On Models - Thea Brejzek and Lawrence Wallen - Architecture, Model, Performance

Architecture, Model, Performance

Thea Brejzek and Lawrence Wallen

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OMA, Content, Neue Nationalgalerie, Berlin, 2003. Image courtesy of OMA.

On Models
September 2022










Notes
1

“DOPPELGÄNGER, auch wol doppeltgänger, m., jemand von dem man wähnt er könne sich zu gleicher zeit an zwei verschiedenen orten zeigen,” Der digitale Grimm, Bd. 2, Sp. 1263, (1838), trans. Authors, .

2

Thea Brejzek and Lawrence Wallen, “Subject, Site and Sight: Freud and Tschumi on the Acropolis.” In: Claudia Perren, Sarah Breen Lovett, and Ross Anderson eds., Reverse Projections: Expanded Architecture at The Rocks (Berlin: Broken Dimanche Press, 2013), 52-57.

3

Olafur Eliasson, “Models are Real,” 306090 Books 11 (2007): 19.

4

Marx W. Wartofsky, Models: Representation and the Scientific Understanding (Dordrecht, Holland, Boston: D. Reidel Publishing Company, 1979), 148.

5

Herbert Stachowiak, Allgemeine Modelltheorie (Wien: Springer Verlag, 1973).

6

Plato, Timaeus and Critias, trans. Robin Waterfield (Oxford: Oxford University Press, 2008), 28A.

7

Damian Lentini, “Amplifying the circuit of experience. Dumb Type's multifarious practice.” In: Damian Lentini ed., Dumb Type (Vienna: VfmK, 2022), 26.

8

Based on their 1994 exhibition, On the Human Condition: Hope and Despair at the End of the Century.

9

The artwork questions “our ability to decipher reality in a world which is increasingly being shaped by digital and artificial ‘intelligences.’” Lentini, “Amplifying the circuit of experience.”