrawal from ICC," BBC News (February 1, 2017), ➝.
Taryn Simon, Paperwork and the Will of Capital, 2015. ➝.
Alexander Provan, "Unknown Makers," Art in America (October 1, 2016), ➝.
Cesare Casarino’s distinctions between this singular, flattened “common” and a “commons” are useful here. See: Cesare Casarino and Antonio Negri, In Praise of the Common: A Conversation on Philosophy and Politics (Minneapolis: University of Minnesota Press, 2008).
Hansi Lo Wang, "Art From Japanese-American Internment Camps Saved From Auction Block," NPR (April 16, 2015), ➝.
Future Public is a collaboration between the New Museum’s IdeasCity initiative and e-flux Architecture for IdeasCity New York, 2017.